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Literature, Music, Theatre?: The Performative Aspect of Rammsteins Musical Activity New edition [Hardback]

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This publication intends to answer the following research question: is the nature of the stage shows by the German music band Rammstein performative? The research problem has an interdisciplinary character and the main research direction is based on the comparative method, which deals with literature in a broad context.



The aim of my work was to show the performative nature of the stage performances of the musical group Rammstein. Due to their amazing nature, the group's shows can be treated as artistic performances. In my dissertation, I will determine whether there is an increased impact on the viewer by artistic means, throwing them out of the passive attitude of the observer and encouraging them to take action within the spectacle in real time. This interaction is possible and closely related to the acts of communication that can be transmitted through a specific communication channel or, as in the case of stage implementation, connect them with each other. So far, there has been no publication that deals with such an analysis of Rammstein’s concerts.

1 Introduction
9(2)
2 Research direction and literature methodology
11(10)
2.1 Interdisciplinarity and comparative studies
11(3)
2.2 The analysis regarding the interaction of literature, music and theatre
14(4)
2.3 The research method and tools
18(3)
3 Performative turn in the context of other research turns
21(36)
3.1 Performative turn: Performativity and performance
24(4)
3.2 From John L. Austin to Judith Butler: Mainstream performative research
28(6)
3.3 Ritual - Theatre - Performance: Performance research in terms of Victor Turner
34(7)
3.4 Concepts of stage performativity
41(2)
3.5 Communication on performance stages
43(3)
3.6 Performative character of stage performances
46(5)
3.7 Staging frame and its elements
51(4)
3.8 The rock scene of the Rammstein music band
55(2)
4 Literature review on the performative character of stage shows by music bands
57(8)
5 Analysis of the elements of the staging frame of Rammstein's stage performances
65(258)
5.1 Song analysis "Intro"
67(21)
5.1.1 Performativity in the song "Intro"
85(3)
5.2 Song analysis Sonne/Sun
88(13)
5.2.1 Performativity in the song "Sonne"
99(2)
5.3 Song analysis: "Wollt Dir das Bett in Flammen sehen?/Do you want to see the bed in flames?"
101(10)
5.3.1 Performativity in the song "Wollt Dir das Bett in Flammen sehen"
109(2)
5.4 Song analysis, "Keine Lust/No desire"
111(9)
5.4.1 Performativity in the song "Keine Lust"
118(2)
5.5 Song analysis "Sehnsucht/Longing"
120(9)
5.5.1 Performativity in the song "Sehnsucht"
127(2)
5.6 Song analysis: "Asche zu Asche/Ashes to ashes"
129(9)
5.6.1 Performativity in the song "Asche zu Asche"
136(2)
5.7 Song analysis "Feuer Frei/Fire Free!"
138(7)
5.7.1 Performativity in the song "Feuer Frei"
143(2)
5.8 Song analysis "Mutter/Mother"
145(9)
5.8.1 Performativity in the song "Mutter"
153(1)
5.9 Song analysis "Mein Teil/My part"
154(14)
5.9.1 Performativity in the song "Mein Teil"
166(2)
5.10 Song analysis "Du riechts so gut/You smell so good"
168(14)
5.10.1 Performativity in the song "Du riechts so gut"
180(2)
5.11 Song analysis "Links 2-3-4/Left 2,3,4"
182(14)
5.11.1 Performativity in the song "Links 2-3-4"
194(2)
5.12 Song analysis "Du hast/You Have"
196(13)
5.12.1 Performativity in the song "Du hast"
207(2)
5.13 Song analysis "Heifisch/Shark"
209(14)
5.13.1 Performativity in the song "Heifisch"
221(2)
5.14 Song analysis "Buck dich/Bend down"
223(14)
5.14.1 Performativity in the song "Buck dich"
235(2)
5.15 Song analysis of "Mann gegen Mann/Man against Man"
237(8)
5.15.1 Performativity in the song "Mann gegen Mann"
244(1)
5.16 Song analysis "Ohne Dich/Without you"
245(12)
5.16.1 Performativity in the song "Ohne dich"
255(2)
5.17 Song analysis "Mein Herz brennt/My heart burns"
257(10)
5.17.1 Performativity in the song "Mein Herz brennt"
265(2)
5.18 Song analysis "Amerika/America"
267(12)
5.18.1 Performativity in the song "Amerika"
277(2)
5.19 Song analysis "Ich Will/I want"
279(11)
5.19.1 Performativity in the song "Ich will/I want"
288(2)
5.20 Song analysis "Engel/Angel"
290(11)
5.20.1 Performativity in the song "Engel"
299(2)
5.21 Song analysis "Pussy/Pussy"
301(12)
5.21.1 Performativity in the song "Pussy"
311(2)
5.22 Song analysis "Fruhling in Paris/Spring in Paris"
313(10)
5.22.1 Performativity in the song "Fruhling in Paris"
320(3)
6 Summary and conclusions
323(6)
7 Sources
329(8)
7.1 Primary Literature
329(1)
7.2 Secondary Literature
329(7)
7.3 Other Sources
336(1)
Index of Names 337
Agnieszka Bagiska obtained her PhD at the Institute of German Studies and at the University of Warsaw, Poland In her research, she deals with topics related to German-language theater, cinema, audiovisual arts and contemporary popular music. With particular interest, she verifies the possibilities of applying qualitative methods in humanities research.