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E-grāmata: Literature and the Human: Criticism, Theory, Practice [Taylor & Francis e-book]

(De Montfort University, UK)
  • Formāts: 192 pages
  • Izdošanas datums: 15-May-2013
  • Izdevniecība: Routledge
  • ISBN-13: 9780203383025
Citas grāmatas par šo tēmu:
  • Taylor & Francis e-book
  • Cena: 155,64 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 222,34 €
  • Ietaupiet 30%
  • Formāts: 192 pages
  • Izdošanas datums: 15-May-2013
  • Izdevniecība: Routledge
  • ISBN-13: 9780203383025
Citas grāmatas par šo tēmu:

Why does literature matter? What is its human value? Historical approaches to literature have for several decades prevailed over the idea that literary works can deepen our understanding of fundamental questions of existence. This book re-affirms literature's existential value by developing a new critical vocabulary for thinking about literature's human meaningfulness. It puts this vocabulary into practice through close reading of a wide range of texts, from The Second Wakefield Shepherds’ Play to Mohsin Hamid’s The Reluctant Fundamentalist. Individual chapters discuss:

  • Literature’s engagement of the emotions
  • Literature’s humanisation of history
  • Literature’s treatment of universals and particulars
  • The depth of reflection provoked by literary works
  • Literature as a special kind of seeing and framing

The question at the heart of the volume, of why literature matters, makes this book relevant to all students and professors of literature.

Acknowledgements ix
Introduction 1(12)
1 Emotion
13(27)
Animating God: The Wakefield Second Shepherds' Play
19(4)
Animating the dead: Samuel Beckett, Endgame
23(5)
Individualism as a means of animation
28(3)
Animating individualism: Kate Chopin, The Awakening
31(7)
Conclusion
38(2)
2 History
40(32)
History as experienc
45(3)
Speculative history: Bruce Chatwin, Utz
48(8)
Characterological histories in contention: Shakespeare, I Henry IV
56(8)
Reconstructing body and mind: Toni Morrison, Beloved
64(6)
Conclusion
70(2)
3 Universals and particulars
72(32)
Embodiment
73(3)
Beyond basics
76(3)
Deconsecrated universals
79(1)
Re-consecrated universals
79(1)
Particulars -- resonating particulars -- stubborn particulars -- metaphor
80(3)
Poetic universals
83(2)
In and out of literary love: Carol Ann Duffy, `The Love Poem'
85(4)
Deconsecrated universals, fragile particulars: George Orwell, 1984
89(5)
Poetic universals: Virginia Woolf, To The Lighthouse
94(8)
Conclusion
102(2)
4 Depth
104(35)
Fathoming love: Shakespeare, A Midsummer Night's Dream
108(14)
`No stone unturned': John Ford, `Tis Pity She's a Whore
122(9)
Rest and restlessness: John Donne's love poetry
131(7)
Conclusion
138(1)
5 Beholding
139(32)
Beholders and bogus beholders, frames and pseudo-frames: Don DeLillo, White Noise
143(9)
Beholding in joy and doubt: William Wordsworth, `Lines Written a Few Miles Above Tintern Abbey'
152(6)
Framing fundamentalism: Mohsin Hamid, The Reluctant Fundamentalist
158(11)
Conclusion
169(2)
6 Conclusion
171(1)
Bibliography 172(6)
Index 178
Andy Mousley is a Reader at De Montfort University. He is the author of Re-Humanising Shakespeare (2007), co-author of Critical Humanisms (2003), and editor of Towards a New Literary Humanism (2011). He has published widely on humanism and posthumanism, including articles in Textual Practice and Biography.