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Learner-Centered Music Classroom: Models and Possibilities [Mīkstie vāki]

Edited by (University of South Florida, USA), Edited by
  • Formāts: Paperback / softback, 184 pages, height x width: 229x152 mm, weight: 81 g, 16 Line drawings, black and white; 1 Halftones, black and white
  • Izdošanas datums: 26-Jul-2019
  • Izdevniecība: Routledge
  • ISBN-10: 0367204460
  • ISBN-13: 9780367204464
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  • Mīkstie vāki
  • Cena: 52,11 €
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  • Formāts: Paperback / softback, 184 pages, height x width: 229x152 mm, weight: 81 g, 16 Line drawings, black and white; 1 Halftones, black and white
  • Izdošanas datums: 26-Jul-2019
  • Izdevniecība: Routledge
  • ISBN-10: 0367204460
  • ISBN-13: 9780367204464
Citas grāmatas par šo tēmu:

The Learner-Centered Music Classroom: Models and Possibilities is a resource for practicing music teachers, providing them with practical ideas and lesson plans for implementing learner-centered pedagogical concepts into their music classrooms. The purpose of this book is to propose a variety of learner-centered models for music teaching and learning through the use of a variety of autoethnographic viewpoints. Nine contributors provide working and concrete examples of learner-centered models from their classrooms. Offering lesson plan ideas in each of these areas, the contributors provide practical approaches for implementation of learner-centered approaches in music instruction across a variety of landscapes.

Learner-centered teaching provides an approach to music education that encourages social, interactive, culturally responsive, creative, peer-based, open-formed, facilitated and democratic learning. Chapter 1 defines the what, why, and perceived benefits of learner-centered approaches in music teaching and learning contexts Chapters 2-10 will include example lesson plans, rubrics, etc. as models for teachers. The contributors to this book suggest that learner-centered approaches, when embedded into the culture and curricular framework of a music classroom, offer exciting approaches for teaching music in ways that are culturally and educationally appropriate in contemporary education.

List of Figures
ix
List of Contributors
x
Preface xiii
1 Learner-Centered Teaching: Alternatives to the Established Norm
1(18)
Jonathan R. Kladder
2 The Elementary Music Classroom
19(20)
Zadda Bazzy
3 Another View of the Elementary Music Classroom
39(12)
Christopher Burns
4 The Traditional Secondary String Ensemble
51(18)
Sarah Gulish
5 The Traditional Secondary Concert Band
69(16)
David A. Williams
6 The Traditional Secondary Vocal Ensemble
85(20)
Radio Cremata
7 The Secondary General Music Classroom
105(18)
Patrick K. Cooper
8 The Steel Pan Ensemble
123(18)
Anne Fennell
9 The Non-Traditional Secondary Music Performance Class
141(20)
Jonathan R. Kladder
10 The Music Technology Class
161(21)
Nick Stefanic
Index 182
David A. Williams is Associate Professor of Music Education and also Associate Director of the School of Music at the University of South Florida.

Jonathan R. Kladder is Assistant Professor of Music Education at Ithaca College.