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E-grāmata: Law, Lawyers and Justice: Through Australian Lenses

Edited by , Edited by (Griffith University, Australia), Edited by
  • Formāts: 308 pages
  • Izdošanas datums: 01-Apr-2020
  • Izdevniecība: Routledge
  • ISBN-13: 9781000047998
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  • Formāts: 308 pages
  • Izdošanas datums: 01-Apr-2020
  • Izdevniecība: Routledge
  • ISBN-13: 9781000047998

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This book engages with the place of law and legality within Australia’s distinctive contribution to global televisual culture.

Australian popular culture has created a lasting legacy – for good or bad – of representations of law, lawyers and justice ‘down under’. Within films and television of striking landscapes, peopled with heroes, antiheroes, survivors and jokers, there is a fixation on law, conflicts between legal orders, brutal violence and survival. Deeply compromised by the ongoing violence against the lives and laws of First Nation Australians, Australian film and television has sharply illuminated what it means to live with a ‘rule of law’ that rules with a legacy, and a reality, of deep injustice. This book is the first to bring together scholars to reflect on, and critically engage with, the representations and global implications of law, lawyers and justice captured through the lenses of Australian film, television and social media.

Exploring how distinctively Australian lenses capture uniquely Australian images and narratives, the book nevertheless engages these in order to provide broader insights into the contemporary translations and transmogrifications of law and justice.



This book engages with the place of law and legality within Australia’s distinctive contribution to global televisual culture.

Preface vii
Notes on contributors ix
PART I The unsettled law and justice of Australia
1(176)
1 Australian lenses on law, lawyers and justice
3(17)
Kim D. Weinert
Karen Crawley
Kieran Tranter
2 Crime drama and national identity on Australian television, 1960--2019
20(22)
Cassandra Sharp
3 Whose country? Colonialism and the rule of law in Sweet Country and Charlie's Country
42(17)
Jack Quirk
Julian R. Murphy
4 Taking a lens to the chase in Australian settler state colonialism
59(23)
Thalia Anthony
Kieran Tranter
5 Vilification, vigilantism and violence: troubling social media in Australia
82(24)
Chris Cunneen
Sophie Russell
6 Picnic at Hanging Rock: coming of age as a girl in the Gothic colonial institution
106(23)
Penny Crofts
Honni Van Rijswijk
7 Haunted colonialism: space, place and colonialism in The Bahadook
129(15)
Pauline Kxippmark
8 Being engaged in colonial critique by Mojo Juju's `Native Tongue'
144(33)
Kirsty Duncanson
PART II Australian gendered identities and law
177(111)
9 Rake and Rumpole -- mavericks for justice: purity and impurity in legal professionalism
179(23)
John Flood
10 Cleaver Greene: the legal larrikin on Australian screens
202(18)
Lili Paquet
11 Eyes wide shut: homosociality, justice and male rape through an Australian lens
220(20)
Bruce Baer Arnold
12 Romper Stamper: a critique of neoliberalism in Australia
240(18)
Kim D. Weinert
13 Justice at the end of fury Road
258(17)
Kieran Tranter
14 Going bunta on Western law: violent jurisdictions, melodrama and the Australian carceral imaginary in Wentworth
275(13)
Laura Joseph
Honni Van Rijswijk
Index 288
Kim D. Weinert is a PhD candidate at Griffith Law School, Griffith University.

Karen Crawley is a senior lecturer at Griffith Law School, Griffith University.

Kieran Tranter is Chair of Law, Technology and Future in the School of Law, Queensland University of Technology.