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E-grāmata: Meter as Rhythm: 20th Anniversary Edition

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(Walter W. Naumberg Professor of Music Theory, Harvard University)
  • Formāts: 368 pages
  • Izdošanas datums: 01-Apr-2020
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190886929
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Meter as Rhythm: 20th Anniversary EditionPalielināt
  • Formāts: 368 pages
  • Izdošanas datums: 01-Apr-2020
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190886929
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Drawing on insights from the modern "process" philosophy of Bergson, William James, and A. N. Whitehead, Christopher Hasty's Meter as Rhythm releases meter from its mechanistic connotations and recognizes it as a concrete, visceral agent of musical expression. Hasty reinterprets oppositions of law and freedom, structure and process, determinacy and indeterminacy to form a theory that engages diverse repertories and aesthetic issues. The revised 20th anniversary edition facilitates the work's current contexts of application, from new subfields in ethnomusicology and music cognition to non-music fields like literary studies, physics, and biology.

Recenzijas

[ A] significant contribution to the study of the temporal aspects of music. * Choice * As a seminal text on the theory of temporality, Christopher Hasty's Meter As Rhythm remains relevant to music scholarship today. In fact I would argue it ismore relevant today than ever. Rhythm has become one of the most important subjects of study today, in music theory, popular music, and world music alike. * Nancy Yunhwa Rao, Professor of Music, Department of Music, Mason Gross School of the Arts, Rutgers University * Christopher Hasty'sMeter as Rhythmis a foundational text in contemporary music theory. Hasty's accomplishment still unparalleled in any other existing study of meter, historical or contemporary was to encourage a complete revision of our core beliefs concerning this musical phenomenon along the lines of process philosophy. With acute sensitivity to the history of ideas surrounding temporality and to the minutiae of music's phenomenal unfolding, Hasty's book offers a distinctive theory of meter. It is a document to which all subsequent theories of musical temporality must respond. * Roger Mathew Grant, Associate Professor of Music, Wesleyan University *

Preface vii
I METER AND RHYTHM OPPOSED
1 General Character of the Opposition
3(25)
Periodicity and the Denial of Tense
7(6)
Rhythmic Experience
13(3)
Period versus Pattern; Metrical Accent versus Rhythmic Accent
16(12)
2 Two Eighteenth-Century Views
28(16)
3 Evaluations of Rhythm and Meter
44(20)
4 Distinctions of Rhythm and Meter in Three Influential American Studies
64(15)
5 Discontinuity of Number and Continuity of Tonal "Motion"
79(10)
II A THEORY OF METER AS PROCESS
6 Preliminary Definitions
89(24)
Beginning, End, and Duration
92(9)
"Now"
101(3)
Durational Determinacy
104(9)
7 Meter as Projection
113(14)
"Projection" Denned
113(9)
Projection and "Prediction"
122(5)
8 Precedents for a Theory of Projection
127(10)
9 Some Traditional Questions of Meter Approached from the Perspective of Projective Process
137(55)
Accent
137(5)
Division
142(10)
Hierarchy
152(6)
Anacrusis
158(11)
Pulse and Beat
169(2)
Metrical Types: Equal/Unequal
171(21)
10 Metrical Particularity
192(24)
Particularity and Reproduction
193(7)
Two Examples
200(16)
11 Obstacles to a View of Meter as Process
216(18)
Meter as Habit
216(8)
"Large-Scale" Meter as Container (Hypermeter)
224(10)
12 The Limits of Meter
234(31)
The Durational "Extent" of Projection
234(16)
The Efficacy of Meter
250(5)
Some Small Examples
255(10)
13 Overlapping, End as Aim, Projective Types
265(31)
Overlapping
266(8)
End as Aim
274(8)
Projective Types
282(14)
14 Problems of Meter in Early-Seventeenth-Century and Twentieth-Century Music
296(51)
Monteverdi, "Ohime, se tanto amate" (First Phrase)
296(7)
Schutz, "Adjuro vos, filiae Jerusalem"
303(16)
Webern, Quartet, op. 22
319(21)
Babbitt, Du
340(7)
15 Toward a Music of Durational Indeterminacy
347(17)
16 The Spatialization of Time and the Eternal "Now Moment"
364(11)
References 375(4)
Index 379
Christopher Hasty's scholarly work engages problems in the theory and analysis of music from the 16th to the 20th centuries from the standpoint of process and experience. His book Meter as Rhythm (1997) won the Wallace Berry Award from the Society for Music Theory for the Outstanding Music Theory Book of the Year. His current research interests include process philosophy, poetic prosody, and ecological and post-cognitivist psychology.
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