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Logic Pro 101: Music Production Fundamentals [Mīkstie vāki]

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  • Formāts: Paperback / softback, 372 pages, height x width: 235x191 mm, 150 Color Photos, 20 Tables
  • Izdošanas datums: 15-Nov-2021
  • Izdevniecība: Rowman & Littlefield Publishers
  • ISBN-10: 1538158167
  • ISBN-13: 9781538158166
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  • Cena: 49,51 €
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Logic Pro 101: Music Production FundamentalsPalielināt
  • Formāts: Paperback / softback, 372 pages, height x width: 235x191 mm, 150 Color Photos, 20 Tables
  • Izdošanas datums: 15-Nov-2021
  • Izdevniecība: Rowman & Littlefield Publishers
  • ISBN-10: 1538158167
  • ISBN-13: 9781538158166
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781538158166.html
Keywords:

Logic Pro 101 is a comprehensive guide to using a Logic Pro system for musicians and music creators. This book covers everything you need to know to complete a project in Apple’s professional-level digital audio workstation; takes you through the fundamentals of music production; and includes exercises, projects, and downloadable media examples.

Acknowledgments xv
Introduction. Welcome to Apple Logic Pro xvii
About This Book
xvii
Course Prerequisites
xviii
Course Organization and Sequence
xix
The NPT Digital Media Production Program
xx
How Can I Learn More?
xxi
Conventions and Symbols Used in This Book
xxi
Keyboard Shortcuts and Modifier
xxi
Icons
xxii
Chapter 1 Logic Pro Background 1(18)
The Logic Pro Digital Audio Workstation
2(1)
Audio Processing
2(1)
MIDI Production
2(1)
Notation and Scores
2(1)
Mixing and Automation
3(1)
Audio for Video and Post-Production
3(1)
Logic Pro History and Evolution
3(4)
E-Magic Introduces Notator Logic
3(1)
E-Magic is Purchased by Apple
4(1)
Apple Releases Subsequent Versions
4(1)
Logic Pro X is Born
5(1)
The Logic Pro 10.6 Release
6(1)
Using Control Surfaces with Logic Pro
6(1)
Logic Remote App
7(1)
Audio Characteristics: Waveform, Frequency, and Amplitude
7(2)
Waveform: The Shape of a Sound
8(1)
Frequency: The Pitch of a Sound
8(1)
Amplitude: The Intensity of a Sound
8(1)
Recording and Playing Back Analog Audio
9(1)
Converting Audio to Digital Format
9(3)
The Importance of Sample Rate
9(1)
The Importance of Bit Depth
10(1)
Sample Rate, Bit Depth, and File Size
11(1)
Recording in Digital Format
11(1)
Logic Pro System Configurations
12(2)
Host-Based Systems Versus DSP-Accelerated Systems
12(1)
Audio Interface Options
12(2)
Shortcuts and Naming Conventions
14(1)
Keyboard Commands
14(1)
File Saving and Naming Conventions
14(1)
Review/Discussion Questions
15(1)
Exercise
1. Selecting Your Audio Production Gear
16(3)
Chapter 2 Getting Started with Logic Pro 19(32)
Target Systems
20(1)
Software Installation and Operation
20(4)
Installing Logic Pro
20(1)
Included Plug-Ins and Additional Content
21(2)
Logic Pro Software Features
23(1)
Logic Pro File Structure
24(3)
File Organization
24(1)
Project Components
24(3)
Starting Logic Pro
27(4)
Powering Up Your Hardware
27(1)
Launching Logic Pro
28(1)
Accessing Connected Audio Devices
29(1)
Optimizing Logic Pro Performance
30(1)
The Logic Pro Menu Structure
31(2)
Logic Pro Menu
31(1)
File Menu
31(1)
Edit Menu
31(1)
Track Menu
32(1)
Navigate Menu
32(1)
Record Menu
32(1)
Mix Menu
32(1)
View Menu
32(1)
Window Menu
32(1)
Screensets Menu
33(1)
Help Menu
33(1)
Logic Pro Windows and Views
33(14)
Control Bar
34(10)
Tracks Area
44(1)
Live Loops Grid
45(2)
Review/Discussion Questions
47(1)
Exercise
2. Identifying the Primary Logic Pro Windows and Views
48(3)
Chapter 3 Logic Pro Basic Controls 51(20)
Playback in the Main Window
52(1)
Region Editing in the Workspace
53(6)
Assigning Editing Tools
53(1)
Selecting and Moving Regions
54(1)
Editing Regions
55(4)
Zooming and Scrolling in the Main Window
59(2)
Alternate Zoom Functions
60(1)
Horizontal Scrolling
60(1)
Vertical Scrolling
61(1)
Waveform Zoom
61(1)
Selections and Rulers in the Main Window
61(4)
Counter Displays
62(1)
Ruler Displays
62(1)
Making Selections with Rulers
