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LUCY NEGRO, REDUX: The Bard, a Book, and a Ballet [Mīkstie vāki]

4.36/5 (152 ratings by Goodreads)
  • Formāts: Paperback / softback, 119 pages, height x width: 209x133 mm, weight: 226 g, 5 black and white photos from the NYC rehearsal of the ballet based on the book.
  • Izdošanas datums: 25-Apr-2019
  • Izdevniecība: Third Man Books
  • ISBN-10: 0997457821
  • ISBN-13: 9780997457827
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  • Mīkstie vāki
  • Cena: 19,59 €
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  • Formāts: Paperback / softback, 119 pages, height x width: 209x133 mm, weight: 226 g, 5 black and white photos from the NYC rehearsal of the ballet based on the book.
  • Izdošanas datums: 25-Apr-2019
  • Izdevniecība: Third Man Books
  • ISBN-10: 0997457821
  • ISBN-13: 9780997457827
Citas grāmatas par šo tēmu:
Lucy Negro, Redux, uses the lens of Shakespeare's "Dark Lady" sonnets to explore the way questions about and desire for the black female body have evolved over time.

Lucy Negro, Redux, uses the lens of Shakespeare's "Dark Lady" sonnets to explore the way questions about and desire for the black female body have evolved over time, from Elizabethan England to the Jim Crow South to the present day. Equally interested in the sensual and the serious, the erotic and the academic, this collection experiments with form, dialect, persona, and voice. Ultimately a hybrid document, Lucy Negro Redux harnesses blues poetry, deconstructed sonnets, historical documents and lyric essays to tell the challenging, many-faceted story of the Dark Lady, her Shakespeare, and their real and imagined milieu. Inspired by the book, The Nashville Ballet will premiere “Lucy Negro Redux,” an original ballet conceived and choreographed by Artistic Director & CEO, Paul Vasterling, in February 2019.

Lucy Negro, Redux, uses the lens of Shakespeare's "Dark Lady" sonnets to explore the way questions about and desire for the black female body have evolved over time, from Elizabethan England to the Jim Crow South to the present day. Equally interested in the sensual and the serious, the erotic and the academic, this collection experiments with form, dialect, persona, and voice. Ultimately a hybrid document, Lucy Negro Redux harnesses blues poetry, deconstructed sonnets, historical documents and lyric essays to tell the challenging, many-faceted story of the Dark Lady, her Shakespeare, and their real and imagined milieu. Inspired by the book, The Nashville Ballet will premiere “Lucy Negro Redux,” an original ballet conceived and choreographed by Artistic Director & CEO, Paul Vasterling, in February 2019 at the Tennessee Performing Arts Center. A collaboration of music, poetry and choreography, this contemporary ballet based on Caroline Randall Williams’ book of poetry of the same name is unique in process, content and format. The project uses dance and music to execute the author’s exploration of more than 160 of Shakespeare’s sonnets, and her arrival to a thesis that the “Dark Lady” and the “Fair Youth”—the subjects and inspiration of these sonnets—were undoubtedly a black woman and a young man lover. Ultimately, in experiencing Lucy through themes of love, otherness and equality, the narrator, and thus the audience, finds a powerful female voice.

Recenzijas

From BookSlut: Lucy Negro, Redux is a proud rallying cry of freedom and delight in the sublime magic of Blackness. Randall Williams is keen on dismantling the trope of the Black woman as the Mule of the World, a voiceless pleasure thing. Combining history with honesty and the sting of personal memories, Lucy is no man's "exotic" land to claim. She rises above, radical mortal instrument of God's beauty. - Vanessa Willoughby. Full review: http://www.bookslut.com/poetry/2015_09_021280.php From Chapter 16: While the premise of Lucy Negro, Redux might be academic, the collection couldnt be further from the kind of antique manuscripts that may only be touched with gloves. These poems are tangible, very much of our own turbulent world. As the first poem, BlackLucyNegro I, explains, shes become an Other / way to talk about skin. Williams pulls Lucys story into this world, examining both historical and contemporary problems of racism. This is a vital book, at once capable of searing insight and complex emotion. The poems speak to our time while giving voice to a ghost. - Erica Wright Full review: https://chapter16.org/not-a-partridge-or-a-ruby/ From Cider Press Review: As radical as the integration of Sally Hemmings descendants into Jefferson family reunions is Black Luces integration into the poetic ideals of the sonnet. There is more than cursing in Black Luces power. She manages to bless all her pan-African daughters. If Lucy own her body/She run many other as Williams reports, through Lucy, all young women of color embody the platonic ideal of Western Civilizations finest love elegies. Through Williams reclamation of Shakespeare, African diasporic literature grows redolent with the possibility of being simply good literature without identity subdivisions, as worthy as Shakespeare, not other but Cleopatra to his Anthony, beloved for its narrative skill as Othello was to Desdemona, not separated, just elbow-to-elbow with the greats at the lunch counter, individual but never parenthetical. Buy this radical collection of poetry. Steal it if you must. Read it at all costs. - Ann Babson

