Atjaunināt sīkdatņu piekrišanu

E-grāmata: Memory in Fragments: The Lives of Ancient Maya Sculptures

  • Formāts: EPUB+DRM
  • Izdošanas datums: 02-Jul-2024
  • Izdevniecība: University of Texas Press
  • Valoda: eng
  • ISBN-13: 9781477329412
  • Formāts - EPUB+DRM
  • Cena: 87,91 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: EPUB+DRM
  • Izdošanas datums: 02-Jul-2024
  • Izdevniecība: University of Texas Press
  • Valoda: eng
  • ISBN-13: 9781477329412

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

"Here in the US, we're having difficult discussions about who we should monumentalize, the political implications of our statues, or what to do with monuments that no longer reflect our ideals. In a way, this book looks at how the Maya dealt with these and related issues. The author explores how the ancient Maya engaged with their history by using, reusing, altering, and burying stone sculptures. O'Neil shows, for example, how the ancient Maya repurposed stelae that were damaged by their enemies. In somecases, they would break the stelae to signify a change in their status, and bury them with others so that the buried monuments connected with those still standing in specific sacred sites. Infused with agency, the sculptures retained ceremonial meaning. O'Neil explores how those breakages and other, different human interactions, amidst unstable religious, political, and historical contexts, changed the sculptures' "lives.""--

An exploration of how the ancient Maya engaged with their history by using, altering, and burying stone sculptures.


An exploration of how the ancient Maya engaged with their history by using, altering, and burying stone sculptures.

For the ancient Maya, monumental stone sculptures were infused with agency. As they were used, reused, altered, and buried, such sculptures retained ceremonial meaning. In Memory in Fragments, Megan E. O'Neil explores how ancient Maya people engaged with history through these sculptures, as well as how they interacted with the stones themselves over the course of the sculptures’ long “lives.” Considering Maya religious practices, historiography, and conceptions of materials and things, O’Neil explores how Maya viewers perceived sculptures that were fragmented, scarred, burned, damaged by enemies, or set in unusual locations. In each case, she demonstrates how different human interactions, amid dynamic religious, political, and historical contexts, led to new episodes in the sculptures' lives.

A rare example of cross-temporal and geographical work in this field, Memory in Fragments both compares sculptures within ancient Maya culture across Honduras, Guatemala, Mexico, and Belize over hundreds of years and reveals how memory may accrue around and be evoked in material remains.

  • List of Illustrations
  • A Note on Language, Spelling, and Calendar Conventions
  • Preface and Acknowledgments
  • Section I. Shaping the Present and the Past

    • Chapter
      1. Fragments of and in the Past

    • Chapter
      2. Multidisciplinary Methodologies and Theoretical Approaches

    • Chapter
      3. About Time: Engaging Time, History, and Materiality
  • Section II. Breakage and Reuse

    • Chapter
      4. Violence, Transformation, and Renewal: Material Changes to Ancient Maya Sculptures

    • Chapter
      5. Memory and Materiality of Reused, Reset, and Repurposed Monuments
  • Section III. Burial

    • Chapter
      6. Ancient Maya Sculptures, Seen and Unseen: Part I, Burial and Renewal

    • Chapter
      7. Ancient Maya Sculptures, Seen and Unseen: Part II, Sculptures Buried in Architecture
  • Conclusion. Lives of Things
  • Notes
  • Works Cited
  • Index
Megan E. O'Neil is an assistant professor of art history at Emory University; the author of Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala and The Maya; and the coauthor of a revised edition of Maya Art and Architecture.