Atjaunināt sīkdatņu piekrišanu

E-grāmata: Logomimesis: A Treatise On The Performing Body

  • Formāts - EPUB+DRM
  • Cena: 50,08 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

"What do the performing arts contribute to philosophical, ethical and political thinking today? This book is a study of the performing arts, the body and language. Inspired by contemporary artistic research and performance philosophy, Esa Kirkkopelto proposes a new understanding of embodiment that has no direct counterpart in existing philosophies of the body, in natural science, or in everyday experience. The way a performer imagines their body in performance breaks with body-language dichotomies so language and body can be conceived as co-original phenomena, beyond their anthropomorphic framing. Once we recognize the native relationship between body and language, we can acquire an evolutive perspective which reaches beyond ontological or transcendentalparadigms, towards a more linguistic and corporeal coexistence. This book shows how radically different the world may appear from the point of view of the performing body. It addresses all who are interested in what a body can do"--

How can the dichotomy between body and language be overcome by means of the performing arts? What does the art of performing contribute to philosophical, ethical, and political thinking today?

This book is a study of the body and language on the stage. Inspired by contemporary artistic research and performance philosophy, Esa Kirkkopelto proposes a new understanding of embodiment that has no direct counterpart in existing philosophies of the body, in natural science, or in everyday experience. The way a performer imagines their body in performance breaks with body–language dichotomies, so language and body can be conceived as co-original phenomena, beyond their anthropomorphic framing. Once we recognize the native relationship between body and language, we can acquire an evolutive perspective which reaches beyond ontological or transcendental paradigms, towards a more linguistic and corporeal coexistence of diverse beings.

This book shows how radically different the universe appears when conceived through the performing body. It addresses artists and philosophers alike.



This book is a study of the performing arts, the body and language. Inspired by contemporary artistic research and performance philosophy, Esa Kirkkopelto proposes a new understanding of embodiment that has no direct counterpart in existing philosophies of the body, in natural science, or in everyday experience.

Recenzijas

With Logomimesis Esa Kirkkopelto explores the performing body as both a scenic and linguistic phenomenon. Breaking with traditional subject-oriented conceptions of both the body and performance, Kirkkopelto, who studied with Philippe Lacoue-Labarthe, reworks the latters notion of mimesis to illuminate the myriad ways in which bodies encounter each other both on stage and off. The book is unique in combining an impressive knowledge of contemporary philosophy with extensive practical experience in theater. It marks a singular and decisive contribution to contemporary critical theory and practice.

Samuel Weber, Avalon Foundation Professor of Humanities at Northwestern

Kirkkopelto offers us a thorough and much-needed deconstruction of the art of the actor, as an exemplar of the modern subject, from within the lineage of western metaphysics. The careful unpacking of the relationship between body and language brings the theatrical metaphor of the scenic into the contemporary ethical and political moment.

Ben Spatz, University of Huddersfield

Foreword; Introduction; Part I: The Deduction Of The Scenic Body;
Chapter 1: The scenic body of a word;
Chapter 2: The linguistic nature of the performing body; Part II: Logomimetic Meditations;
Chapter 3: The virtual body of the performer;
Chapter 4: Virtual objects on stage;
Chapter 5: The virtual space of performance;
Chapter 6: The rhythm of the scenic gesture;
Chapter 7: The scenic apocatastasis; Conclusion
Esa Kirkkopelto is a performance artist, philosopher, and artist researcher focusing on the deconstruction of the performing body in theory and practice. Kirkkopelto was Professor of Artistic Research at the University of the Arts Helsinki (Finland) in 20072018 and now holds a similar professorship at the Tampere University. He is a theatre director and founding member of the live art collective Other Spaces.