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E-grāmata: Literary Mind and the Carving of Dragons

  • Formāts: PDF+DRM
  • Izdošanas datums: 13-Jan-2015
  • Izdevniecība: The Chinese University Press
  • Valoda: eng
  • ISBN-13: 9789629969318
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  • Formāts: PDF+DRM
  • Izdošanas datums: 13-Jan-2015
  • Izdevniecība: The Chinese University Press
  • Valoda: eng
  • ISBN-13: 9789629969318
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The Literary Mind and the Carving of Dragons is the first comprehensive work of literary criticism in Chinese, and one that has been considered essential reading for writers and scholars since it was written some 1,500 years ago. A vast compendium of all that was known about Chinese literature at the time, it is simultaneously a taxonomy and history of genres and styles and a manual for good writing. Its chapters, organized according to the I Ching, cover such topics as “Choice of Style,” “Emotion and Literary Expression,” “Humor and Enigma,” “Spiritual Thought or Imagination,” “The Nourishing of Vitality,” and “Literary Flaws.”

“Mind” is the ideas, impressions, and emotions that take form—the “carving of the dragon”—in a literary work. Full of examples and delightful anecdotes drawn from Liu Hsieh’s encyclopedic knowledge of Chinese literature, readers will find concepts and standards of the art of writing that are both alien and familiar.

The Literary Mind and the Carving of Dragons is not only a summa of classical Chinese literary aesthetics but also a wellspring of advice from the distant past on how to write. A complete translation of the text, this version has been reedited from the out-of-print edition published in 1983.
Introduction ix
The Literary Mind and the Carving of Dragon
Preface 1(7)
Hsu-chih
I On Tao, the Source
8(7)
Yuan-Tao
II Evidence from the Sage
15(5)
Cheng-sheng
III The Classics as Literary Sources
20(7)
Tsung-ching
IV Emendation of Apocrypha
27(5)
Cheng-wei
V An Analysis of Sao
32(8)
Pien-Sao
VI An Exegesis of Poetry
40(10)
Ming-shih
VII Musical Poetry
50(9)
Yueh-fu
VIII Elucidation of Fu
59(6)
Ch'uan-fu
IX Ode and Pronouncement
65(6)
Sung Tsan
X Sacrificial Prayer and Oath of Agreement
71(7)
Chu Meng
XI Inscription and Exhortation
78(7)
Ming Chen
XII Elegy and Stone Inscription
85(6)
Lei Pei
XIII Lament and Condolence
91(6)
Ai Tiao
XIV Miscellaneous Writings
97(6)
Tsa-wen
XV Humor and Enigma
103(8)
Hsieh Yin
XVI Historical Writings
111(14)
Shih-chuan
XVII Speculative Writings
125(9)
Chu-tzu
XVIII Treatise and Discussion
134(10)
Lun Shuo
XIX Edict and Script
144(10)
Chao Ts'e
XX War Proclamation and Dispatch
154(7)
Hsi I
XXI Sacrifices to Heaven and Earth
161(6)
Feng-shan
XXII Memorial, Part I
167(6)
Chang Piao
XXIII Memorial, Part II
173(8)
Tsou Ch'i
XXIV Discussion and Answer
181(10)
I Tui
XXV Epistolary Writing
191(13)
Shu Chi
XXVI Spiritual Thought or Imagination
204(6)
Shen-ssu
XXVII Style and Nature
210(5)
T'i-hsing
XXVIII The Wind and the Bone
215(4)
Feng-ku
XXIX Flexible Adaptability to Varying Situations
219(5)
T'ung-pien
XXX On Choice of Style
224(6)
Ting-shih
XXXI Emotion and Literary Expression
230(6)
Ch'ing-ts'ai
XXXII Casting and Cutting, or, on Editing of Ideas and Rhetoric
236(4)
Jung-ts'ai
XXXIII Musicalness
240(5)
Sheng-lu
XXXIV Paragraph and Sentence
245(6)
Chang-chu
XXXV Linguistic Parallelism
251(6)
Li-tz'u
XXXVI Metaphor
257(5)
Pi Hsing
XXXVII Hyperbole
262(5)
K'ua-shih
XXXVIII Factual Allusion and Textual Reference
267(8)
Shih-lei
XXXIX Philology and Choice of Words
275(8)
Lien-tzu
XL The Recondite and the Conspicuous
283(3)
Yin-hsiu
XLI Literary Flaws
286(7)
Chih-hsia
XLII The Nourishing of Vitality
293(5)
Yang-ch'i
XLIII Organization
298(5)
Fu-hui
XLIV Discussion on the Art of Writing
303(5)
Tsung-shu
XLV Literary Development and Time
308(15)
Shih-hsu
XLVI The Physical World
323(6)
Wu-se
XLVII Literary Talents
329(11)
Ts'ai-lueh
XLVIII An Understanding Critic
340(7)
Chih-yin
XLIX The Capacity of a Vessel
347
Ch'eng-ch'i