Why does literature matter? What is its human value? Historical approaches to literature have for several decades prevailed over the idea that literary works can deepen our understanding of fundamental questions of existence. This book re-affirms literature's existential value by developing a new critical vocabulary for thinking about literature's human meaningfulness. It puts this vocabulary into practice through close reading of a wide range of texts, from The Second Wakefield Shepherds Play to Mohsin Hamids The Reluctant Fundamentalist. Individual chapters discuss:
- Literatures engagement of the emotions
- Literatures humanisation of history
- Literatures treatment of universals and particulars
- The depth of reflection provoked by literary works
- Literature as a special kind of seeing and framing
The question at the heart of the volume, of why literature matters, makes this book relevant to all students and professors of literature.
Acknowledgements |
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ix | |
Introduction |
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1 | (12) |
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13 | (27) |
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Animating God: The Wakefield Second Shepherds' Play |
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19 | (4) |
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Animating the dead: Samuel Beckett, Endgame |
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23 | (5) |
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Individualism as a means of animation |
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28 | (3) |
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Animating individualism: Kate Chopin, The Awakening |
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31 | (7) |
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38 | (2) |
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40 | (32) |
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45 | (3) |
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Speculative history: Bruce Chatwin, Utz |
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48 | (8) |
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Characterological histories in contention: Shakespeare, I Henry IV |
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56 | (8) |
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Reconstructing body and mind: Toni Morrison, Beloved |
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64 | (6) |
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70 | (2) |
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3 Universals and particulars |
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72 | (32) |
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73 | (3) |
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76 | (3) |
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79 | (1) |
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Re-consecrated universals |
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79 | (1) |
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Particulars -- resonating particulars -- stubborn particulars -- metaphor |
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80 | (3) |
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83 | (2) |
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In and out of literary love: Carol Ann Duffy, `The Love Poem' |
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85 | (4) |
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Deconsecrated universals, fragile particulars: George Orwell, 1984 |
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89 | (5) |
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Poetic universals: Virginia Woolf, To The Lighthouse |
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94 | (8) |
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102 | (2) |
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104 | (35) |
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Fathoming love: Shakespeare, A Midsummer Night's Dream |
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108 | (14) |
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`No stone unturned': John Ford, `Tis Pity She's a Whore |
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122 | (9) |
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Rest and restlessness: John Donne's love poetry |
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131 | (7) |
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138 | (1) |
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139 | (32) |
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Beholders and bogus beholders, frames and pseudo-frames: Don DeLillo, White Noise |
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143 | (9) |
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Beholding in joy and doubt: William Wordsworth, `Lines Written a Few Miles Above Tintern Abbey' |
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152 | (6) |
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Framing fundamentalism: Mohsin Hamid, The Reluctant Fundamentalist |
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158 | (11) |
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169 | (2) |
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171 | (1) |
Bibliography |
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172 | (6) |
Index |
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178 | |
Andy Mousley is a Reader at De Montfort University. He is the author of Re-Humanising Shakespeare (2007), co-author of Critical Humanisms (2003), and editor of Towards a New Literary Humanism (2011). He has published widely on humanism and posthumanism, including articles in Textual Practice and Biography.