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Mattia Battistini: King of Baritones and Baritone of Kings [Multiple-component retail product]

  • Formāts: Multiple-component retail product, 456 pages, height x width x depth: 238x162x32 mm, weight: 871 g, Contains 1 Hardback and 1 CD-ROM
  • Izdošanas datums: 13-Jun-2009
  • Izdevniecība: Scarecrow Press
  • ISBN-10: 0810861445
  • ISBN-13: 9780810861442
Citas grāmatas par šo tēmu:
  • Multiple-component retail product
  • Cena: 147,05 €
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  • Formāts: Multiple-component retail product, 456 pages, height x width x depth: 238x162x32 mm, weight: 871 g, Contains 1 Hardback and 1 CD-ROM
  • Izdošanas datums: 13-Jun-2009
  • Izdevniecība: Scarecrow Press
  • ISBN-10: 0810861445
  • ISBN-13: 9780810861442
Citas grāmatas par šo tēmu:
Mattia Battistini (1856-1928) is considered by many to be among the finest examples of the bel canto singing style. His unique vocal abilities and strong stage personality made him the most famous singer of his time, with a career spanning nearly 50 years in the most revered opera venues in Europe. Mattia Battistini: King of Baritones and Baritone of Kings covers the singer's entire career, from his first performance in Rome in 1878 to his final concert 50 years later. Jacques Chuilon analyzes Battistini's principle roles, recordings, and vocal technique, accessing a rich collection of reviews from the time to show Battistini's relationship with and influence on the day's top composers, such as Wagner, Verdi, and Massenet, even going into detail on how Massenet rewrote his music especially for Battistini's voice. Through this important research, Chuilon offers a fresh portrayal of this unique and inspiring, yet often misrepresented, individual. Mattia Battistini: King of Baritones and Baritone of Kings also contains an informative postscript by Battistini's granddaughter, as well as the most complete list ever compiled of Battistini's performances around the world, an impressive selection of photographs, a discography, and a 90-minute CD, re-mastered to reveal the full splendor of Battistini's magnificent voice as nearly as possible. It is an unmatched reference for teachers, students, professional musicians, and singers, as well as the casual opera lover.

Recenzijas

Such an easily-accessible and wide-ranging account of Battistini's and his colleagues' performances of his hitherto almost-unknown life away from the stage, and the background to his recordings is certain to be of great interest to his many admirers....The accompanying CD presents a well-chosen survey of the recordings made over its subject's entire recording career, 1902-1924. -- Michael E. Henstock Author Chuilon covers Battistini's career in astounding detail....vociferous advocacy of a singing titan is hardly a crime, especially when it is backed up by so much excellent research and knowledgeable commentary by both the author and others. -- Joe Pearce This book is indispensable for all singers and lovers of the "lost" bel canto tradition. In this biography of one of the consummate masters of singing, Mattia Battistini, Chuilon has lovingly collected every possible piece of information about this "glory of Italy," analyzed it, sorted it, and now in this English version, made it possible for a new generation of opera lovers to understand how this singer was so important to the success of Verdi and Massenet, to Wagner and Saint-Saėns, among so many others. The restored musical excerpts on the enclosed CD, and the thorough analysis of Battistini's vocal technique and career, make it a valuable reference work, and a source of inspiration musically and aesthetically. -- Thomas Hampson

Papildus informācija

Winner of Finalist for the 2010 ARSC Award for Excellence_Best Historical Research in Recorded Classical Music.
CD Contents v
Foreword vii
Thomas Hampson
Preface ix
Acknowledgments xiii
Introduction xv
Birth of an Artist, 1878-1893
1(56)
A Promising Debut
1(10)
Early Years
11(2)
Meeting Expectations
13(4)
Colleague of Tamagno
17(3)
Overseas
20(4)
Progress
24(6)
A Rival?
30(4)
Return to London
34(6)
A Singer with Ideas
40(5)
The Black Cat and Other Anecdotes
45(4)
Falstaff
49(8)
Glory, 1893-1903
57(98)
Russia
57(4)
The Press
61(7)
Chaliapin versus Battistini
68(17)
The Russian Operas
85(20)
From Mozart to Bel Canto
105(13)
Tamagno and Battistini in Verdi
118(11)
Italian, German, and French Roles
129(13)
The 1902 Recordings
142(13)
The Legend, 1903-1914
155(48)
The Twenty-Fifth Anniversary Year
159(12)
Siesta in Spain
171(2)
Rome and London
173(10)
The Recordings, 1906-1913
183(20)
Survival, 1914-1928
203(70)
France
206(21)
The Recordings, 1921-1923
227(4)
Closing Years
231(14)
The 1924 Recordings
245(2)
Recitals and Rumors
247(6)
Farewells
253(8)
Posthumous Tributes
261(12)
Posterity
273(42)
The Mysteries of Bel Canto
287(20)
The Last Vestiges of Bel Canto
307(8)
Postscript by Liza Mrosovsky-Shaw 315(2)
Appendix: Mattia Battistini Chronology by Thomas G. Kaufman 317(70)
Discography 387(14)
Index 401(4)
About the Author 405
Jacques Chuilon has published articles in Opera Quarterly and Opera International, and is the author of Opéra Opinions (1994) and La voix qui chante (1998). E. Thomas Glasow was an author and opera critic for Opera News and was editor-in-chief of Opera Quarterly from 1998 until his death in 2004. He has translated several titles into English, including Olivier Messaien: Music and Color: Conversations with Claude Samuel (1994), and Daniele Pistone's Nineteenth-Century Italian Opera (1995).