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Life of One's Own [Hardback]

3.98/5 (919 ratings by Goodreads)
  • Formāts: Hardback, 218 pages, height x width: 198x129 mm, weight: 340 g, 5 Illustrations, black and white
  • Sērija : The Collected Works of Marion Milner
  • Izdošanas datums: 24-Mar-2011
  • Izdevniecība: Routledge
  • ISBN-10: 0415550645
  • ISBN-13: 9780415550642
Citas grāmatas par šo tēmu:
  • Formāts: Hardback, 218 pages, height x width: 198x129 mm, weight: 340 g, 5 Illustrations, black and white
  • Sērija : The Collected Works of Marion Milner
  • Izdošanas datums: 24-Mar-2011
  • Izdevniecība: Routledge
  • ISBN-10: 0415550645
  • ISBN-13: 9780415550642
Citas grāmatas par šo tēmu:

How often do we ask ourselves, ‘What will make me happy? What do I really want from life?’ In A Life of One’s Own Marion Milner explores these questions and embarks on a seven year personal journey to discover what it is that makes her happy.

On its first publication, W. H. Auden found the book ‘as exciting as a detective story’ and, as Milner searches out clues, the reader quickly becomes involved in the chase. Using her own personal diaries, kept over many years, she analyses moments of everyday life and discovers ways of being, of looking, of moving, that bring surprising joy – ways which can be embraced by anyone.

With a new introduction by Rachel Bowlby this classic remains a great adventure in thinking and living and will be essential reading for all those interested in reflecting on the nature of their own happiness – whether readers from a literary, an artistic, a historical, an educational or a psychoanalytic/psychotherapeutic background.

Recenzijas

"Unlike Woolf [ in her book A Room of Ones Own], Milner doesnt just tell you it would be nice to have one (of your own), or that women deserve one (of their own); it shows you, step by step, and in lovingly private detail, how to go about getting oneall by yourself, and without any need for special training or material resourcesand what it might feel like to have one, moment by moment. It is an irresistible invitation." Rachel Bowlby, from the new introduction.

Acknowledgements vii
Prefatory Note xii
Introduction xiii
Rachel Bowlby
Preface xxxiii
1 First questions
1(13)
Discovering that I have nothing to live by
I decide to study the facts of my life
By this I hope to find out what is true for me
2 Keeping a diary
14(20)
I try to observe my own experience
And discover that the more I look the more I see
But I do not know how to learn from what I see
3 Exploring the hinterland
34(12)
Letting one's mind speak for itself
It shows that one can have unguessed-at thoughts
I find it has its own views about God and the world dare not ignore these
4 The coming and going of delight
46(11)
I suspect that moods can be controlled by an internal gesture
For I discover the power to stop the mind from meddling, discover also the invisible feelers of mind
Perhaps delight comes only when one stops trying
But panic comes as well, with the act of surrender
5 Searching for a purpose
57(13)
I try to have a purpose in life
I find a purpose but do not understand it
Wanting quality, not quantity, in living
Concentration begins to come alive
6 Searching for a rule
70(6)
I look for a rule to control moods
But I see the need to understand rather than to command
For I find that trying does not master moods
And `to will' seems a matter of waiting, not pushing
7 Two ways of looking
76(7)
I find that attention can be either wide or narrow
And wide attention sees a different world
But I cannot attend widely whenever I choose
8 Discovering that thought can be blind
83(9)
Observations of how children think provide me with a clue
I learn how to set snares for wandering thoughts
But am astonished at their childishness
And observe how blind they are to their own nature
9 Watching the antics of blind thinking
92(8)
I find also that blind thinking has no respect for facts
It thinks in terms of extremes
And it is at the mercy of the past, the personal, and of the accidental
It threatens the whole success of my enterprise
10 The escape from blind thinking
100(8)
I find that emotion and fatigue increase the blindness
But when expressed, thought can see itself
So talking teaches you how to think
And often you must talk to yourself
11 Fear of a dragon
108(8)
What happens when the gesture of wide attention fails?
What happens to ideas outside the narrow beam of attention?
Example of a fear that became monstrous when not recognized
What does fear of death mean?
12 More outcasts of thought
116(14)
I misinterpret a picture in terms of its opposite
And discover `opposites' in dreams and waking thoughts find how to provide clothing for outcast thoughts
And discover that dreams can provide clues
13 Relaxing
130(9)
I try to learn control of my mind by relaxing my body
But it seems that in order to relax physically one must first be active mentally
So I discover the sagacity of the body
And I begin to learn how to perceive, not through my head only, but with the whole of my body and the whole of my past
14 Cart-horse or Pegasus?
139(10)
Finding a natural rhythm of awareness
In the seeing phase I must stop and look back at the blind phase
But it was not always safe to stop and look
When watched, the blind phase becomes wise
15 Discovery of the `other'
149(7)
In spite of many discoveries I am still afraid of losing myself
Then comes a moment of accepted annihilation
And after this I discover new aspects of communication
16 Retrospect
156(9)
I had discovered something about happiness
And found that science could help me, but was not the end of my journey
I thought I had discovered the critical point of willing
And when I did what I could, then I became aware of an unconscious wisdom that was wiser than I
Epilogue 165(8)
Afterword 173
Marion Milner (1900-1998) was a distinguished British psychoanalyst, educationalist, autobiographer and artist.