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Media/Society: Technology, Industries, Content, and Users 6th Revised edition [Mīkstie vāki]

  • Formāts: Paperback / softback, 488 pages, height x width: 231x187 mm, weight: 820 g
  • Izdošanas datums: 14-Nov-2017
  • Izdevniecība: SAGE Publications Inc
  • ISBN-10: 150631533X
  • ISBN-13: 9781506315331
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  • Formāts: Paperback / softback, 488 pages, height x width: 231x187 mm, weight: 820 g
  • Izdošanas datums: 14-Nov-2017
  • Izdevniecība: SAGE Publications Inc
  • ISBN-10: 150631533X
  • ISBN-13: 9781506315331
Citas grāmatas par šo tēmu:
Croteau and Hoynes continue to update their textbook on media to keep up with changes in technology and practice while showing how the persistent fundamentals still apply. They cover media/society in a digital world, the evolution of media technology, the economics of the media industry, political influence on media, media organization and professionals, media and ideology, social inequality and media representation, audiences and creators, media influence, and globalization and the future of media. Annotation ©2018 Ringgold, Inc., Portland, OR (protoview.com)

Providing a framework for understanding the relationship between media and society, this updated Sixth Edition of Media/Society helps you develop the skills you need to critically evaluate both conventional wisdom and your own assumptions about the social role of the media. Authors David Croteau and William Hoynes retain the book’s basic sociological framework but now include additional discussions of new studies and up-to-date material on today’s rapidly changing media landscape. Now featuring streamlined content and a more engaging narrative, this edition offers expanded discussions of the “new media” world, including digitization, the internet, the spread of mobile media devices, the role of user-generated content, the potential social impact of new media on society, and new media’s effect on traditional media outlets

Recenzijas

"The best text to help students understand the often-complicated, ever-changing relationship between media and society." -- Seong-Jae Min "I have finally found a textbook that places media research in a historical perspective and that also includes a comprehensive section on the media and its relationship to ideology, politics, and culture." -- Jane Bloodworth Rowe "Media/Society gives students a comprehensive picture of the present-day media, media-related issues, and the future. Current controversial issues like electronic surveillance, privacy and national security, and political influence on the media have been carefully explained by the authors." -- Abhijit Sen "It comes at the sociology of media from every angle, providing in-depth discussion of how media are shaped, consumed, and disseminated." -- Stephen Hagan "The book provides a sound analysis of the contemporary issues in media representations and conceptual approaches to the understanding of media and media technology." -- Ola Ogunyemi

Preface xv
Acknowledgments xxi
Part I Introduction
Chapter 1 Media/Society in a Digital World
2(21)
The Importance of Media
3(4)
Models of Communication Media
7(3)
Interpersonal and "Mass" Communication
7(1)
Variable Boundaries and Active Users
8(1)
Communication Today: A First Look
9(1)
A Sociology of Media
10(6)
The Sociological Perspective
11(1)
Structural Constraint and Human Agency
12(1)
Structure
12(1)
Agency
13(1)
Structure and Agency in the Media
13(5)
Relationships between the Media and Other Social Institutions
14(1)
Relationships within the Media Industry
