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Master Handbook of Audio Production [Mīkstie vāki]

  • Formāts: Paperback / softback, 420 pages, height x width x depth: 231x183x28 mm, weight: 703 g, 120 Illustrations
  • Izdošanas datums: 16-Oct-2002
  • Izdevniecība: McGraw-Hill Publishing Co.
  • ISBN-10: 0071408762
  • ISBN-13: 9780071408769
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 53,25 €
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  • Formāts: Paperback / softback, 420 pages, height x width x depth: 231x183x28 mm, weight: 703 g, 120 Illustrations
  • Izdošanas datums: 16-Oct-2002
  • Izdevniecība: McGraw-Hill Publishing Co.
  • ISBN-10: 0071408762
  • ISBN-13: 9780071408769
Citas grāmatas par šo tēmu:
The democratization of video has driven parallel developments in audio: digital technology now allows small studios with inexpensive equipment to create increasingly elaborate sound recordings, while digital video now requires an audio design to match its increasingly sophisticated visual palette. In audio increasingly sophisticated digital tools must still be matched with essential microphones, studios, and acoustics, to attain excellent sound, making the field a greater challenge even as more powerful tools appear.This Master Handbook covers the full range of modern audio techniques, from digital sound recording in the studio to sound for digital video and film. It deals with basic physics, essential equipment, recording methods, and digital signal processing techniques everything you need to produce audio in the studio or for video and film work.

Recenzijas

Covering the full range of modern audio techniques -- from digital sound recording in the studio to sound for digital video and film -- this book details essential equipment, recording equipment, and digital signal-processing techniques. Readers can learn how to select microphones and loud speakers, produce sound for video and film, make high-quality studio recordings, and discover new audio design tools. Poptronics 20021101

Contributors Preface
Chapter 1: Audio Production System Standards
Chapter 2: The Physical Nature of Sound
Chapter 3: Criteria for Acceptability of Acoustical Performance
Chapter 4: Sound Isolation
Chapter 5: Studio Production Systems
Chapter 6: Microphone Recording in a Studio
Chapter 7: Sound Level Conditions
Chapter 8: Microphones
Chapter 9: Stereophonic Techniques
Chapter 10: Dynamic-Type Direct-Radiation Speakers
Chapter 11: Audio Monitoring Devices and Systems
Chapter 12: Audio Interconnection
Chapter 13: Audio Processing and Control
Chapter 14: Studio Communications
Chapter 15: Production Facility Design
Chapter 16: Facility Infrastructure Issues
Chapter 17: Equipment Rack Enclosures and Devices
Chapter 18: Wiring Practices
Chapter 19: Audio Measurement and Analysis
Chapter 20: Audio Phase and Frequency Measurement
Chapter 21: Nonlinear Audio Distortion Subject Index About the Editor
Jerry Whitaker is Vice President of Standards Development at the Advanced Television Systems Committee (ATSC), Washington, D.C. He was previously President of Technical Press, a consulting company based in the San Jose area. Whitaker has been involved in various aspects of the electronics industry for over 30 years, with specialization in communications. He has lectured extensively on the topic of electronic systems design, installation, and maintenance. He is the former editorial director and associate publisher of Broadcast Engineering and Video Systems magazines, and a former radio station chief engineer and television news producer. Mr. Whitaker is a Fellow of the Society of Broadcast Engineers and an SBE-certified professional broadcast engineer. He is also a fellow of the Society of Motion Picture and Television Engineers, and a member of the Institute of Electrical and Electronics Engineers.