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E-grāmata: Low End Theory: Bass, Bodies and the Materiality of Sonic Experience

(Carleton University, Canada)
  • Formāts: 320 pages
  • Izdošanas datums: 25-Feb-2016
  • Izdevniecība: Bloomsbury Academic USA
  • Valoda: eng
  • ISBN-13: 9781501309946
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  • Formāts: 320 pages
  • Izdošanas datums: 25-Feb-2016
  • Izdevniecība: Bloomsbury Academic USA
  • Valoda: eng
  • ISBN-13: 9781501309946
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Low End Theory probes the much-mythologized field of bass and low-frequency sound. It begins in music but quickly moves far beyond, following vibratory phenomena across time, disciplines and disparate cultural spheres (including hauntings, laboratories, organ workshops, burial mounds, sound art, studios, dancefloors, infrasonic anomalies, and a global mystery called The Hum). Low End Theory asks what it is about bass that has fascinated us for so long and made it such a busy site of bio-technological experimentation, driving developments in science, technology, the arts, and religious culture.

The guiding question is not so much what we make of bass, but what it makes of us: how does it undulate and unsettle; how does it incite; how does it draw bodily thought into new equations with itself and its surroundings? Low End Theory is the first book to survey this sonorous terrain and devise a conceptual language proper to it. With its focus on sound's structuring agency and the multi-sensory aspects of sonic experience, it stands to make a transformative contribution to the study of music and sound, while pushing scholarship on affect, materiality, and the senses into fertile new territory. Through energetic and creative prose, Low End Theory works to put thought in touch with the vibratory encounter as no scholarly book has done before.

For more information, visit: http://www.lowendtheorybook.com/

Recenzijas

There's much here that gives a compelling and productive slant on one of the most contested areas of contemporary audio culture. * The Wire * Low End Theory is a fascinating study ... An interesting and thoughtful addition to the greater discussion of sound materiality, and will serve as excellent graduate level reading for ethnomusicologists, folklorists and anthropologists alike. * Dancecult * Low End Theory is an extremely broad-ranging book that refreshingly challenges the divisions between the humanities and sciences in terms of our understanding of sound, stretching this understanding from a wide-ranging interdisciplinary base. The core chapters represent a tour de force analysis of sound, body and experience that is both exhilarating and challenging. The reader will feel that they are racing through a stimulating sonic haze picking up wonderful nuggets of sonic knowledge on the way. * Michael Bull, Professor of Sound Studies, University of Sussex, UK * A pioneering study of the murky world of bass that enlists speculative concepts to reveal the vibrational practices at work in ritual, science and in the underbelly of pop. Low End Theory contributes to a growing literature which recognises, tracks and encourages the perpetual reconstruction the sonic body. * Steve Goodman, Independent Scholar, UK, author of Sonic Warfare: Sound, Affect and the Ecology of Fear (2010) and Founder of record label Hyperdub * We live in a world of vibrations. Sound envelops us, moves us, caresses or assaults usespecially in the lower frequencies that we cannot hear directly. In Low End Theory, Paul Jasen provides us with an ontology of bass. He works through the many waysnatural, social, and technologicalthat subsonic frequencies haunt us, affect us, and change us. * Steven Shaviro, DeRoy Professor of English, Wayne State University, USA * a rewarding readBy now widely travelled and well-thumbed, my copy of Low End Theory obviously affected me more than many other books I have recently read * Oliver Seibt, Musicae Scientiae *

Papildus informācija

A transdisciplinary investigation of bass cultures and their affective ecologies, from Antiquity to the present.
Acknowledgements ix
Introduction: Elements of a Myth-Science 1(20)
1 The Sonic Body: An Ethico-Acoustic Toolkit
21(12)
Sonorous relations
22(4)
Tales and strategies
26(2)
Myth-science in the vibratory milieu
28(5)
2 Spectral Catalysis: Disquieting Encounters
33(32)
Spectres of the man-made unknown
36(7)
Infrasound
43(7)
Unhomed
50(1)
Boo! (towards an operative reality)
51(5)
The Hum
56(7)
`And it was only by analogy that it could be called a sound at all ...'
58(3)
Blinkered science
61(2)
We still do not know what a sonic body can do ...
63(2)
3 Numinous Strategies
65(48)
Learning to play the sonic body
66(5)
The nervous piano
67(4)
Numinous instruments
71(7)
Religious audiogenesis
78(12)
Numinous sound design
81(4)
Playing the resonances
85(2)
Tellurian organs
87(3)
The organ-church assemblage
90(23)
The Arcanum: an ambulant myth-science
91(4)
The nervous organ
95(7)
Baroque affect engineering
102(4)
The Gothic assemblage: applied synaesthetics
106(7)
4 Tone Scientists I: Vibratory Arts
113(38)
Cymatic arts
114(13)
Documentary practices
118(4)
A speculative turn
122(5)
Perceptual abstraction
127(10)
Transversal strategies
132(5)
Incipient dance
137(14)
Sonic architectures
138(3)
Dance with the Speaker
141(3)
`A people of oscillators'
144(7)
5 Tone Scientists II: Bass Cults
151(34)
The Lab
153(4)
The Science
157(4)
Bass science
161(7)
Dubplates and mastering
166(2)
Engineering the vibratorium
168(4)
Affects and affectations
170(2)
Entering the rhythmachine
172(5)
Three physio-logics
177(8)
Jungle (1994)
178(1)
Dubstep (2005)
179(2)
Footwork (2009)
181(4)
Conclusion: Where next? 185(10)
Notes 195(64)
Bibliography 259(16)
Index 275
Paul C. Jasen is a Lecturer in Music and Communication Studies at Carleton University, Canada.