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E-grāmata: matter of miracles: Neapolitan baroque architecture and sanctity

  • Formāts: 672 pages
  • Sērija : Rethinking Art's Histories
  • Izdošanas datums: 02-Feb-2021
  • Izdevniecība: Manchester University Press
  • Valoda: eng
  • ISBN-13: 9781526100399
  • Formāts - EPUB+DRM
  • Cena: 95,80 €*
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  • Formāts: 672 pages
  • Sērija : Rethinking Art's Histories
  • Izdošanas datums: 02-Feb-2021
  • Izdevniecība: Manchester University Press
  • Valoda: eng
  • ISBN-13: 9781526100399

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Investigating the miracle of the Neapolitan saint San Gennaro's liquefying blood in relation to art, architecture and philosophy, this book offers a bracing and thoroughly original rethink of baroque relics, reliquaries, metals and materiality. Focused on the richly adorned baroque Treasury Chapel of San Gennaro, this study embraces sanctity and salvation, and questions the cultural impact and consequences of Spanish colonialism within Europe in the city of Naples. It examines the matter of the baroque miracle through a rigorous engagement with natural history, telluric philosophy, new materialism, theory and philosophy. Bronze and silver architecture and sculpture are subjected to energetic transformational interpretations, which give a vitally new approach to baroque sanctity, in which the city is seen as an event in the history of holiness. Bristling with new archival materials and historical insights, this study lifts the baroque from its previous marginalisation, to engage fiercely with materiality as potentiality and thus with art and architecture as potentially transformative.

Recenzijas

'This book gathers together the results of important, original and ambitious research. [ ...] from the title on, HH challenges one to read between the lines and to go beyond the appearance of architecture and baroque sanctity. [ ...] Hills interprets 17C and 18C architecture as a 'machinic', a productive phenomenon and in terms of potential; not the reflection of the will of patron or architect, but a microcosm, an 'assemblage' that through its materiality and physical presence creates relations, worshippers, city, politics and spirituality.' Annali di architettura -- .

List of plates
viii
List of figures
xiii
Acknowledgements xx
Introduction: openings 1(38)
Prologue: the analogous relic 39(26)
Part I The miracle
1 The matter of miracles: San Gennaro's blood and the Treasury Chapel
65(58)
2 Blood, bronze, Vesuvius: material transformations
123(51)
3 Miraculous witness: exclusive affects
174(41)
Part II Patrons and protectors
4 The machinic chapel and the production of protectors
215(55)
5 From prayer to presence
270(49)
Part III The choreography of sanctity
6 Niche and saints: folding the wall
319(32)
7 Saints on the move and the choreography of sanctity
351(35)
8 Holiness and history: relics and gender
386(24)
9 Heads and bones: face to face
410(36)
10 Silver saints: between transformation and transaction
446(33)
Conclusion: the miraculous chance 479(18)
Bibliography 497(40)
Plates and figures 537(54)
Index 591
Helen Hills is Professor of History of Art at the University of York -- .