Atjaunināt sīkdatņu piekrišanu

E-grāmata: Media/Society: Technology, Industries, Content, and Users

3.92/5 (13 ratings by Goodreads)
(University of British Columbia, Canada), (Vassar College, USA), (Virginia Commonwealth University, USA)
  • Formāts: PDF+DRM
  • Izdošanas datums: 03-Jun-2021
  • Izdevniecība: Sage Publications, Inc
  • Valoda: eng
  • ISBN-13: 9781071819319
Citas grāmatas par šo tēmu:
  • Formāts - PDF+DRM
  • Cena: 82,09 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: PDF+DRM
  • Izdošanas datums: 03-Jun-2021
  • Izdevniecība: Sage Publications, Inc
  • Valoda: eng
  • ISBN-13: 9781071819319
Citas grāmatas par šo tēmu:

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

"Media/Society: Industries, Images, and Audiences provides a framework to help students understand the relationship between media and society and helps students develop skills for critically evaluating both conventional wisdom and one's own assumptions about the social role of the media. The Seventh Edition retains its basic sociological framwork, but also includes additional discussions of new studies and up-to-date material about a rapidly changing media landscape. This edition significantly expands ondiscussions of the "new media" world, including digitization, the Internet, and the spread of mobile media devices, and the role of user-generated content, the potential social impact of "new" media on society, and "new" media's effect on traditional media outlets. The new edition includes updated research, the latest industry data, and current examples from popular media, which will help to illustrate enduring themes in the sociology of media"--