Full review: http://ciderpressreview.com/reviews/a-welcome-bridge- lucy-negro-redux-by-carolyn-randall-williams-marches-on-shakespeare-for-black-southern-writers/#.WyAhxyMrKCg

Papildus informācija

Winner of The Harlem Book Fair Phyllis Wheatley Award for Best Young Adult Fiction 2013 (United States). Short-listed for NAACP Image Award for Best Young Adult Fiction 2013.* POET CAROLINE RANDALL WILLIAMS AWARDS & ACHIEVEMENTS Winner: The Harlem Book Fair Phyllis Wheatley Award for Best Young Adult Fiction (2013) Finalist: NAACP Image Award for Best Young Adult Fiction (2013) Cave Canem Fellowship 2013-2014

* Caroline Randall Williams is the daughter of acclaimed writer Alice Randall: Alice Randall is the author of The Wind Done Gone, Pushkin and the Queen of Spades, Rebel Yell, and Ada's Rules. She is a Harvard educated African-American novelist who lives in Nashville and writes country songs. Randall has emerged as an innovative food activist committed to reforms that support healthy bodies and healthy communities. With her daughter Caroline Randall Williams she co-authored the acclaimed cookbook Soul Food Love and the young adult novel The Diary of B.B. Bright, Possible Princess winner of the Phillis Wheatley Award.

*The Nashville Ballet will premier the ballet LUCY NEGRO, REDUX based on the book in February 2019 at the TENNESSEE PERFORMANCE ARTS CENTER for 3 performances, estimated audience for the weekend is 3k.

*Lucy Negro, Redux the book is being designed in collaboration with the ballet. Part 1 of the book will be Williams' poetry. Part 2 will be the ballet Libretto and short explanation regarding the synthesis of poetry with ballet. Part 3 will be photos from rehearsals. A webpage exclusive to the book will premier a full filmed performance.

* The books will include at least 5 black and white professional photos taken from the ballet's rehearsal and also of the actual libretto used by the ballet.

*A world premiere ballet by Artistic Director Paul Vasterling, Lucy Negro Redux explores the mysterious love life of literary great William Shakespeare through the perspective of the illustrious Dark Lady for whom many of his famed sonnets were written. Based on the book by Nashville poet Caroline Randall Williams, the contemporary ballet explores themes of love, otherness, equality and beauty as the narrator embarks on a journey to discover her own power and worth. Featuring an original score by Grammy Award-winning artist and MacArthur Genius Grant recipient Rhiannon Giddens with spoken word performed by Williams, Lucy is an imaginative drama brimming with wit and relevancy.

* NASHVILLE BALLET CEO AND DIRECTOR PAUL VASTERLINGS AWARDS & ACHIEVEMENTS The Center for Ballet and the Arts (NYU) Fellow in Residence in 2017 Fulbright Award Recipient in 2004

NASHVILLE BALLET AWARDS & ACHIEVEMENTS Selected by the Kennedy Center to perform on the Ballet Across America opening gala in 2017 Nashville Scenes #1 Best Performing Arts Group in 2017, 2016, 2015, 2014

*The Nashville Ballet will also be promoting the book.

* The ballet Lucy Negro Redux will feature MacArthur Genius Grant recipient Rhiannon Giddens first work commissioned for a ballet.

*The ballet Lucy Negro Redux was created specifically for an African American female lead, a rarity that celebrates diversity in ballet.

* Rhiannon Giddens and Caroline Randall Williams will join Nashville Ballets professional company onstage for all three premiere performances.

