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E-grāmata: Lucian on Reading, Performing, and the Difference: Living Life as Fiction

  • Formāts: 206 pages
  • Izdošanas datums: 25-Feb-2025
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781040310229
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  • Bibliotēkām
  • Formāts: 206 pages
  • Izdošanas datums: 25-Feb-2025
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781040310229

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"Lucian's writings raise questions about the nature of reading and viewing the lives of others; this book explores these questions through close readings of Lucian's dialogues and stories. Lucian scholarship over the past decades has been dominated by terms like performance and personas, so this book asks simply: what happens when we are not performing? When we read or sit in the audience, we cannot perform for the world we are viewing. Nor can we act on our desires and beliefs, since we have no self in that viewed world to move around like an avatar. Is there anything left of us at such moments? As a satirist, Lucian explored these questions not through philosophical arguments but stories - a traveler who looks down on earth from the moon, a philosopherwho retires to a contemplative life "as if high up in a theater", a narrator who demands that a reader not believe anything he writes, and many more. Over the course of seven chapters, this book explores these questions of reading, performing, and the difference via detailed analyses of some of Lucian's best-known works: Hermotimus, Charon, Icaromenippus, Nigrinus, Rooster, True Stories, and others. Lucian on Reading, Performing, and the Difference is suitable for students and scholars of ancient Greek literature, Classics and the Humanities, particularly those interested in questions about Lucian and literary interpretation"--

Lucian’s writings raise questions about the nature of reading and viewing the lives of others; this book explores these questions through close readings of Lucian’s dialogues and stories.

Lucian scholarship over the past decades has been dominated by terms like performance and personas, so this book asks simply: what happens when we are not performing? When we read or sit in the audience, we cannot perform for the world we are viewing. Nor can we act on our desires and beliefs, since we have no self in that viewed world to move around like an avatar. Is there anything left of us at such moments? As a satirist, Lucian explored these questions not through philosophical arguments but stories – a traveler who looks down on earth from the moon, a philosopher who retires to a contemplative life “as if high up in a theater”, a narrator who demands that a reader not believe anything he writes, and many more. Over the course of seven chapters, this book explores these questions of reading, performing, and the difference via detailed analyses of some of Lucian’s best-known works: Hermotimus, Charon, Icaromenippus, Nigrinus, Rooster, True Stories, and others.

Lucian on Reading, Performing, and the Difference is suitable for students and scholars of ancient Greek literature, Classics and the Humanities, particularly those interested in questions about Lucian and literary interpretation.



Lucian’s writings raise questions about the nature of reading and viewing the lives of others; this book explores these questions through close readings of Lucian’s best-known dialogues and stories such as Hermotimus, Charon, Icaromenippus, Nigrinus, Rooster, and True Stories.

Introduction;
1. Hermotimus and the Problem of the Sceptic Self;
2. Life
as Theater: Charon, Icaromenippus and Not Being There;
3. Nigrinus on Not
Being There Together;
4. Viewing Lives in Rooster;
5. Reading and Believing:
The Challenge of Lucians True Stories;
6. Preconceptions and what Readers
Cannot Control;
7. Character, Emotion, and Trust in Lucians Panthea
Dialogues; Conclusions.
Stephen E. Kidd is Associate Professor of Classics at Brown University (U.S.A), where he specializes in ancient Greek literature of the classical and imperial periods. He is the author of Nonsense and Meaning in Ancient Greek Comedy (2014) and Play and Aesthetics in Ancient Greece (2019).