14(1)
Relationships between the Media and the Public
15(1)
A Model of Media and the Social World
16(2)
Applying the Model: Civil Rights in Two Media Eras
18(3)
Mid-20th-Century Civil Rights Movement
18(2)
Black Lives Matter
20(1)
Conclusion
21(1)
Discussion Questions
22(1)
Part II Technology 23(38)
Chapter 2 The Evolution of Media Technology
24(37)
The History of Media Technology
25(3)
Technological Determinism and Social Constructionism
28(8)
Technological Determinism
28(1)
Media's Materiality
29(1)
"Autonomous Technology" and "Technological Momentum"
30(1)
Medium Theory
31(4)
McLuhan's Optimism
32(1)
Postman's Pessimism
33(2)
Social Constructionism
35(1)
From Print to the Internet
36(23)
The Print Medium
36(2)
The Telegraph
38(1)
The Telephone
38(4)
Sound Recording
42(3)
Film and Video
45(1)
Radio Broadcasting
46(4)
Television
50(4)
Television and Daily Life
50(2)
Cable Television
52(2)
The Internet
54(10)
Creating the Internet
54(2)
The Internet Grows Up
56(1)
Some Characteristics of the Internet Era
57(2)
Conclusion
59(1)
Discussion Questions
60(1)
Part III Industry 61(128)
Chapter 3 The Economics of the Media Industry
62(45)
Media Companies in the Internet Era
64(3)
Products
64(1)
Platforms
65(1)
Pipes
66(1)
Changing Patterns of Ownership
67(15)
Concentration of Ownership
67(7)
Products
68(4)
Platforms
72(1)
Pipes
73(1)
Conglomeration and Integration
74(4)
Strategy in a New Media Economy
78(1)
The Power of Platforms: Facebook and Google as New Media Giants
79(3)
Users
80(1)
Media Content
80(1)
Advertising
81(1)
Telecommunications
82(2)
Consequences of Conglomeration and Integration
83(1)
Integration and Self-Promotion
83(1)
The Impact of Conglomeration
84(6)
The Effects of Concentration
85(1)
Media Control and Political Power
86(4)
Media Ownership and Content Diversity
90(6)
Mass Media for Profit
92(1)
Prime-Time Profits
92(2)
Cheaper Programs for Smaller Audiences
94(1)
Controlling Content and Distribution
95(1)
Profit and the News Media
96(9)
The Impact of Advertising
98(1)
The Advertising-Content Connection
98(5)
Advertising and the Press in the 19th Century
100(1)
The British Press
100(2)
The U.S. Press
102(1)
Advertising and the Contemporary News Media
103(2)
Conclusion
105(1)
Discussion Questions
106(1)
Chapter 4 Political Influence on Media
107(44)
Media and Democracy
108(1)
Free Speech to Free Markets: The Evolution of U.S. Regulatory Policy
109(4)
Regulate or Deregulate?
110(1)
The FCC's Variable Role
111(2)
Regulation in International Perspective
113(3)
Regulation in Western Democracies
114(1)
Regulation in Developing Nations
115(1)
Competing Interests and the Regulation Debate
116(5)
Industry Influence: Elections and Lobbying
117(1)
Citizen Action: The Case of Low-Power Radio
117(3)
Left and Right: Diversity versus Property Rights
120(1)
Regulating Ownership
121(5)
Media Outlets
121(3)
Copyright and Intellectual Property
124(2)
Regulating Content
126(10)
Accuracy: Advertising
126(1)
Diversity: The Fairness Doctrine
127(2)
Morality: Obscene Materials
129(1)
Self-Regulation: Censorship and Ratings
130(4)
Movie Censorship and the Ratings System
130(2)
Television Ratings
132(1)
Music Parental Advisory Labels and Video Games
132(2)
The "National Interest": Military Censorship
134(2)
Regulating Access and Distribution
136(11)
Net Neutrality
136(3)
The Concept of Net Neutrality
137(1)
The Policy Battle
137(1)
The Implications
138(1)
Vertical Integration: Movies, TV, and Streaming
139(3)
The Hollywood Studio System
139(1)
Television's Fyn-Syn Regulations
140(1)
Netflix and the Streaming Wars
141(1)
Social Media Platforms
142(10)
What Are Platforms?
