Atjaunināt sīkdatņu piekrišanu

E-grāmata: Light for Art's Sake

  • Formāts: 304 pages
  • Izdošanas datums: 01-Jun-2007
  • Izdevniecība: Butterworth-Heinemann Ltd
  • Valoda: eng
  • ISBN-13: 9781136387517
  • Formāts - PDF+DRM
  • Cena: 169,06 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Bibliotēkām
  • Formāts: 304 pages
  • Izdošanas datums: 01-Jun-2007
  • Izdevniecība: Butterworth-Heinemann Ltd
  • Valoda: eng
  • ISBN-13: 9781136387517

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

Conservation scientists in museums and galleries have a clear understanding of the damage that light can inflict on an object, but what of the designers that create exhibitions to display these precious items? Light for Arts Sake provides a basis for a level of professional expertise for lighting practice in museums.
Rather than portraying conservation and display as having diametrically opposed objectives, the central concept is that the interaction of light and art media is the source for both the visual experience and the degradation of the artwork. Optimal solutions derive from understanding and controlling the interaction process, and the need is for the level of understanding among lighting professionals to be brought closer to that found among conservation scientists.

* Considers the conservation needs of an object in the context of the lighting design process

* Includes philosophical, conservation, and practical aspects of lighting design for museums and galleries

* Useful appendices provide details for easy access to materials and services discussed in the text

Recenzijas

"Light for Art's Sake is a well thought, through publication and it will form a valuable element for museum and art gallery designers. But it will also be a valuable text for all students of lighting - young and old."

David Loe, Lighting Research & Technology

Preface ix
Acknowledgments xi
Introduction xiii
A philosophy for the presentation of art
3(10)
Revealing visual attributes
13(26)
Light and illumination
13(4)
Human response to light
17(11)
Light levels in museums
28(2)
Revealing with light
30(9)
Light-induced damage to objects
39(12)
Photochemical reactions
39(1)
Radiant heating effect
40(1)
Material response to exposure
41(4)
Limiting exposure
45(6)
Daylighting typologies
51(78)
The aesthetics of daylight
51(3)
Side-lit rooms
54(9)
Monitor skylights
63(4)
Central skylight picture galleries
67(12)
Overall daylight-diffusing ceilings
79(9)
Restricted daylight-diffusing ceilings
88(4)
Polar-oriented skylights
92(7)
Wall-lighting picture galleries
99(13)
The presence of daylight
112(17)
Daylighting controls
129(14)
Light transmission
129(3)
Light distribution
132(5)
Ultraviolet transmission
137(1)
Solar heat gain
138(2)
Thermal transmission
140(3)
Electric lighting typologies
143(48)
The aesthetics of electric lighting
143(1)
Room surface lighting
144(8)
Lighting three-dimensional objects
152(12)
Lighting two-dimensional objects
164(8)
Case lighting
172(11)
Supplementing daylight
183(3)
Self-luminous art objects
186(5)
Electric lighting controls
191(22)
Light output control
191(3)
Luminaire optical control
194(15)
Luminaire directional control
209(1)
Lighting control systems
209(4)
Lighting strategies
213(50)
Ambient illumination
213(6)
A sequence of visual experiences
219(17)
Minimal-exposure displays
236(9)
The great space
245(9)
Visual connections
254(9)
Procedures for practice
263(18)
A museum lighting pro forma
263(12)
Setting up lighting for a new exhibition
275(4)
Maintaining lighting during the life of an exhibition
279(2)
References 281(2)
Bibliography 283(2)
Index 285


Christopher "Kit" Cuttle is currently Senior Lecturer in Architectural Technology at the University of Auckland. From 1957 he worked as a specialist architectural lighting designer and advisor, and since 1976 he has been lecturing on the subject in New Zealand, the UK and the US. He holds qualifications in illumination, electrical engineering and architecture, and has published 100 papers and articles on lighting.