Media/Society: Industries, Images, and Audiences provides a framework to help students understand the relationship between media and society and helps students develop skills for critically evaluating both conventional wisdom and one’s own assumptions about the social role of the media. The Seventh Edition retains its basic sociological framwork, but also includes additional discussions of new studies and up-to-date material about a rapidly changing media landscape. This edition significantly expands on discussions of the “new media” world, including digitization, the Internet, and the spread of mobile media devices, and the role of user-generated content, the potential social impact of “new” media on society, and “new” media’s effect on traditional media outlets. The new edition includes updated research, the latest industry data, and current examples from popular media, which will help to illustrate enduring themes in the sociology of media.
Preface xv
Acknowledgments xvii
PART I INTRODUCTION
1(26)
Chapter 1 Media/Society in a Digital World
3(24)
The Importance of Media
4(5)
Models of Communication Media
9(4)
Interpersonal and "Mass" Communication
9(1)
Variable Boundaries and Active Users
10(1)
Communication Today: A First Look
11(2)
A Sociology of Media
13(6)
The Sociological Perspective
13(1)
Structural Constraint and Human Agency
14(1)
Structure
14(1)
Agency
15(1)
Structure and Agency in the Media
16(1)
Relationships between the Media and Other Social Institutions
17(1)
Relationships within the Media Industry
17(1)
Relationships between the Media and the Public
18(1)
A Model of Media and the Social World
19(2)
Applying the Model: Civil Rights in Two Media Eras
21(4)
Mid-20th-Century Civil Rights Movement
21(3)
Black Lives Matter
24(1)
Conclusion
25(1)
Discussion Questions
26(1)
PART II TECHNOLOGY
27(44)
Chapter 2 The Evolution of Media Technology
29(42)
The History of Media Technology
29(4)
Technological Determinism
33(7)
Media's Materiality
34(1)
"Autonomous Technology" and "Technological Momentum"
35(1)
Medium Theory
36(1)
McLuhan's Optimism
37(1)
Postman's Pessimism
38(2)
Social Constructionism
40(2)
From Print to Television
42(20)
The Print Medium
42(2)
The Telegraph
44(1)
The Telephone
44(4)
Sound Recording
48(3)
Film and Video
51(2)
Radio Broadcasting
53(4)
Television
57(1)
Television and Daily Life
58(2)
Cable Television
60(2)
The Internet
62(6)
Creating the Internet
62(3)
The Internet Grows Up
65(1)
Some Characteristics of the Internet Era
66(2)
Conclusion
68(1)
Discussion Questions
69(2)
PART III INDUSTRY
71(140)
Chapter 3 The Economics of the Media Industry
73(48)
Media Companies in the Internet Era
74(4)
Products
75(1)
Platforms
76(1)
Pipes
77(1)
Changing Patterns of Ownership
78(16)
Concentration of Ownership
79(1)
Products
80(4)
Platforms
84(1)
Pipes
85(1)
Conglomeration and Integration
85(4)
Strategy in a New Media Economy
89(1)
The Power of Platforms: Facebook and Google as New Media Giants
90(1)
Users
91(1)
Media Content
91(1)
Advertising and Paywalls
92(2)
Telecommunications
94(1)
Consequences of Conglomeration and Integration
94(3)
Integration and Self-Promotion
95(1)
The Impact of Conglomeration
95(2)
The Effects of Concentration
97(7)
Media Control and Political Power
97(4)
Media Ownership and Content Diversity
101(3)
Mass Media for Profit
104(6)
Prime-Time Profits
104(2)
Cheaper Programs for Smaller Audiences
106(1)
Controlling Content and Distribution
107(1)
Profit and the News Media
108(2)
The Impact of Advertising
110(8)
The Advertising--Content Connection
111(2)
Advertising and the Press in the 19th Century
113(1)
The British Press
113(1)
The U.S. Press
114(1)
Advertising and the Contemporary News Media
115(3)
Conclusion
118(1)
Discussion Questions
119(2)
Chapter 4 Political Influence on Media
121(50)
Media and Democracy
121(2)
Free Speech to Free Markets: The Evolution of U.S. Regulatory Policy
123(1)
Regulate or Deregulate?
124(4)
The FCC's Variable Role
125(3)
Regulation in International Perspective
128(1)
Regulation in Western Democracies
128(3)
Regulation in Developing Nations
130(1)
Competing Interests and the Regulation Debate
131(1)
Industry Influence: Elections and Lobbying
131(6)
Citizen Action: The Case of Low-Power Radio
133(2)
Left and Right: Diversity versus Property Rights
135(2)
Regulating Ownership
137(1)
Media Outlets
137(6)
Copyright and Intellectual Property
140(3)
Regulating Content
143(1)
Accuracy: Advertising
143(11)
Diversity: The Fairness Doctrine
144(2)
Morality: Obscene Materials
146(1)
Self-Regulation: Censorship and Ratings
147(1)
Movie Censorship and the Ratings System
147(2)
Television Ratings
149(2)
Music Parental Advisory Labels and Video Games
151(1)
The "National Interest": Military Censorship
151(3)
Regulating Access and Distribution
154(12)
Net Neutrality
154(1)
The Concept of Net Neutrality
154(1)
The Policy Battle
155(1)
The Implications
156(1)
Vertical Integration: Movies, TV, and Streaming
157(1)
The Hollywood Studio System
157(1)
Television's Fin-Syn Regulations
158(1)
Netflix and the Streaming Wars
159(1)
Social Media Platforms
160(1)
What Are Platforms?
161(1)
Social Media Regulation
162(3)
Self-Policing
165(1)
Informal Political, Social, and Economic Pressure
166(2)
Conclusion
168(1)
Discussion Questions
169(2)
Chapter 5 Media Organizations and Professionals
171(40)
The Limits of Economic and Political Constraints
171(3)
Working within Economic Constraints
172(1)
Responding to Political Constraints
173(1)
Decision Making for Profit: Imitation, Hits, and Stars
174(8)
High Costs and Unpredictable Tastes
174(2)
Art Imitating Art
176(1)
Stars and the "Hit System"
177(1)
Creating Hits and Producing Stars
178(1)
Using Stars to Combat Uncertainty
179(2)
Beyond Stars to a Universe of Products
181(1)
The Organization of Media Work
182(15)
Conventions
182(2)
News Routines and Their Consequences
184(3)
Technology and the New News Routines
187(1)
Increased Economic Pressure
187(1)
Expanded Volume and Diversified Sourcing
188(1)
Increased Speed
189(1)
Presentation and Engagement to Promote Traffic
190(1)
Newsroom Automation
191(1)
Objectivity
192(1)
The Origins of Objectivity
193(1)
Objectivity as Routine Practices and Their Political Consequences
