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Kimono as Art: Landscapes of Itchiku Kubota [Hardback]

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  • Formāts: Hardback, 160 pages, height x width x depth: 306x255x23 mm, weight: 1390 g, 160 illustrations, 157 in colour
  • Izdošanas datums: 10-Nov-2008
  • Izdevniecība: Thames & Hudson Ltd
  • ISBN-10: 0500976856
  • ISBN-13: 9780500976852
Citas grāmatas par šo tēmu:
  • Formāts: Hardback, 160 pages, height x width x depth: 306x255x23 mm, weight: 1390 g, 160 illustrations, 157 in colour
  • Izdošanas datums: 10-Nov-2008
  • Izdevniecība: Thames & Hudson Ltd
  • ISBN-10: 0500976856
  • ISBN-13: 9780500976852
Citas grāmatas par šo tēmu:
The first major book on Japanese textile artist Itchiku Kubota, published to accompany a touring exhibition.

This lavishly illustrated book showcases fifty-five masterworks by Japanese kimono artist Itchiku Kubota (1917-2003). Initially determined to unlock the secrets of dyed and painted Japanese textiles of the fourteenth to early seventeenth centuries, Kubota ultimately invented a unique method of decoration. His work combines stitch-resist and ink drawing with a complex layering of color to achieve hauntingly beautiful landscapes with richly textured surfaces and an impressionistic rendering of nature never before seen in the textile arts.

Although Kubota produced kimono for Japanese celebrities, his primary endeavor was the creation of a series of monumental kimonos intended only for display. Mount Fuji, Universe, and the thirty-four-piece Symphony of Light are his most important series. The latter two are intended to be shown sequentially, much like the panels of a Japanese screen or decorated sliding doors. This entirely new approach to the use of the kimono as a vehicle for pictorial imagery has enabled Kubota's work to reach beyond the traditional boundaries of the single garment and elevated his work to installation art.

This book accompanies a touring exhibition and features essays by Dale Carolyn Gluckman, Asian textile specialist and former costumes and textile curator at the Los Angeles County Museum of Art, and Hollis Goodall, curator of Japanese art at LACMA, as well as an interview with Mr. Kubota's son and artistic heir, Itchiku Kubota II, by Derrick Cartwright, Director of the San Diego Museum of Art.
Foreword 6(2)
M. J. Albacete
Dennis Burks
Derrick R. Cartwright
Acknowledgments 8(1)
Dale Carolyn Gluckman
Chronology of Japanese Art Historical Periods
9(139)
Homage to My Father
10(2)
Satoshi Kubota
Visions of the Itchiku Kubota Art Museum: An Interview With Satoshi Kubota
12(4)
Derrick R. Cartwright
The Kimono Redefined: Tradition and Innovation in the Art of Itchiku Kubota
16(10)
Dale Carolyn Gluckman
Kubota as Imagist: Reinventing Pictorial Icons in Kimono Form
26(12)
Hollis Goodall
Symphony of Light
38(82)
Dale Carolyn Gluckman
Cat. Nos. 1-40
40(80)
Mount Fuji
120(12)
Dale Carolyn Gluckman
Cat. Nos. 41-45
122(10)
Individual Works
132(16)
Dale Carolyn Gluckman
Cat. Nos. 46-55
138(10)
List of Works
148(6)
Biography of Itchiku Kubota
150(2)
Dale Carolyn Gluckman
Overview of the Basic Production Techniques of Itchiku Kubota
152(2)
Dale Carolyn Gluckman
Notes 154(2)
Glossary of Terms 156(3)
Bibliography 159