63(2)
Quick Help Tips
65(1)
Review/Discussion Questions
66(2)
Exercise
3. Primary Tools and Controls
68(3)
Chapter 4 Creating Your First Project 71(30)
Project Chooser
72(1)
Creating and Configuring a Logic Pro Project
73(3)
Configuring Audio Preferences
73(1)
Audio Device and Sample Rate Settings
74(1)
File Type and Bit Depth Preferences
75(1)
File Size Considerations
76(1)
Working with Tracks
76(8)
Supported Track Types and Channels
77(3)
Adding Tracks
80(2)
Naming Tracks
82(1)
Deleting Tracks
82(1)
Adding Audio to Tracks
83(1)
Adding MIDI to Tracks
83(1)
Adding Drummer Regions
84(1)
Controlling Playback
84(6)
Playback in the Tracks Area
84(4)
Playback in the Live Loops Grid
88(2)
Saving, Locating, and Opening Logic Pro Files
90(4)
Saving a Project
90(3)
Locating and Opening a Project File
93(1)
Review/Discussion Questions
94(2)
Exercise
4. Creating a Project
96(5)
Chapter 5 Importing and Working with Media 101(24)
Considerations Prior to Import
102(2)
File Characteristics
102(2)
Import Methods
104(9)
Loop Browser and Apple Loops
104(3)
Project and All Files Browser
107(1)
Importing Audio from the Browsers
108(1)
Batch Importing Audio to Tracks
109(2)
Audio, MIDI, and Tempo Changes
111(2)
Other Methods of Importing Audio Files
113(1)
Importing with a Menu Command
113(1)
Importing from the Finder
114(1)
Importing Video
114(4)
Movie Track Display
115(1)
Working with Movie Tracks
116(2)
Review/Discussion Questions
118(2)
Exercise
5. Importing Audio
120(5)
Chapter 6 Making Your First MIDI Recording 125(44)
MIDI Basics
126(1)
MIDI in Logic Pro
127(4)
Creating MIDI-Compatible Tracks
127(1)
MIDI Versus Audio Region Operation
128(3)
Setting the Base Meter and Tempo
131(3)
Viewing Global Tracks
131(1)
Setting the Project Tempo & Time Signature
132(2)
Preparing to Record MIDI
134(4)
Enabling the Metronome
134(1)
Connecting a MIDI Device
135(1)
Checking MIDI Routing
136(2)
Using the Computer Keyboard for MIDI
138(1)
Record-Enabling MIDI-Compatible Tracks
138(1)
Using Virtual Instruments
138(9)
Placing a Virtual Instrument on a Software Instrument Track
138(2)
Using the Vintage Electric Piano
140(2)
Using Drummer Tracks
142(3)
Using the Quick Sampler
145(2)
Recording MIDI
147(2)
Live Loops Grid
147(1)
The Tracks Area
148(1)
Creating a MIDI Performance Manually
149(1)
Creating and Editing MIDI Performances
149(4)
The Piano Roll Editor
149(1)
Creating MIDI Notes
150(1)
Selecting MIDI Notes
150(1)
Moving a Selection to a Different Note
151(1)
Editing Velocity
151(1)
MIDI Quantization
152(1)
Review/Discussion Questions
153(2)
Exercise
6. Working with MIDI
155(14)
Chapter 7 Making Your First Audio Recording 169(30)
Before Recording
170(1)
Audio Storage Requirements
170(1)
Verifying Available Drive Space
171(1)
Preparing to Record
171(9)
Enabling the Metronome
172(1)
Customizing the Metronome
172(1)
Enabling the Count-In
173(1)
Customizing the Count-In
174(1)
Checking Hardware Connections
175(1)
Selecting an Input Path
175(2)
Record-Enabling Tracks
177(1)
Input Monitoring
177(1)
Controlling Input Level and Pan
178(2)
Recording and Managing Audio
180(2)
Recording in the Tracks Area
180(1)
Recording in the Live Loops Grid
181(1)
Organizing after Recording
182(6)
Disarm the Record Tracks and Adjust Playback Settings
182(1)
Organize Audio Files and Regions
183(3)
Removing Audio from a Project versus Deleting Audio Files
186(2)
Review/Discussion Questions
188(2)
Exercise
7. Recording Audio
190(9)
Chapter 8 Selecting and Navigating 199(32)
Working with Selections in the Tracks Area
200(2)
Selecting Regions and Time
200(1)
Using the Arrow Keys
201(1)
Adjusting the View of Your Tracks
202(1)
Adjusting Track Height
202(1)
Changing the Track Order
203(1)
Adjusting the Project View
203(3)
Using the Zoom Tool in the Logic Pro Editors
204(1)
Using Toggle Zoom to Fit Selection
205(1)
Identifying the Active Key Focus Area
205(1)
Organizing Your Project
206(1)
Configuring Global Tracks
207(1)
Using Markers for Locations and Selections
207(4)
Creating a Marker
207(2)
The Marker List
209(1)
Recalling a Marker Location
209(1)
Deleting a Marker
210(1)
Changing Marker Lengths
210(1)