194(1)
Rejecting Objectivity: Alternative Journalism
195(2)
Occupational Roles and Professional Socialization
197(9)
Roles
197(2)
Photography
199(1)
Socialization of Photographers
200(1)
Editorial Decision Making
201(1)
The Work of the Book Editor
202(2)
Scholarly Publishing
204(2)
Norms on the Internet, New Media, and New Organizations
206(3)
Conclusion
209(1)
Discussion Questions
210(1)
PART IV CONTENT: MEDIA REPRESENTATIONS OF THE SOCIAL WORLD
211(86)
Chapter 6 Media and Ideology
213(40)
What Is Ideology?
213(5)
Ideology and the "Real" World
213(2)
Dominant Ideology versus Cultural Contradictions
215(1)
The "Culture War" Battles over Ideology
216(1)
Ideology as Normalization
217(1)
Theoretical Roots of Ideological Analysis
218(6)
Early Marxist Origins
219(1)
Hegemony
220(4)
News Media and the Limits of Debate
224(4)
Elites and Insiders
225(1)
Economic News as Ideological Construct
226(2)
Movies, the Military, and Masculinity
228(4)
Action-Adventure Films
229(1)
Vietnam Films and Recent War Films
230(2)
Television, Popularity, and Ideology
232(7)
Television and Reality
233(2)
Television and the Changing American Family
235(3)
Revising Tradition: The New Momism
238(1)
Rap Music as Ideological Critique?
239(3)
Advertising and Consumer Culture
242(3)
Selling Consumerism in the Early 20th Century
244(1)
Advertising and the Globalization of Culture
245(3)
Internet Ideology
248(2)
Conclusion
250(1)
Discussion Questions
251(2)
Chapter 7 Social Inequality and Media Representation
253(44)
Comparing Media Content and the "Real" World
254(2)
The Significance of Content
256(2)
Content as Reflection of Producers
256(1)
Content as Reflection of Audience Preference
257(1)
Content as Reflection of Society in General
257(1)
Content as an Influence on Audiences
257(1)
Content as Self-Enclosed Text
258(1)
Race, Ethnicity, and Media Content: Inclusion, Roles, and Control
258(17)
Racial and Ethnic Diversity in Media Content
260(1)
Film
260(1)
Television
260(2)
Advertising
262(1)
Video Games
262(1)
Growing Diversity and Abundance amid Audience Fragmentation
263(3)
Race, Ethnicity, and Media Roles
266(1)
Early Images of Race
266(1)
Slow Change and "Modern" Racism
267(5)
Race and Class
272(1)
Controlling Media Images of Race
273(2)
Gender and Media Content
275(6)
Women: Presence and Control in the Media
276(1)
Changing Media Roles for Women and Men
277(2)
The Case of Women's Sports
279(2)
Class and the Media
281(11)
Class and Media Content
281(1)
Family-Based Situation Comedies
282(3)
Tabloid Talk Shows and Reality Television
285(1)
The Union Taboo
286(1)
News Media
287(2)
Advertising
289(1)
Explaining Class Images: "Some People Are More Valuable Than Others"
290(2)
Sexual Orientation: Out of the Closet and into the Media
292(4)
Conclusion
296(1)
Discussion Questions
296(1)
PART V USERS
297(82)
Chapter 8 Audiences and Creators
299(34)
The Active Audience: Balancing Agency and Structure
299(4)
Polysemy: Media's Multiple Meanings
300(2)
Interpretive Constraint: Encoding/Decoding and Social Structure
302(1)
Decoding Meanings and Social Position
303(9)
Class and Nationwide News
303(1)
Gender, Class, and Television
304(1)
Race, News, and Meaning Making
305(2)
Resistance and Feminist Identity
307(1)
International Readings of Literature
308(1)
Making Meaning Online: Second Screens
309(1)
Social Position Online: Black Twitter
310(2)
The Social Context of Media Use
312(4)
The Pleasures of Media: Celebrity Games
312(2)
Romance Novels and the Act of Reading
314(1)
Watching Television with the Family
315(1)
The Limits of Interpretation
316(4)
Interpretive Resistance and Feminist Politics
318(1)
Culture Jamming
319(1)
Content Creation and Distribution
320(10)
Participatory Culture
321(1)
Participation Online
322(2)
Who Are the Content Creators?
324(1)
Why Create?
325(1)
Media Fans
326(2)
Users as Gatekeepers and Distributors
328(2)
Conclusion
330(1)
Discussion Questions
331(2)
Chapter 9 Media Influence
333(46)
Learning from Media Effects Research
333(2)
Early Works: Establishing the Agenda
335(3)
The Press and Democracy
335(1)
Entertainment and Children
336(1)
Mass Society and Media Influence
337(1)
Mitigating Media Effects
338(2)
Limited Effects and the Two-Step Flow of Influence
338(2)
Active Audiences
340(1)
Highlighting Media Influence
340(7)
Agenda Setting and Framing
341(1)
Framing: Second-Level Agenda Setting
342(1)
New Agenda-Setting Players in the Internet Era
342(1)
The Spiral of Silence
343(2)
Learning from Media
345(1)
Cultivation Theory
346(1)
Mediatization
347(4)
The Concept of Mediatization
348(1)
The Mediatization of Society and Media Logic
349(2)
The Mediatization of Politics
351(13)
The Politics of Image
352(1)
Political Actors
352(2)
Setting the Stage
354(1)
The Decline of Political Parties
355(1)
Communication Professionals and "Post-Truth" Politics
356(1)
Working with the News Media
357(1)
Using the Internet
358(2)
Social Movements
360(2)
Citizen Alienation
362(1)
The Internet's Uncertain Political Future
363(1)
Digital Dilemmas: Online Media Influence
364(14)
Social Media Logic and Algorithmic Power
364(3)
The Crisis in Journalism
367(2)
Information Distortions: Misinformation and Echo Chambers
369(2)
Computational Propaganda: Trolls and Twitter Bots
371(2)
Hate and Censorship
373(2)
Managing Our Social Selves
375(3)
Conclusion
378(1)
Discussion Questions
378(1)
PART VI AFTERWORD
379(36)
Chapter 10 Globalization and the Future of Media
381(34)
What Is Globalization?
382(5)
Crossing Limits of Time and Space
383(1)
Crossing Cultural Boundaries
384(1)
The Promise and Reality of Media Globalization
385(2)
The Global Media Industry
387(8)
Global Products, Centralized Ownership
387(2)
Traditional Media: Disney Worldwide
389(3)
The New Global Media Giants: Google and Facebook
392(3)
Interpreting Global Media Content
395(6)
Cultural Imperialism and Its Limits
395(3)
Global Culture Clash?
398(1)
Hybrid Culture
398(3)
Regulating Global Media
401(7)
The Politics of Information Flow
401(3)
Internet Governance
404(1)
Preserving Diversity
405(3)
Global Media Users: Limits of the "Global Village"
408(3)
The Ubiquity of Change and the Future of Media
411(2)
Discussion Questions
413(2)
References 415(40)
Index 455(42)
About the Authors 497