Atjaunināt sīkdatņu piekrišanu

Looking Into the Abyss: Essays on Scenography [Hardback]

4.33/5 (19 ratings by Goodreads)
  • Formāts: Hardback, 248 pages, height x width: 229x152 mm, weight: 486 g, 20 B&W photographs
  • Sērija : Theater: Theory/Text/Performance
  • Izdošanas datums: 11-Jul-2005
  • Izdevniecība: The University of Michigan Press
  • ISBN-10: 0472098888
  • ISBN-13: 9780472098880
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 90,78 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Hardback, 248 pages, height x width: 229x152 mm, weight: 486 g, 20 B&W photographs
  • Sērija : Theater: Theory/Text/Performance
  • Izdošanas datums: 11-Jul-2005
  • Izdevniecība: The University of Michigan Press
  • ISBN-10: 0472098888
  • ISBN-13: 9780472098880
Citas grāmatas par šo tēmu:

Theater is, first and foremost, a visual art; Looking Into the Abyss examines the ways in which the visual theater affects our understanding of the dramatic event. Arnold Aronson, an internationally prominent historian and theorist of theater set design, opens with an overview of scenographic concepts, including postmodern design and the use of new media in the theater, and continues with analyses of the work of specific designers (including Richard Foreman and David Rockwell) and scenographic responses to playwrights like Chekhov and Tony Kushner. These essays serve to open a dialogue that will bring the physical aspect of theater back into its proper place: an element as integral to the performance as the spoken word, and they will inspire theater-goers to become more aware of their role as seers of the theater.

Arnold Aronson is Professor of Theater, Columbia University. He is author of American Avant-Garde Theatre: A History; Architect of Dreams: The Theatrical Vision of Joseph Urban; American Set Design; and The History and Theory of Environmental Scenography.

Introduction 1(12)
PART I Thinking about Scenography
Postmodern Design
13(25)
One Hundred Years of Stage Lighting
Why We Cannot Light as Appia Did
29(9)
New Homes for New Theater
38(6)
Theater Technology and the Shifting Aesthetic
44(8)
Behind the Screen Door
52(29)
Technology and Dramaturgical Development
Five Observations
67(14)
(Sceno)Graphic Style
81(5)
Can Theater and Media Speak the Same Language?
86(11)
Looking Into the Abyss
97(20)
PART II Scenography in Context
The Scenography of Chekhov
117(44)
Architect of Dreams
The Theatrical Vision of Joseph Urban
132(29)
Richard Foreman as Scenographer
161(10)
The Wooster Group as Cartographers
171(52)
Design for Angels in America
Envisioning the Millennium
182(12)
The Art of Transition
David Rockwell and Theater
194(12)
The Stage Is a Dangerous Machine
The Designs of George Tsypin
206(17)
Afterword 223(4)
Index 227


Arnold Aronson is Professor of Theater, Columbia University. He is author of American Avant-Garde Theatre: A History; Architect of Dreams: The Theatrical Vision of Joseph Urban; American Set Design; and The History and Theory of Environmental Scenography.