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Making History Move: Five Principles of the Historical Film [Mīkstie vāki]

  • Formāts: Paperback / softback, 234 pages, height x width x depth: 235x156x15 mm, weight: 54 g, 6 B-W and 15 color images, 6 tables
  • Izdošanas datums: 15-Mar-2024
  • Izdevniecība: Rutgers University Press
  • ISBN-10: 1978829779
  • ISBN-13: 9781978829770
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  • Mīkstie vāki
  • Cena: 37,80 €
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  • Formāts: Paperback / softback, 234 pages, height x width x depth: 235x156x15 mm, weight: 54 g, 6 B-W and 15 color images, 6 tables
  • Izdošanas datums: 15-Mar-2024
  • Izdevniecība: Rutgers University Press
  • ISBN-10: 1978829779
  • ISBN-13: 9781978829770
Citas grāmatas par šo tēmu:
Making History Move builds upon decades of scholarship investigating history in visual culture, proposing a methodology of five principles to analyze history in moving images in the digital age, charting a path to understand the form of history with the most significant impact on public perceptions of the past.


Making History Move: Five Principles of the Historical Film consolidates decades of scholarship investigating history in visual culture in the fields of film and media, cultural studies, and history. The book develops insights across these fields, including philosophical considerations of film and history, to clarify the form and function of history in moving images. It addresses the implications of the historical film on public historical consciousness in a systematic way, presenting criteria for engaging and assessing the truth status of depictions of the past. Its chapters offer a detailed methodology for analyzing history in moving images for the digital age, proposing five principles of analysis to organize past and future scholarship in this vital, interdisciplinary field of study. Including films such as The Birth of a Nation, Gone with the Wind, Lawrence of Arabia, and Saving Private Ryan the book sets the stage to examine the most influential form of history with the most significant impact on public perceptions of the past.

Recenzijas

No one is better suited to undertake this project than Nelson, herself both a filmmaker and a scholar. She builds on the insights of a broad range of scholars in the field to produce what no one has yet achieved: a rigorous, comprehensive, and yet nuanced, account of how moving histories work, providing a powerful methodology for future generations of film scholars. - Alison Landsberg (author of Engaging the Past: Mass Culture and the Production of Historical Knowledge) "Lucid and engaging, Making History Move directly confronts the theoretical and pragmatic questions that have repeatedly surfaced in studies of history and film.  Nelson illuminates five principles that underpin the representation of the historical past in moving images.  Filled with vivid ideas and marked by rigorous analysis, the book provides a blueprint for a genre that has increasingly shaped the cultural understanding the past."   - Robert Burgoyne (author of The New American War Film)

Introduction

1. Principle 1: Perspective

2. Principle 2: Evidence

3. Principle 3: Reflexivity

4. Principle 4: Foreignness

5. Principle 5: Plurality
Conclusion
KIM NELSON is the director of the Humanities Research Group, and an associate professor of cinema arts in the School of Creative Arts, at the University of Windsor in Canada. Her work has screened at international film festivals and on university campuses across Canada, the US, and Europe and has been broadcast nationally on the Canadian Broadcast Corporation (CBC), as well as online with KCET in the US.