Atjaunināt sīkdatņu piekrišanu

Marxist Film Theory and Fight Club [Mīkstie vāki]

4.06/5 (35 ratings by Goodreads)
(University of Illinois, USA)
  • Formāts: Paperback / softback, 200 pages, height x width x depth: 201x122x10 mm, weight: 220 g
  • Sērija : Film Theory in Practice
  • Izdošanas datums: 02-May-2019
  • Izdevniecība: Bloomsbury Academic USA
  • ISBN-10: 1501347306
  • ISBN-13: 9781501347306
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 23,01 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Standarta cena: 27,40 €
  • Ietaupiet 16%
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Paperback / softback, 200 pages, height x width x depth: 201x122x10 mm, weight: 220 g
  • Sērija : Film Theory in Practice
  • Izdošanas datums: 02-May-2019
  • Izdevniecība: Bloomsbury Academic USA
  • ISBN-10: 1501347306
  • ISBN-13: 9781501347306
Citas grāmatas par šo tēmu:

Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: “the mode of production,” “ideology,” and “mediation.” In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory.

Fight Club is an exceptionally useful text with which to explore these three concepts because it so vividly and pedagogically engages with economic relations, ideological distortion, and opportunities for transformation. At the same time, it is a very typical film in terms of the conditions of its production, its marketing, and its popularity. Adapted from a novel by Chuck Palahniuk, the film is a contemporary classic that has lent itself to significant re-interpretation with every shift in the political economic landscape since its debut.

Marxist Film Theory and Fight Club models a detailed cinematic interpretation that students can practice with other films, and furnishes a set of ideas about cinema and society that can be carried into other kinds of study, giving students tools for analyzing culture broadly defined.

Recenzijas

[ An] accomplished work of scholarship about an acclaimed film ... Analysing Fight Club helps us understand Marxist ideas about the violent, spiritually alienating world we live in ... Kornbluhs crash course in Marxism is admirably clear without being reductive. * Times Literary Supplement * I would recommend it to anyone looking for a well-written introduction to Marxism, ideology, and aesthetics. * Film Matters * A serious book that will benefit both those interested in Marxism itself and those whose interests lie within film studies more generally ... It is worthwhile for the reader to discover for themselves the richness of Marxist film theory explored in the book. * Marx & Philosophy Review of Books * Kornbluh has devised a remarkable two-fisted engine that examines simultaneously and in turns Marxist film theory and Fight Club. She offers a rigorous and highly original analysis of the film, in which cinematic form and economic circumstances vie with and outstrip each other, and a superb demonstration of the dialectic at work. * Joan Copjec, Professor of Modern Culture and Media, Brown University, USA * "The first rule of Fight Club is: You do not talk about Fight Club. So, whats the first rule of Marxist film theory? If you or Anna Kornbluh cant talk about that either, her short sharp introduction nonetheless offers an expert account of what Marxism is and whymaybe more than everit matters. Moving elegantly between different theories of film and a film that does the work of theory, she both explains how several modes of Marxist analysis work and makes a powerful case for Marxisms status not as one method among many but rather as our best and maybe last chance to engage and to engage critically with the forms of a world we must find wanting. * Kent Puckett, Professor of English, University of California, Berkeley, USA *

Papildus informācija

Offers a concise introduction to Marxist film theory and shows how this theory can be engaged to interpret David Finchers Fight Club.
Acknowledgements

Introduction
Part One: Marxist Film Theory
Part Two: Marxist Film Theory and Fight Club
Conclusion

Further Reading
Notes
Index
Anna Kornbluh is Associate Professor of English at the University of Illinois, Chicago, US. She is the author of Realizing Capital (2013), and her articles on Marxist aesthetics have appeared in Mediations, Novel, the LARB, Understanding Film: Marxist Perspectives, Lacan & Contemporary Cinema, and the Bloomsbury Companion to Marx.