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Location and Postproduction Sound for Low-Budget Filmmakers [Mīkstie vāki]

4.00/5 (4 ratings by Goodreads)
  • Formāts: Paperback / softback, 214 pages, height x width: 234x156 mm, weight: 400 g, 9 Tables, black and white; 4 Line drawings, color; 5 Line drawings, black and white; 46 Halftones, color; 55 Illustrations, color
  • Izdošanas datums: 08-Jun-2020
  • Izdevniecība: Routledge
  • ISBN-10: 0367354241
  • ISBN-13: 9780367354244
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  • Mīkstie vāki
  • Cena: 52,11 €
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Location and Postproduction Sound for Low-Budget FilmmakersPalielināt
  • Formāts: Paperback / softback, 214 pages, height x width: 234x156 mm, weight: 400 g, 9 Tables, black and white; 4 Line drawings, color; 5 Line drawings, black and white; 46 Halftones, color; 55 Illustrations, color
  • Izdošanas datums: 08-Jun-2020
  • Izdevniecība: Routledge
  • ISBN-10: 0367354241
  • ISBN-13: 9780367354244
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9780367354244.html
Keywords:
This book covers everything you need to know to master the fundamentals of location sound recording and postproduction sound in a comprehensive one-stop guide.

This user-friendly book provides real world situations to analyze the many kinds of location recording configurations and postproduction scenarios and offers easy-to-adopt, budget-conscious solutions to some of the most common issues that arise when working with sound. Chapters cover the theory of sound, preproduction with a sound emphasis, microphone selection, testing equipment, how to boom and mix on set, synchronization and time code, and editing sound while doing a picture cut in a traditional picture software platform. Additionally, the book discusses bringing a project into a Digital Audio Workstation and explores basic sound design, dialogue editing, Automated Dialogue Replacement, Foley, sound effects, music for film, re-recording the final mix, and outputting sound to finish a project. Accompanying examples allow readers the opportunity to try out the various techniques and drills on location, in postproduction, or both.

Aimed at students, early career and independent filmmakers, as well as those considering a vocation in location and postproduction sound, Location and Postproduction Sound for Low-Budget Filmmakers makes achieving great sound attainable for all, and is an invaluable tool for anyone wanting to better understand the art of film sound.

Recenzijas

"Michael's book is a wonderful resource for the maverick independent filmmaker who makes up a one-person crew and has to learn everything on the job. Its focus on sound makes the book unique. Even if you have the budget to hire a sound team, it is helpful to read about production and postproduction sound to know what to expect. This book will help you avoid making terrible and costly mistakes. Save a lot of money - read this book first."

-Ruth Hernandez

ADR editor

The Marvelous Mrs. Maisel

HBO's High maintenance Season 4

"This book provides the aspiring filmmaker with a great overview of everything that they need to understand about sound but most often do not. Starting from recording through to post-production it explores the technologies, tools and techniques you need to succeed."

- Kira Summers

Birmingham City University

Acknowledgments vii
Preface viii
1 The modern filmmaker
1(7)
2 Tech concepts you need to understand
8(7)
3 Location sound recording: the basics
15(7)
4 Location recording microphone basics
22(10)
5 Configurations of location recording set-ups
32(8)
6 Train your ears learn your gear: test your devices all the way through to your final intended output
40(8)
7 Location sound recording: preparing for the shoot
48(11)
8 Booming and mixing techniques
59(12)
9 More asset gathering when location sound recording: or what you need to come away with (hint -- it's not just great sounding dialogue)
71(6)
10 Location sound recording in practice: specimen film - Turn Back Night
77(9)
11 Sound postproduction: an introduction to sound editing
86(6)
12 Sound postproduction that starts at the picture edit stage
92(9)
13 Sound editing and mixing in your editing application
101(6)
14 Organizing your picture cut for export to your DAW
107(12)
15 Basic sound design project structure
119(30)
16 Let's talk more deeply about dialogue editing
149(20)
17 Automated Dialogue Replacement: sound editing that requires looping or "comping"
169(7)
18 To Foley or not to Foley
176(4)
19 It's all for effect: an overview on the creation, uses, abuses, and editing of sound effects in film
180(9)
20 Music -- getting it right and left
189(8)
21 Putting it all together: sample sound edit/mix
197(10)
End note 207(1)
Index 208
Michael Tierno is a former Miramax Story analyst and an independent writer/director/editor of feature films. He is author of the best-selling book Aristotles Poetics for Screenwriters and has made four feature films including Turn Back Night, a sci-fi comedy. He is Associate Professor of Film Production at East Carolina University.