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Mary Mattingly: What Happens After [Hardback]

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  • Formāts: Hardback, 304 pages, height x width: 330x254 mm, weight: 2260 g, 244 Illustrations, color
  • Izdošanas datums: 15-Dec-2022
  • Izdevniecība: Hirmer Verlag
  • ISBN-10: 3777439789
  • ISBN-13: 9783777439785
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  • Formāts: Hardback, 304 pages, height x width: 330x254 mm, weight: 2260 g, 244 Illustrations, color
  • Izdošanas datums: 15-Dec-2022
  • Izdevniecība: Hirmer Verlag
  • ISBN-10: 3777439789
  • ISBN-13: 9783777439785
Citas grāmatas par šo tēmu:
Mary Mattingly is a visual artist. She founded Swale, an edible landscape on a barge in New York City. Docked at public piers but following waterways common laws, Swale circumnavigates New York's public land laws, allowing anyone to pick free fresh food. Swale instigated and co-created the "foodway" in Concrete Plant Park, the Bronx in 2017. The "foodway" is the first time New York City Parks is allowing people to publicly forage in over 100 years. It's currently considered a pilot project.

Mattingly recently launched Public Water with More Art and completed a two-part sculpture Pull for the International Havana Biennial with the Museo Nacional de Bellas Artes de la Habana and the Bronx Museum of the Arts, two spherical ecosystems that were pulled across Habana to Parque Central and the museum. In 2018 she received a commission from BRIC Arts Media to build "What Happens After" which involved dismantling a military vehicle (LMTV) that had been to Afghanistan and deconstructing its mineral supply chain. A group of artists including performance artists, veterans, and public space activists re-envisioned the vehicle for BRIC. In 2016 Mattingly led a similar project at the Museum of Modern Art. In 2014, an artist residency on the water called WetLand launched in Philadelphia and traveled to the Parrish Museum. It was employed by the University of Pennsylvanias Environmental Humanities program until 2017.

Mary Mattinglys work has also been exhibited at Storm King, the International Center of Photography, the Seoul Art Center, the Brooklyn Museum, the New York Public Library, deCordova Museum and Sculpture Park, and the Palais de Tokyo. Her work has been featured in Aperture Magazine, Art in America, Artforum, Art News, Sculpture Magazine, The New York Times, New York Magazine, Financial Times, Le Monde Magazine, Metropolis Magazine, New Yorker, The Wall Street Journal, the Brooklyn Rail, and on BBC News, MSNBC, NPR, WNBC, and on Art21. Her work has been included in books such as the Whitechapel/MIT Press Documents of Contemporary Art series titled Nature and edited by Jeffrey Kastner, Triple Canopys Speculations, the Future Is... published by Artbook, and Henry Sayres A World of Art, 8th edition, published by Pearson Education Inc.
Introduction: Art in the Commons Julie Decker and Nicholas Bell 8(4)
SECTION 1 GROW
Introduction Kristine Wong
12(5)
Featured Projects: Flock House
17(18)
Wet Land
35(8)
Arctic Food Forest
43(6)
Swale
49(16)
Along the Lines of Displacement
65(8)
Vanishing Point
73(13)
SECTION 2 BUILD
Interview Mary Mattingly and Antonio Sergio Bessa
86(5)
Featured Projects: Public Water
91(16)
Torus
107(6)
Wearable Homes
113(10)
Waterpod
123(12)
Triple Island
135(6)
Pull
141(8)
Wading Bridge
149(7)
SECTION 3 GATHER
Introduction Heather Davis
156(5)
Featured Projects: First Light Last Light
161(12)
House and Universe
173(28)
Limnal Lacrimosa
201(8)
Because for Now There Is Still Poetry
209(12)
Open Ocean
221(6)
Ecotopian Library
227(5)
SECTION 4 DISPERSE
Introduction Stephanie Wakefield and Gean Moreno
232(7)
Featured Projects: Cobalt
239(8)
Rare Earth Elements
247(6)
What Happens After
253(10)
Everything at Once
263(4)
Make Art, Not War
267(5)
Afterword: Art and the Earth Stan Cox 272(6)
Appendix 278
Nicholas Bell is director of the Glenbow Museum.

Julie Decker is Director and CEO of the Anchorage Museum.