The artist stripped bare by himself: Lucian Freuds self-portraits redefine the genre
In 1964 Lucian Freud set his students at the Norwich College of Art an assignment: to paint naked self-portraits and to make them revealing, telling, believable ... really shameless. It was advice that the artist was often to follow himself. Visceral, unflinching and often nude, Freuds self-portraits chart his biography and give us an insight into the development of his style.
These paintings provide the viewer with a constant reminder of the artists overwhelming presence, whether he is confronting the viewer directly or only present as a shadow or in a reflection. Freuds exploration of the self-portrait is unexpected and wide-ranging. In this volume, essays by leading authorities, including those who knew him, explore Freuds life and work, and analyze the importance of self-portraiture in his practice.
Lucian Freud was born in Germany in 1922, and permanently relocated to London in 1933 during the ascent of the Nazi regime. After seeing brief service during World War II, Freud had his first solo exhibition in 1944 at the Alex Reid & Lefevre Gallery in London. Despite exhibiting only occasionally over the course of his career, Freud's 1995 portrait Benefits Supervisor Sleeping was sold at auction, at Christie's New York in May 2008, for $33.6 million, setting a world record for sale value of a painting by a living artist. Freud died in London in 2011.
Papildus informācija
Accompanies an exhibition at the Royal Academy of Arts, London (27 October 2019 to 26 January 2020) and the Museum of Fine Arts, Boston (22 February to 25 May 2020). Exhibition organised by the Royal Academy of Arts, London, in collaboration with the Museum of Fine Arts, Boston.
Foreword |
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9 | (1) |
Acknowledgements |
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10 | (3) |
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`One Must Fasten One's Gaze' |
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13 | (4) |
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17 | (12) |
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Painting Oneself Inside Out: On Freud's `Painter Working, Reflection' |
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29 | (12) |
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The Anarchic Idea of Coming from Nowhere |
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41 | (10) |
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51 | (84) |
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135 | (9) |
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Endnotes |
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144 | (2) |
Selected bibliography |
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146 | (1) |
List of lenders |
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147 | (1) |
Photographic credits |
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147 | (1) |
Index |
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148 | |
David Dawson is a painter and photographer, and Freud's former studio assistant. Joseph Leo Koerner is the Thomas Professor of History of Art and Architecture and Senior Fellow of the Society of Fellows, Harvard University. Jasper Sharp is Adjunct Curator for Modern and Contemporary Art at the Kunsthistorisches Museum, Vienna. The Pulitzer Prize-winning art critic Sebastian Smee is author of The Art of Rivalry: Four Friendships, Betrayals and Breakthroughs in Modern Art (2016).