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Looking and Listening: Conversations between Modern Art and Music [Mīkstie vāki]

  • Formāts: Paperback / softback, 216 pages, height x width x depth: 225x155x16 mm, weight: 327 g, 21 BW Photos
  • Izdošanas datums: 13-Nov-2014
  • Izdevniecība: Rowman & Littlefield Publishers
  • ISBN-10: 1442241314
  • ISBN-13: 9781442241312
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 70,32 €
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  • Formāts: Paperback / softback, 216 pages, height x width x depth: 225x155x16 mm, weight: 327 g, 21 BW Photos
  • Izdošanas datums: 13-Nov-2014
  • Izdevniecība: Rowman & Littlefield Publishers
  • ISBN-10: 1442241314
  • ISBN-13: 9781442241312
Citas grāmatas par šo tēmu:
Looking and Listening: Conversations between Modern Art and Music invites the art and music lover to place these two realms of creative endeavor into an open dialog. Although the worlds of music and visual art often seem to take separate paths, they are usually parallel. Conductor and art connoisseur Brenda Leach takes unique pairings of well-known visual art works and musical compositions from the twentieth century to identify the shared sources of inspiration, as well as similarities in theme, style, and technique, to explore the historical and cultural influences on the great artists and composers in the twentieth century. Looking and Listening asks and answers:

·What does jazz have in common with paintings by Stuart Davis and Piet Mondrian? ·How did Gershwins Rhapsody in Blue affect the work of artist Arthur Dove? ·How did painter Georgia OKeeffe and composer Aaron Copland capture the spirit of a youthful America entering the twentieth century? ·What did Kandinsky and Schoenberg share in their artistic visions?

Leach takes readers on a whirlwind tour of the lives of these artists, surveying many of the key movements in the twentieth century by comparing representative works from the modern masters of the visual arts and music. Leachs refreshing and innovation approach will interest those passionate about twentieth-century art and music and is ideal for any student or instructor, museum docent, or music programmer seeking to draw the lines of connection between these two art forms.
Foreword ix
Acknowledgments xi
Introduction xiii
Part I Prelude: Artists Respond to Music
1(62)
Chapter 1 Stuart Davis and the Art of Jazz
3(12)
Chapter 2 Arthur Dove and George Gershwin: A Brush with Rhapsody in Blue
15(12)
Chapter 3 Romare Bearden and Visual Jazz
27(12)
Chapter 4 European Artists and American Jazz
39(10)
Chapter 5 Kandinsky and Schoenberg: On the Verge
49(14)
Part II Interlude 1: Composers Respond to Artists
63(52)
Chapter 6 Dave Brubeck and His Reflections on Miro: Music and Art across Time
65(10)
Chapter 7 Paul Klee: The Music in the Art
75(12)
Chapter 8 Mark Rothko and Morton Feldman: Somewhere between Presence and Absence, Sound and Silence
87(8)
Chapter 9 Earle Brown and Alexander Calder: Who's in Control?
95(10)
Chapter 10 John Cage and Robert Rauschenberg: Life of Art---Art of Life
105(10)
Part III Interlude 2: Shared Inspiration and Influence across Domains
115(62)
Chapter 11 Claude Debussy and the Fin-de-Siecle
117(14)
Chapter 12 Cubism in Art and Music
131(12)
Chapter 13 Georgia O'Keeffe and American Modernist Composers: The Spirit of a New Century
143(14)
Chapter 14 Diego Rivera and Carlos Chavez: Voices of Mexico in Art and Music
157(10)
Chapter 15 Minimalism in Art and Music
167(10)
Postlude 177(2)
Glossary of Musical Terms 179(4)
Works Cited 183(8)
Index 191(4)
About the Author 195
Brenda Lynne Leach, a conductor and music professor, has created many unique programs linking music and the visual arts for museums, orchestras, and universities.