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Magnificence in the Seventeenth Century: Performing Splendour in Catholic and Protestant Contexts [Hardback]

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  • Formāts: Hardback, 376 pages, height x width: 235x155 mm, weight: 860 g
  • Sērija : Intersections 72
  • Izdošanas datums: 19-Nov-2020
  • Izdevniecība: Brill
  • ISBN-10: 9004432647
  • ISBN-13: 9789004432642
  • Hardback
  • Cena: 146,55 €
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  • Formāts: Hardback, 376 pages, height x width: 235x155 mm, weight: 860 g
  • Sērija : Intersections 72
  • Izdošanas datums: 19-Nov-2020
  • Izdevniecība: Brill
  • ISBN-10: 9004432647
  • ISBN-13: 9789004432642
This volume explores the concept of magnificence as a social construction in seventeenth-century Europe. Although this period is often described as the Age of Magnificence, thus far no attempts have been made to investigate how the term and the concept of magnificence functioned. The authors focus on the way crucial ethical, religious, political, aesthetic, and cultural developments interacted with thought on magnificence in Catholic and Protestant contexts, analysing spectacular civic and courtly festivities and theatre, impressive displays of painting and sculpture in rich architectural settings, splendid gardens, exclusive etiquette, grand households, and learned treatises of moral philosophy.





Contributors: Lindsay Alberts, Stijn Bussels, Jorge Fernįndez-Santos, Anne-Madeleine Goulet, Elizabeth den Hartog, Michčle-Caroline Heck, Miguel Hermoso Cuesta, José Eloy Hortal Muńoz, Félix Labrador Arroyo, Victoire Malenfer, Alessandro Metlica, Alessandra Mignatti, Anne-Franēoise Morel, Matthias Roick, Kathrin Stocker, Klaas Tindemans, and Gijs Versteegen.
Acknowledgements ix
List of Illustrations
x
Notes on the Editors xvi
Notes on the Contributors xvii
Introduction 1(20)
Gijs Versteegen
Stijn Bussels
PART 1 Traditions of Thought on Magnificence
1 Early Modern Readings of Aristotle's Theory of Magnificence in the Ethics
21(17)
Matthias Roick
2 Medieval Background to Magnificence in Habsburg Spain: King Solomon as Enduring Exemplar of Divine Worship
38(30)
Jorge Fernandez-Santos
3 Magnificence between Effect of Power and Power of Effect
68(21)
Michele-Caroline Heck
PART 2 The Court and Aristocracy
4 The Hall of Realms, a Space for Royal Magnificence
89(24)
Miguel Hermoso Cuesta
5 Magnificence, Power, and Private Finance in the Seventeenth Century: Flavio Orsini and Marie-Anne de La Tremoille, between Rome and Paris (1675-1686)
113(22)
Anne-Madeleine Goulet
6 The Magnificence of the Royal Household and Royal Sites: The Case of the Spanish Monarchy
135(27)
Felix Labrador Arroyo
Jose Eloy Hortal Munoz
7 Educating Magnificence: Juan Eusebio Nieremberg on Ascesis and Splendour in his Manual for the Reales Estudios of the Colegio Imperial at Madrid
162(23)
Gijs Versteegen
PART 3 Architecture
8 Building Magnificence in the Dutch Golden Age: the Amsterdam Town Hall
185(15)
Stijn Bussels
Bram Van Oostveldt
9 Maiestate Tantum: Spiritual Magnificence at the Cappella dei Principi
200(20)
Lindsay Alberts
10 Magnificence Exemplified: the Restoration of the Old St. Paul's London
220(21)
Anne-Frangoise Morel
11 Magnificent! Gaspar Fagel's Plant Collection at Leeuwenhorst
241(20)
Elizabeth den Hartog
PART 4 Performance
12 Magnificence and Atticism in Seventeenth-Century Venice
261(15)
Alessandro Metlica
13 Magnificence and Regality in Milanese Celebratory Sets: The Birth of Balthasar Charles and Exequies in the Epoch of Philip iv
276(32)
Alessandra Mignatti
14 The Ducal Stage: Festive Culture and the Display of Magnificence in Seventeenth-Century Wurttemberg
308(20)
Kathrin Stocker
15 The Libertine Subversion of the Masque: The Case of John Wilmot's Luclna's Rape
328(19)
Klaas Tindemans
16 Magnificence as Aesthetic Category in Court Plays: Moliere's Les Amants Magnifiques (The Magnificent Lovers)
347(22)
Victoire Malenfer
Index Nominum 369
Gijs Versteegen, Ph.D., is lecturer in early modern history at the Universidad Rey Juan Carlos (Madrid). He researched court philosophy and the reception of court culture in enlightened and liberal historiography, publishing the monograph Corte y Estado en la historiografķa liberal: un cambio de paradigma (Madrid: 2015).





Stijn Bussels. Ph.D. (2005, Ghent University) is Professor of Art History at the Leiden University. He has published widely on the intersections between the visual arts, theatre and spectacle in the early modern Low Countries. He is the author of The Antwerp Entry of Prince Philip in 1549. Rhetoric, Performance and Power (Rodopi 2012).





Walter S. Melion is Asa Griggs Candler Professor of Art History at Emory University. He has published widely on early modern image cultures, on the art and art theory of the Low Countries, on scriptural image-making, on emblems and emblematics, and on Jesuit image theory.