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Making the Palace Machine Work: Mobilizing People, Objects, and Nature in the Qing Empire [Hardback]

Edited by , Contributions by (Staatsbibliothek zu Berlin), Edited by , Contributions by (Academia Sinica), Contributions by (Palace Museum in Beijing), Contributions by (Haverford College), Contributions by (Kenyon College), Edited by , Contributions by (National Taiwan University), Contributions by (Ruhr-Universität Bochum)
  • Formāts: Hardback, 334 pages, height x width: 234x156 mm, 13 Illustrations, color; 22 Illustrations, black and white
  • Sērija : Asian History
  • Izdošanas datums: 12-Jul-2021
  • Izdevniecība: Amsterdam University Press
  • ISBN-10: 9463720359
  • ISBN-13: 9789463720359
  • Hardback
  • Cena: 169,16 €
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  • Formāts: Hardback, 334 pages, height x width: 234x156 mm, 13 Illustrations, color; 22 Illustrations, black and white
  • Sērija : Asian History
  • Izdošanas datums: 12-Jul-2021
  • Izdevniecība: Amsterdam University Press
  • ISBN-10: 9463720359
  • ISBN-13: 9789463720359
Making the Palace Machine Work: Mobilizing People, Objects, and Nature in the Qing Empire brings the studies of institutions, labour, and material cultures to bear on the history of science and technology by tracing the workings of the Imperial Household Department (Neiwufu) in the Qing court and empire. An enormous apparatus that employed 22,000 men and women at its heyday, the Department operated a "machine" with myriad moving parts. The first part of the book portrays the people who kept it running, from technical experts to menial servants, and scrutinises the paper trails they left behind. Part II uncovers the working principles of the machine by following the production chains of some of its most splendid products: gilded statues, jade, porcelain, and textiles. Part III examines the complex task of managing living organisms and natural environments, including lotus plants grown in imperial ponds in Beijing, fresh medicines sourced from disparate regions, and tribute elephants from Southeast Asia. First, the innovative framework of conceiving the Qing court as a 'machine' unifies the chapters into a coherent whole; the metaphor of a machine enables the authors to illuminate the enormous Qing court apparatus as solid structures and as mobile processes. Second, scholars from different national background, expertise, and generations working together, creating a unique multidisciplinary study that can be instructive for scholars working in other periods or geographical regions. Third, the inter-species perspective, especially evident in Part 3 of the book, breaks new ground by introducing an environmental and ecological awareness to the study of technology and material cultures. This is a new direction in the China field.

Recenzijas

"In sum, Making the Palace Machine Work is remarkable for its novel focus on the inner workings of the palace, which are often overlooked in scholarship on the Qing court. It reveals that the minutiae of the day-to-day palace operations can be just as fascinating as the grander imperial spectacles that they help create." -- Aurelia Campbell, Journal of Chinese History, 2023

Acknowledgments 15(2)
Conventions for the Notation of Time, Weights, and Measures 17(3)
Note on Translation 20(1)
Note on the Frontmatter Maps and Cover Image 21(2)
Introduction 23(18)
Martina Siebert
Kaijun Chen
Dorothy Ko
Part I Operating the Machine: Personnel and Paper Trails
Vignette Essay I Moving Pieces: On the Reuse of Interior Decoration Components in Qing Palaces
41(6)
Shuxian Zhang
1 Working the Qing Palace Machine: The Servants' Perspective
47(26)
Christine Moll-Murata
2 Manager or Craftsman: Skillful Bannermen of the Qing Dynasty (1644-1912)
73(20)
Kaijun Chen
3 Kupiao and the Accounting System of the Imperial Household Workshops
93(36)
Yijun Wang
Kyoungjin Bae
Part II Producing the Court: Materials and Artefacts
Vignette essay II The Story of An Image: Ding Guanpeng's `Ultimate Bliss' and the Auspiciousness of Reproduction
129(6)
Qiong Zhang
4 Piecing Shards Together: The Uses and Manufacturing of Imperial Porcelain
135(22)
Guangyao Wang
5 Resplendent Innovations: Fire Gilding Techniques at the Qing Court
157(30)
Te-cheng Su
Hui-min Lai
6 Transporting Jade: Objects, Ecology, and Local Bureaucracy in Qing Xinjiang
187(30)
Yulian Wu
Part III Mobilizing Nature: Plants and Animals
Vignette essay III Decluttering: On the Classification of Objects at the Imperial Household Department
217(8)
Eiif Akcetin
7 Growing and Organizing Lotus in Qing Imperial Spaces: Interlocking Cycles of Money and Nature
225(28)
Martina Siebert
8 The Medicine Supply System of the Qing Court
253(18)
Xueling Guan
9 When There Is Peace, There Are Elephants
271(20)
Hui-chun Yu
Coda 291(4)
Dorothy Ko
Kaijun Chen
Martina Siebert
Contributors 295(4)
Bibliography 299(24)
Index 323
Martina Siebert works as subject librarian at the East Asia department of the Staatsbibliothek zu Berlin and as independent scholar. She researches and publishes on the history of Chinese exploration into nature and technology with a focus on the styles and agendas of presenting and organizing that knowledge in writing. Kai Jun Chen is Assistant Professor at Brown University. The author of a forthcoming monograph on the technocratic culture in the Qing Imperial Ceramic Industry, he specialises in the history of imperial institutions, handicraft technology, and material culture studies. A native of Hong Kong, Dorothy Ko is Professor of History at Barnard College, Columbia University. She is a cultural historian of early modern China whose research and publication focus on gender, technology, and material culture.