143(1)
Social Media Regulation
144(2)
Self-Policing
146(1)
Informal Political, Social, and Economic Pressure
147(2)
Conclusion
149(1)
Discussion Questions
150(1)
Chapter 5 Media Organizations and Professionals
151(38)
The Limits of Economic and Political Constraints
152(2)
Working within Economic Constraints
152(1)
Responding to Political Constraints
153(1)
Decision Making for Profit: Imitation, Hits, and Stars
154(7)
High Costs and Unpredictable Tastes
155(1)
Art Imitating Art
155(1)
Stars and the "Hit System"
156(2)
Creating Hits and Producing Stars
158(1)
Using Stars to Combat Uncertainty
159(1)
Beyond Stars to a Universe of Products
160(1)
The Organization of Media Work
161(14)
Conventions
162(1)
News Routines and Their Consequences
163(3)
Technology and the New News Routines
166(4)
Increased Economic Pressure
166(1)
Expanded Volume and Diversified Sourcing
166(1)
Increased Speed
167(1)
Presentation and Engagement to Promote Traffic
168(1)
Newsroom Automation
169(1)
Objectivity
170(5)
The Origins of Objectivity
171(1)
Objectivity as Routine Practices and Their Political Consequences
172(1)
Rejecting Objectivity: Alternative Journalism
173(2)
Occupational Roles and Professional Socialization
175(10)
Roles
175(1)
Photography
176(4)
Socialization of Photographers
177(2)
Photographers' Work Roles and Organizational Goals
179(1)
Editorial Decision Making
180(11)
The Work of the Book Editor
181(2)
Scholarly Publishing
183(2)
Norms on the Internet, New Media, and New Organizations
185(3)
Conclusion
188(1)
Discussion Questions
188(1)
Part IV Content 189(78)
Chapter 6 Media and Ideology
190(35)
What Is Ideology?
191(5)
Ideology and the "Real" World
191(1)
Dominant Ideology versus Cultural Contradictions
192(1)
The "Culture War" Battles over Ideology
193(1)
Ideology as Normalization
194(2)
Theoretical Roots of Ideological Analysis
196(5)
Early Marxist Origins
196(1)
Hegemony
197(4)
News Media and the Limits of Debate
201(3)
Elites and Insiders
201(1)
Economic News as Ideological Construct
202(2)
Movies, the Military, and Masculinity
204(4)
Action-Adventure Films
205(1)
Vietnam Films and Recent War Films
206(2)
Television, Popularity, and Ideology
208(5)
Television and Reality
208(2)
Television and the Changing American Family
210(2)
Revising Tradition: The New Momism
212(1)
Rap Music as Ideological Critique?
213(3)
Advertising and Consumer Culture
216(3)
Selling Consumerism in the Early 20th Century
217(1)
Women's Magazines as Advertisements
218(1)
Advertising and the Globalization of Culture
219(3)
Internet Ideology
222(2)
Conclusion
224(1)
Discussion Questions
224(1)
Chapter 7 Social Inequality and Media Representation
225(42)
Comparing Media Content and the "Real" World
226(2)
The Significance of Content
228(3)
Race, Ethnicity, and Media Content: Inclusion, Roles, and Control
231(15)
Racial and Ethnic Diversity in Media Content
232(3)
Growing Diversity and Abundance amid Audience Fragmentation
235(2)
Race, Ethnicity, and Media Roles
237(7)
Early Images of Race
238(1)
Slow Change and "Modern" Racism
239(5)
Race and Class
244(1)
Controlling Media Images of Race
244(2)
Gender and Media Content
246(5)
Women: Presence and Control in the Media
247(1)
Changing Media Roles for Women...and Men
247(2)
The Case of Women's Sports
249(2)
Class and the Media
251(11)
Class and Media Content
252(8)
Family-Based Situation Comedies
252(2)
Tabloid Talk Shows and Reality Television
254(3)
The Union Taboo
257(1)
News Media
258(1)
Advertising
259(1)
Explaining Class Images: "Some People Are More Valuable Than Others"
260(2)
Sexual Orientation: Out of the Closet and into the Media
262(4)
Conclusion
266(1)
Discussion Questions
266(1)
Part V Users 267(74)
Chapter 8 Audiences and Creators
268(32)
The Active Audience: Balancing Agency and Structure
269(3)
Polysemy: Media's Multiple Meanings
270(1)
Interpretive Constraint: Encoding/Decoding and Social Structure
271(1)
Decoding Meanings and Social Position
272(9)
Class and Nationwide News
272(1)
Gender, Class, and Television
273(1)
Race, News, and Meaning Making
274(1)
Resistance and Feminist Identity
275(1)
International Readings of American Television
276(2)
Making Meaning Online: Second Screens
278(1)
Social Position Online: Black Twitter
279(2)
The Pleasures of Media: Celebrity Games
281(2)
The Social Context of Media Use
283(2)
Romance Novels and the Act of Reading
283(1)
Watching Television with the Family
284(1)
The Limits of Interpretation
285(1)
From Active Audience to Resistant Actors
286(2)
Interpretive Resistance and Feminist Politics
286(1)
Culture Jamming
287(1)
Content Creation and Distribution
288(10)
Participatory Culture
289(1)
Participation Online
290(3)
Who Are the Content Creators?
