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Language of Music: Minority Languages in Popular Music [Hardback]

Edited by (University of Waikato, NZ)
  • Formāts: Hardback, 208 pages, height x width: 234x156 mm, 1 Line drawings, black and white; 11 Halftones, black and white; 12 Illustrations, black and white
  • Sērija : Ashgate Popular and Folk Music Series
  • Izdošanas datums: 23-Sep-2025
  • Izdevniecība: Routledge
  • ISBN-10: 1041043287
  • ISBN-13: 9781041043287
Citas grāmatas par šo tēmu:
  • Formāts: Hardback, 208 pages, height x width: 234x156 mm, 1 Line drawings, black and white; 11 Halftones, black and white; 12 Illustrations, black and white
  • Sērija : Ashgate Popular and Folk Music Series
  • Izdošanas datums: 23-Sep-2025
  • Izdevniecība: Routledge
  • ISBN-10: 1041043287
  • ISBN-13: 9781041043287
Citas grāmatas par šo tēmu:
"Even when absorbed in solitude, the uniting power of music holds the power to instil a sense of belonging connecting outsiders, outcasts and the dissident. From the agitation of protest songs to expressions of uniqueness and diversity, music offers a means for expressing individual struggle, suffering and disadvantage that can be heard, acknowledged and understood to bring about social action, reconciliation and education. This collection delves into the politics of language choice when composing and performing popular music in punk, metal, hip hop and rap. It provides fascinating examples of language change, resistance and reclamation from different parts of the globe, giving readers insights into the work of artists, the activity and functions of scenes and music spaces. This collection will introduce new music and subcultures to the wider academic community to explore and enjoy"-- Provided by publisher.

This collection delves into the politics of language choice when composing and performing popular music in punk, metal, hip hop and rap. It provides examples of language change, resistance, reclamation and revitalization from across the globe, giving readers insights into the work of artists, activity and function of scenes and music spaces.



This collection delves into the politics of language choice when composing and performing popular music in punk, metal, Hip-Hop and rap and provides fascinating examples of language change, resistance, reclamation and revitalisation from across the globe, giving readers insights into the work of artists, the activity and functions of scenes and music spaces. Even when absorbed in solitude, the uniting power of music holds the power to instil a sense of belonging connecting outsiders, outcasts and the dissident. From the agitation of protest songs to expressions of uniqueness and diversity, music offers a means for expressing individual struggle, suffering and disadvantage that can be heard, acknowledged and understood to bring about social action, reconciliation and education. This collection will introduce new music and subcultures to the wider academic community to explore and enjoy.

1. Introduction
2. The Theory and Discourse of Developmental
Regionalism
3. State of Play in the Tripartite Free Trade Area Negotiations
4. Monetary Union in Southern Africa: Is SADC Ready?
5. Industrialization
in Southern Africa: A Developmental and Strategic Perspective
6.
Agriculture and Developmental Regionalism in Southern Africa
7. Mineral
Value Chains Development and Policy Harmonization in the Southern African
Development Community: Opportunities and Challenges
8. Immigration,
Xenophobia and Developmental Regionalism in Southern Africa
9. Women in
Developmental Regionalism: The Case of Southern Africa
10. Engendering a
Regional Peace and Security Community in Southern Africa
11. Comparative
Perspective from West Africa: ECOWAS
12. Harnessing South-South
Cooperation: A BRICS Perspective on Regional Developmentalism
13. European
and EU Perspectives on Developmental Regionalism
14. Towards Sustainable
Developmental Regionalism and Peace in Southern Africa: Challenges and
Prospects
Gareth Schott is a Professor in Media and Creative Technologies at the University of Waikato University. His research portfolio is broad but includes several research publications that examine the impact of punk as a cultural movement. His creative research-praxis includes the composition and performance of soundtrack and soundscape music to accompany film, installation and performance art.