*Minimum first print run of 5000 books.
I. A BOOK: Poems
{Then will I swear that beauty herself is black,/And all they foul that thy complexion lack}
5(2)
BlackLucyNegro I
7(2)
BlackLucyNegro II
9(1)
Transubstantiate, Redux or, Sublimating Lucy Whilst at Church
10(4)
BlackLucyNegro III
14(1)
Aemilia Lanyer Was a White Girl
15(1)
Anatomy of Lust
16(3)
Black Luce
19(1)
Nude Study or, Shortly Before Meeting Lucy. A White Boy
20(1)
A Challenge to Lucy's Gentleman Callers
21(1)
Sublimating Lucy. Considering Courbet
22(1)
Black Luce Would Have Loved Josephine Baker
23(1)
{The statute of thy beauty thou wilt take,/Thou usurer, that put'st forth all to use,/And sue a friend came debtor for my sake;/So him I lose through my unkind abuse./Him have I lost; thou hast both him and me:/He pays the whole, and yet am I not free.}
24(2)
From Volume IV of the Bridewell Prison Records, London 1579-1597
26(4)
{Myself I'll forfeit, so that the other mine/Thou wilt restore to be my comfort still:/But thou wilt not, nor he will not be free...}
30(1)
In Which the Fair Youth Loves Black Luce
31(1)
In March or, Shortly Before Meeting Lucy
32(1)
BlackLucyNegro IV
33(1)
{But slave to slavery my sweetest friend must be}
34(1)
The Biddies Speak
35(1)
Milk Cow's Come Home Blues
36(1)
Comfort Girl Blues
37(1)
Field Holler
38(1)
Vitiligo Blues
39(1)
Brown Girl, Red Bone
40(1)
Comeback Spirit
41(1)
Lucy Run It
42(1)
Field Nigger or, Sublimating Lucy. Tired of Hearing Certain Questions
43(1)
Backbone
44(1)
{Till my bad angel fire my good one out}
45(1)
{For I have sworn thee fair} I
46(1)
{My love is as a fever longing still} II
47(1)
{And so the general of hot desire was, sleeping, by a virgin hand disarm'd.} III
48(1)
{The better angel is a man right fair, the worser spirit a woman colored ill} IV
49(1)
{Then I will declare that Beauty herself is black} V
50(1)
{But, love, hate on, for now I know thy mind} VI
51(1)
{If hairs be wires, black wires grow from her head} VII
52(1)
{Knowing thy heart torment me with disdain} VIII
53(1)
{Eat up thy charge? Is this thy body's end} IX
54(1)
{I against myself with thee partake} X
55(1)
{For I have sworn thee fair. More perjured eye} XI
56(1)
{But slave to slavery my sweet'st friend must be} XII
57(1)
{When all my best doth worship thy defect} XIII
58(1)
{Till my bad angel fire my good one out} XIV
59(1)
{The expense of spirit in a waste of shame is lust in action} XV
60(1)
{Now is black beauty's successive heir} XVI
61(1)
{Thy black is fairest in my judgement's place} XVII
62(1)
{She that makes me sin awards me pain} XVIII
63(2)
{Beshrew that heart that makes my heart to groan for that deep wound it gives my friend and me}
65(1)
Black Luce Goes to See Othello and Becomes Mildly Indignant
66(1)
Black Luce Goes to See Much Ado About Nothing and Thinks Some People Don't Have Enough Real Things to Worry About
67(1)
Black Luce Goes to See Henry V and It Makes Her Press Her Legs Together
68(1)
When I Fantasize About Him and Black Luce Late at Night
69(1)
Rose Flower Writes Him a Sonnet or, {I myself am mortgaged to [ my] will}
70(2)
Comeback Spirit II
72(1)
This Exiat Sayeth That
73(1)
Lucy's Exiat Sayeth That
74(5)
II. A BALLET: Conversation
Conversation
79(12)
Ballet Libretto
Libretto: Photos 91(10)
Photos 101(16)
Acknowledgements 117(2)
About the Poet 119
Caroline Randall Williams is a multi-genre writer and and educator in Nashville Tennessee. She is co-author of the Phyllis Wheatley Award-winning young adult novel The Diary of B.B. Bright, and the NAACP Image Award-winning cookbook Soul Food Love. Named by Southern Living as One of the 50 People changing the South, the Cave Canem fellow has been published in multiple journals, essay collections and news outlets, including The Iowa Review, The Massachusetts Review, CherryBombe and the New York Times. Her debut collection of poetry, Lucy Negro, Redux: The Bard, a Book, and a Ballet (Third Man Books, Spring 2019) is currently being turned into a ballet.