Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theatre history to 1642. An internationally recognized board of scholars oversees the publication of MaRDiE. Readers who wish to deepen their understanding of early drama will find that the journal publishes wide-ranging discussions not only of plays and early performance history, but of topics relating to cultural history, as well as manuscript studies and the history of printing.
Foreword
S. P. Cerasano
Articles
Stigma and Satire in Shakespeares Troilus and Cressida: Thersitess
Deformity and Ajaxs Monstrosity
Jeffrey R. Wilson
The Masque of Flowers (1614) and Letters
David M. Bergeron
Self-Deception in Soliloquies in Shakespeares Plays: An Empirical
Investigation
James Hirsh
George Norths Description of Swedland, Gotland, and Finland: A Courtiers
Warning to the Queen
June Schlueter
History as Warning: Middleton, Massinger, and the Censors
Warren Chernaik
The Transgressive Will in the Plays of Christopher Marlowe and Elizabeth
Cary
Douglas Clark
Thomas Dekkers Old Fortunatus and the Wisdom Tradition
Eric Pudney
Fulgens and Lucres and the Middle English Debate Tradition
Noah Gene Peterson
King Lears Edgar and Early Modern Renderings of the Apostle Peter
Derek Witten
Unkinged King Richards Sense of Self in Richard II
Michael Menase
Epitaphs in Glittring Golden Characters: Watery Empathy and The Purity of
The Real in Pericles, Prince of Tyre
Jessica Tooker
Post-Restoration Adaptations: Is Double FalsehoodCardenio? Versification
Analysis
Marina Tarlinskaja
S. P. Cerasano is the Edgar W. B. Fairchild Professor of Literature at Colgate University.
Heather Anne Hirschfeld is Kenneth Curry Professor of English at the University of Tennessee.
Edward Gieskes is associate professor of English at the University of South Carolina.
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