293(1)
Why Create?
294(1)
Media Fans
295(1)
Users as Gatekeepers and Distributors
296(2)
Conclusion
298(1)
Discussion Questions
299(1)
Chapter 9 Media Influence
300(41)
Learning from Media Effects Research
301(1)
Early Works: Establishing the Agenda
302(3)
The Press and Democracy
302(1)
Entertainment and Children
303(1)
Mass Society and Media Influence
304(1)
Mitigating Media Effects
305(2)
Limited Effects and the Two-Step Flow of Influence
305(1)
Active Audiences
306(1)
Highlighting Media Influence
307(6)
Agenda Setting and Framing
307(2)
Framing: Second-Level Agenda Setting
308(1)
New Agenda-Setting Players in the Internet Era
308(1)
The Spiral of Silence
309(2)
Learning from Media
311(1)
Cultivation Theory
312(1)
Mediatization
313(3)
The Concept of Mediatization
314(1)
The Mediatization of Society and Media Logic
315(1)
The Mediatization of Politics
316(12)
The Politics of Image
317(3)
Political Actors
317(2)
Setting the Stage
319(1)
The Decline of Political Parties
320(1)
Communication Professionals and "Post-Truth" Politics
321(3)
Working with the News Media
321(1)
Using the Internet
322(2)
Social Movements
324(2)
Citizen Alienation
326(1)
The Internet's Uncertain Political Future
326(2)
Digital Dilemmas: Online Media Influence
328(12)
Social Media Logic and Algorithmic Power
328(3)
The Crisis in Journalism
331(1)
Information Distortions: Misinformation and Echo Chambers
332(2)
Computational Propaganda: Trolls and Twitter Bots
334(2)
Hate and Censorship
336(1)
Managing our Social Selves
337(3)
Conclusion
340(1)
Discussion Questions
340(1)
Part VI Afterword 341(32)
Chapter 10 Globalization and the Future of Media
342(31)
What Is Globalization?
343(5)
Crossing Limits of Time and Space
344(1)
Crossing Cultural Boundaries
345(1)
The Promise and Reality of Media Globalization
346(2)
The Global Media Industry
348(7)
Global Products, Centralized Ownership
348(2)
Traditional Media: Disney Worldwide
350(2)
The New Global Media Giants: Google and Facebook
352(3)
Interpreting Global Media Content
355(5)
Cultural Imperialism and Its Limits
355(2)
Global Culture Clash?
357(1)
Hybrid Culture
358(2)
Regulating Global Media
360(6)
The Politics of Information Flow
360(3)
Internet Governance
363(1)
Preserving Diversity
364(2)
Global Media Users: Limits of the "Global Village"
366(3)
The Ubiquity of Change and the Future of Media
369(2)
Discussion Questions
371(2)
References 373(42)
Index 415(50)
About the Authors 465
David Croteau is an associate professor emeritus in the sociology department at Virginia Commonwealth University (VCU). He has also worked in VCUs Academic Learning Transformation Lab (ALT Lab), helping faculty incorporate new technologies into their teaching. He is the author of Politics and the Class Divide: Working People and the Middle-Class Left.

William Hoynes is dean of the faculty and professor of sociology at Vassar College in Poughkeepsie, New York. He teaches courses on media, culture, and social theory, and is former director of Vassars Media Studies program. He is the author of Public Television for Sale: Media, the Market, and the Public Sphere.