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Making Houston Modern: The Life and Architecture of Howard Barnstone [Hardback]

  • Formāts: Hardback, 400 pages, height x width x depth: 248x203x38 mm, weight: 1533 g
  • Izdošanas datums: 04-Aug-2020
  • Izdevniecība: University of Texas Press
  • ISBN-10: 1477320555
  • ISBN-13: 9781477320556
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  • Hardback
  • Cena: 54,72 €
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  • Formāts: Hardback, 400 pages, height x width x depth: 248x203x38 mm, weight: 1533 g
  • Izdošanas datums: 04-Aug-2020
  • Izdevniecība: University of Texas Press
  • ISBN-10: 1477320555
  • ISBN-13: 9781477320556
Citas grāmatas par šo tēmu:

Complex, controversial, and prolific, Howard Barnstone was a central figure in the world of twentieth-century modern architecture. Recognized as Houston’s foremost modern architect in the 1950s, Barnstone came to prominence for his designs with partner Preston M. Bolton, which transposed the rigorous and austere architectural practices of Ludwig Mies van der Rohe to the hot, steamy coastal plain of Texas. Barnstone was a man of contradictions—charming and witty but also self-centered, caustic, and abusive—who shaped new settings that were imbued, at once, with spatial calm and emotional intensity.

Making Houston Modern explores the provocative architect’s life and work, not only through the lens of his architectural practice but also by delving into his personal life, class identity, and connections to the artists, critics, collectors, and museum directors who forged Houston’s distinctive culture in the postwar era. Edited by three renowned voices in the architecture world, this volume situates Barnstone within the contexts of American architecture, modernism, and Jewish culture to unravel the legacy of a charismatic personality whose imaginative work as an architect, author, teacher, and civic commentator helped redefine architecture in Texas.

Recenzijas

The story of this man, and his work, little known outside of Texas, fills this Texas-sized tome with a rich history of 20th-century architecture and its patronage, the complex personal struggles of an outsider architect and individual, and stunning archival photography of the inventive buildings and interiors he designed. Those designs, so rooted in their time and place but with universal appeal, deserve, at long last, a larger audience. (Architectural Record) Making Houston Modern successfully tells the story of Barnstones life and work by engaging many voices in the writing of this book-architects, historians, critics, and even clients and family members. . . . The beautifully illustrated volume . . . adds to important recent work. . . . As the editors make clear, Houstons architecture deserves a broader audience. (Journal of Architectural Education) [ Making Houston Modern] contains an extremely valuable catalogue raisonné of [ Howard Barnstone's] works as well as a frank portrayal of his bipolar condition. (Austin American Statesman) This volume devotes attention to all sides of a person in a way that few architectural monographs achieve...Making Houston Modern makes the case that [ Barnstone's] legacy also resides in the culture he proliferated, both social and architectural. (Cite Magazine) Barnstone was, like the southern state, a lone star: the reserved kind, popular in his day but whose works were inexplicably left out of the canon of Houstons modernity. This book seeks to remedy the oversight...Elitist, sophisticated, and irreverent, Barnstone was free verse, with no particular style but a discreet charm over a bourgeoisie, who contributed decisively to the modernity of a city. (Arquitectura Viva) In Houston, Barnstones otherness-his New England roots, Jewish heritage, bipolarity, bisexuality-placed him at odds with the prevailing culture, despite his best efforts. This tension fueled his intensity and formed a man who was complex, complicated, and prolific." Making Houston Modern makes this clear in its thorough appreciation of Barnstones life...Today, Barnstones architecture, depleted through demolitions, alterations, or neglect, seems compromised at best. [ The authors] make the case that his legacy also resides in the culture he proliferated, both social and architectural. (Rice Design Alliance) [ Making Houston Modern's] focus on the social and urban changes that facilitated modernist development is one of the book's overall strengths...The book succeeds in illuminating Barnstone's milieu, and offers important insights into his architecture. (Texas Architect)

Foreword Call Me Howard, Please! vi
Carlos Jimenez
Preface viii
Introduction. Why Howard Barnstone Why? 3(36)
Stephen Fox
Michelangelo Sabatino
I HOWARD BARNSTONE'S ARCHITECTURE
Chapter 1 Barnstone's Practice
39(26)
Stephen Fox
Chapter 2 Translating Mies Barnstone and Houston Modernism
65(32)
Michelangelo Sabatino
Chapter 3 To Be Modern In Texas Lone Star Avant-Garde
97(24)
Kathryn E. Holliday
II HOWARD BARNSTONE'S CLIENTS
Chapter 4 A Constructive Connection Barnstone and the Menils
121(54)
Barrie Scardino Bradley
Chapter 5 An Architectural Family Portrait
175(24)
Robert Barnstone
Deborah Ascher Barnstone
Chapter 6 Barnstone's Jewish Houston
199(22)
Joshua J. Furman
III HOWARD BARNSTONE'S LIFE
Chapter 7 A SHORT BIOGRAPHY
221(20)
Barrie Scardino Bradley
Stephen Fox
Chapter 8 Barnstone And The University Of Houston
241(24)
Bruce C. Webb
Chapter 9 The Worst Thing That Can Happen Gertrude And Howard
265(35)
Olive Hershey
Conclusion. Magical Modernism
290(7)
Barrie Scardino Bradley
Stephen Fox
Michelangelo Sabatino
Afterword. Looking Toward The Future
297(3)
Theodore H. M. Prudon
Appendices
1 Interview With Eugene Aubry
300(7)
2 Interview With Anne Schlumberger Brown
307(3)
3 Architectural Awards
310(2)
Catalogue Raisonne 312(47)
Selected Bibliography 359(5)
Contributors 364(4)
Image Credits 368(5)
Index 373
Barrie Scardino Bradley is an independent scholar who has written on Texas architecture for the past forty years. She is the author of several books, including Improbable Metropolis: Houston's Architectural and Urban History.

Stephen Fox is an architectural historian and a Fellow of the Anchorage Foundation of Texas.

Michelangelo Sabatino is an architectural historian and preservationist. He is the former interim dean and inaugural John Vinci Distinguished Research Fellow, College of Architecture, Illinois Institute of Technology.