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Made in Hong Kong: Studies in Popular Music [Hardback]

Edited by , Edited by (Macquarie University, Australia)
  • Formāts: Hardback, 224 pages, height x width: 246x174 mm, weight: 453 g, 2 Halftones, black and white
  • Sērija : Routledge Global Popular Music Series
  • Izdošanas datums: 20-Apr-2020
  • Izdevniecība: Routledge
  • ISBN-10: 0367226979
  • ISBN-13: 9780367226978
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  • Cena: 191,26 €
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  • Bibliotēkām
  • Formāts: Hardback, 224 pages, height x width: 246x174 mm, weight: 453 g, 2 Halftones, black and white
  • Sērija : Routledge Global Popular Music Series
  • Izdošanas datums: 20-Apr-2020
  • Izdevniecība: Routledge
  • ISBN-10: 0367226979
  • ISBN-13: 9780367226978
Citas grāmatas par šo tēmu:
"Made in Hong Kong: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth and twenty-first century popular music in Hong Kong. The volume consists of essays by leading scholarsin the field, and covers the major figures, styles, and social contexts of popular music in Hong Kong. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book is organized into four thematic sections: Cantopop, History and Legacy; Genres, Format and Identity; Significant Artists; and Contemporary Cantopop"--

Made in Hong Kong: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth- and twenty-first century popular music in Hong Kong. The volume consists of essays by leading scholars in the field, and it covers the major figures, styles, and social contexts of popular music in Hong Kong. Each essay provides adequate context to allow readers to understand why the figure or genre under discussion is of lasting significance. The book is organized into four thematic sections: Cantopop, History and Legacy; Genres, Format, and Identity; Significant Artists; and Contemporary Cantopop.

Recenzijas

"Anthony Fung and Alice Chik have put together a fine collection. Framed by critical cultural studies, it records, celebrates, and intervenes. Engaging and enlightening, the book fills a missing gap ... illustrating how the study of popular music can illuminate social, political, and artistic dynamics, along with existential dilemmas. It makes a compelling case for placing Hong Kong central to the main streams of planetary pop, identifying the impact of significant musical dialogues with mainland China and Taiwan, creative exchanges with Japan, and the contribution of the citys people and performers to the Korean wave and K-pop."

Keith Negus, Global Media and China

"Among the growing number of efforts to better document, analyse and account for the place of Hong Kong popular music within its local and trans-local settings, Made in Hong Kong is an extensive collection of well-researched and valuable essays that, taken both together and individually, make a vital contribution to English-language scholarship in HK popular music studies as well as to East Asian Studies more broadly."

Franēois Mouillot, Popular Music

List of figures
vii
Series Foreword viii
Acknowledgments ix
Introduction: Mainstreaming Hong Kong Popular Music 1(4)
Anthony Fung
Alice Chik
Part I Cantopop, History, and Legacy
5(48)
1 Mapping Sociopolitical and Cultural Changes through "The Daughters of Hong Kong": From Anita Mui to Denise Ho
10(11)
Vicky Ho
Miranda Ma
2 Once upon a Time in Hong Kong Cantopop: 1984
21(12)
Yiu-Wai Chu
3 Pax Musica and Mnets: Cantopop-Kpop Convergences and Inter-Asia Cultural Mobilities
33(11)
Kai Khiun Liew
Meicheng Sun
4 Voices Shaped by the People and for the People: Cantopop and Political Crisis from the Colonial to Postcolonial Era
44(9)
Stella Lau
Ivy Man
Part II Genres, Format, and Identity
53(48)
5 The Symbolic Sound of Cantopop: Relistening to "The Fatal Irony" (1974)
59(7)
Ting Yiu Wong
6 Rethinking Chineseness in the Cantopop of Sam Hui
66(12)
Brenda Chan
7 Alternative Music, Language, and "Hong Kong" Identity: The Use of Metaphor in the English Lyrics of Hong Kong Independent Music
78(13)
Lok Ming Eric Cheung
8 Covers and "One Melody, Two Lyrics" Songs
91(10)
Johnson Leow
Part III Significant Artists
101(42)
9 Love Songs from an Island with Blurred Boundaries: Teresa Teng's Anchoring and Wandering in Hong Kong
107(8)
Chen-Ching Cheng
10 Remembering Hong Kong as a Queer Metaphor: Leslie Cheung's Queer Performativity and Posthumous Networked Fandom
115(9)
Hong-Chi Shiau
11 Hong Kong is (No Longer) My Home: From Sam Hui to My Little Airport
124(8)
Milan Ismangil
12 MC Yan and his Cantonese Conscious Rap
132(11)
Angel M. Y. Lin
Part IV Contemporary Cantopop
143(60)
13 Snapshots of Multilingualism in Hong Kong Popular Music
147(10)
Phil Benson
Alice Chik
14 Our Little Twins Stars: Conglomerate-Catalyzed Cross-Media Stardom in the New Millennium
157(11)
Klavier J. Wang
Stephanie Ng
15 Performing the Political: Reflections on Tatming Meeting George Orwell in 2017
168(13)
Yiu Fai Chow
Jeroen De Kloet
Leonie Schmidt
16 The Politicization of Music through Nostalgic Mediation: The Memory in "Boundless Oceans, Vast Skies"
181(12)
Jessica Kong
Anthony Fung
Coda
191(2)
17 The Globo-Regional and the Local in Hong Kong Popular Music
193(10)
C. J. W.-L. Wee
Afterword 203(2)
Cantopop Is Always Hybrid: A Conversation with Serina Ha 205(9)
Notes on Contributors 214(3)
Index 217
Anthony Fung is Professor in the School of Journalism and Communication, and Co-Director of the Institute of Asia-Pacific Studies at The Chinese University of Hong Kong. He also holds an appointment as Professor in the School of Arts and Communication at Beijing Normal University, China.









Alice Chik is Senior Lecturer in the Department of Educational Studies and a core member of the Faculty of Human Sciences Multilingualism Research Centre at Macquarie University in Sydney, Australia.