Creating a Selection Using Markers
211(1)
Using Arrangement Markers
211(2)
Adding Arrangement Markers
211(1)
Organizing your Project Media with Arrangement Markers
212(1)
Living in Color
213(3)
Using the Color Palette
213(1)
Displaying and Changing Track and Region Colors
214(1)
Changing Marker Colors
214(1)
Color Coding Notes in the Piano Roll Editor
215(1)
Submixing Workflows
216(1)
Simplifying the Mix
216(1)
Submixing for Multi-Track Drums
216(1)
Using Track Stacks to Submix
217(2)
Creating a Summing Stack
217(1)
Showing and Hiding Tracks in a Summing Stack
218(1)
Benefits of Summing Stacks
218(1)
Review/Discussion Questions
219(2)
Exercise
8. Recording, Configuring, and Adding Markers to an Arrangement
221(10)
Chapter 9 Editing Your Media 231(40)
Selecting Playback Options
232(1)
Scrolling Options
232(1)
Looping a Selection with the Cycle Area Button
233(1)
Using the Grid, Division Value, and Snap Settings
233(3)
Musical Grid versus Time Grid
233(1)
Grid Line Displays and the Division Value
234(1)
Using the Snap Function
235(1)
Editing Regions
236(5)
Basic Editing Commands
237(2)
Special-Purpose Editing Commands
239(2)
Flex Time and Pitch
241(8)
Enabling Flex
242(1)
Flex Time
243(4)
Flex Pitch
247(2)
Moving and Resizing Regions
249(8)
Moving Regions
250(2)
Resizing Regions
252(4)
Using the Nudge Function
256(1)
Creating Fade Effects
257(2)
Applying Fade-Ins and Fade-Outs
257(1)
Applying Crossfades
258(1)
Undoing Your Work
259(4)
Using Multi-Level Undo
259(3)
Revert to Saved Version
262(1)
Review/Discussion Questions
263(2)
Exercise
9. Editing Audio
265(6)
Chapter 10 Mixing and Creating a Bounce 271(32)
Basic Mixer Terminology
272(1)
Inputs
272(1)
Outputs
272(1)
Inserts
272(1)
Sends and Returns
272(1)
Working in the Mixer
273(4)
Showing and Hiding Mixer Parameters
274(1)
Configuring the Mixer
275(1)
Configuring Inserts
276(1)
Configuring Sends and Returns
277(1)
Using Plug-In Processors
277(2)
Plug-In Channel Formats
277(1)
Plug-Ins Provided with Logic Pro
278(1)
Applying Mix Automation
279(6)
Selecting an Automation Mode
280(1)
Writing Real-Time Automation
281(1)
Viewing Automation Curves
282(1)
Editing Automation Points
283(2)
Backing Up Your Project
285(1)
Considerations for Backup and Archive Copies
285(1)
Saving a Project Copy
285(1)
Including Project Media in a Backup Copy
285(1)
Creating a Stereo Mixdown
286(6)
Considerations for Bouncing Audio
286(1)
Bouncing an Audio Mix
287(5)
Review/Discussion Questions
292(2)
Exercise
10. Automating Shared Effects and Exporting a Stereo Mix
294(9)
Final Project
1. Creating a Musical Arrangement		 303(22)
Powering Up
304(1)
Getting Started
304(2)
Adjust the Project Display
305(1)
Connect Monitoring Devices
306(1)
Creating New Tracks
306(2)
Create, Name, and Color-Code Tracks
306(2)
Save Your Project
308(1)
Working with MIDI Data
308(7)
Add the Drum Machine Designer to the Snare Drum Track
308(2)
Add Quick Sampler to the Bass Instrument Track
310(1)
Create a Snare Drum MIDI Region
311(2)
Duplicate the Snare Drum MIDI Region
313(1)
Create a Bass Instrument MIDI Region
313(2)
Save Work in Progress
315(1)
Working with Audio Data
315(1)
Import an Audio File to a Track
315(1)
Save Work in Progress
316(1)
Recording from the Live Loops Grid to the Tracks Area
316(5)
Prepare for Recording into the Tracks Area
317(1)
Record into the Tracks Area
317(2)
Playback Indicators
319(1)
Verify Your Results
319(1)
Clean Up the Recorded Arrangement
320(1)
Save Work in Progress
320(1)
Finishing Your Work
321(4)
Add a Limiter
321(1)
Bounce the Song
322(1)
Archive Your Work
323(2)
Final Project
2. Creating a Mix		 325(16)
Powering Up your System
326(1)
Getting Started
326(2)
Set Project Parameters
327(1)
Import Audio Stems
327(1)
Getting the Project Ready to Mix
328(4)
Add Track and Region Color
329(1)
Use Track Stacks to Create Submixes
330(1)
Add Markers
331(1)
Mixing in Logic Pro
332(6)
Set Volume and Pan Levels
333(1)
Add Effects
334(3)
Add Reverb to the Background Vocals
337(1)
Continue Experimenting!
338(1)
Save Work in Progress
338(1)
Finishing Your Work
338(3)
Add a Limiter
338(1)
Bounce the Song
339(2)
Index 341(8)
About the Authors 349