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Ming China: Courts and Contacts 14001450 [Mīkstie vāki]

  • Formāts: Paperback / softback, 272 pages, height x width: 297x210 mm, 300 (250 colour; 50 b&w)
  • Sērija : Research Publication 205
  • Izdošanas datums: 30-Sep-2016
  • Izdevniecība: British Museum Press
  • ISBN-10: 0861592050
  • ISBN-13: 9780861592050
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  • Formāts: Paperback / softback, 272 pages, height x width: 297x210 mm, 300 (250 colour; 50 b&w)
  • Sērija : Research Publication 205
  • Izdošanas datums: 30-Sep-2016
  • Izdevniecība: British Museum Press
  • ISBN-10: 0861592050
  • ISBN-13: 9780861592050
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This ground-breaking, beautifully illustrated publication is the outcome of the conference ‘Ming: Courts and Contacts 1400-1450' that accompanied the British Museum's major exhibition Ming: 50 years that changed China (September 2014-January 2015). The scope of the exhibition and conference focused on Ming dynasty China in the years 1400 to 1450, a time when China was the largest (and one of the most prosperous) states in the world, ruled by a single family through a network of imperial and regional courts. During this period, many cultural, social and political themes that were to dominate China's history from this point onwards were either created or consolidated. These include the definitive decision to place the political capital in the north, while the south-central region evolved as an economically dominant entity, a dichotomy that still remains today. This is also a period when contacts of unprecedented scale took place between the Ming empire and the wider world, particularly between courts, through embassies, an aggressive military forward policy and court-sponsored maritime expeditions. The early Ming also remains a period that defines contemporary Chinese conceptions of their own history, and that history's relations to the rest of the world. Where previous scholarship may have focused on specific aspects of the period or dealt with a range of issues covering the whole of the Ming dynasty, this volume presents the first detailed examination of the crucial years from the Yongle to the Zhengtong era through a diverse range of approaches and materials. It integrates more fully material culture perspectives with the work of social, political, economic, intellectual and cultural historians and situates early Ming court culture within a wider global context.

This ground-breaking, beautifully illustrated publication is the outcome of the conference ‘Ming: Courts and Contacts 1400–1450’ that accompanied the British Museum’s major exhibition Ming: 50 years that changed China (September 2014–January 2015).
Acknowledgements vii
Map
viii
Chronology x
Introduction 1(7)
Craig Chinas
Part 1 Rulership and War
1 Justifying Ming Rulership on a Eurasian Stage
8(7)
David M. Robinson
2 Domination in Four Keys: Ming China and its Southern Neighbours 1400--1450
15(11)
Geoffrey Wade
3 Diplomacy, Trade and the Quest for the Buddha's Tooth: The Yongle Emperor and Ming China's South Asian Frontier
26(11)
Tansen Sen
4 Causes and Consequences of the Ming Intervention in Vietnam in the Early Fifteenth Century
37(9)
Kenneth M. Swope
Part 2 Sites, Images and Objects of Power
5 Green Beijing: Ecologies of Movement in the New Capital c. 1450
46(10)
Jonathan Hay
6 Painting of the Imperial Palace and Zhu Bang
56(12)
Yu Hui
7 The Empress' Dragon Crown: Establishing Symbols of Imperial Authority in the Early Ming
68(9)
Luk Yu-Ping
8 Early Ming Ceramics: Rethinking the Status of Blue-and-White
77(10)
Jessica Harrison-Hall
9 Zhu Quan, A Prince who Changed Ming Musical History
87(7)
Joseph S.C. Lam
10 Fashioning the Imperial Legacy: Yang Shiqi and the Record of Imperial Pronouncements
94(5)
Peter Ditmanson
11 Politics or Entertainment? Examining Jiangxi Scholar Officials and Zhejiang Painters through the Lens of the Elegant Gathering in the Apricot Garden
99(7)
Yin Jinan
12 The Gradual Termination of the Early Ming Voyages to the `Western Ocean' and its Causes
106(7)
Zhao Zhongnan
Part 3 Objects, Images and Sites of Belief
13 The New Idea of Ritual Vessels in the Early Ming Dynasty: A Third System?
113(9)
Shift Ching-Fei
14 Gifts of Good Fortune and Praise-Songs for Peace: Images of Auspicious Portents and Panegyrics from the Yongle Period
122(12)
Lina Lin
15 Enshrining the Dark Troops: The Printing of Daoist Books in the Early Ming Dynasty
134(9)
Maggie Chui Ki Wan
16 Faces of Transnational Buddhism at the Early Ming Court
143(9)
Marsha Haufler
17 The Early Ming Imperial Atelier on the Tibetan Frontier
152(11)
Karl Debreczeny
18 Religious Consciousness and Beliefs in the Ming Tombs of Princes and Royal Family Members in Hubei Province
163(7)
Yuan Wenqing
Part 4 Rules, Regulations and Material Culture
19 Paper Money of the Ming Dynasty: Examining the Material Evidence
170(8)
Caroline R. Carturight
Christina M. Duffy
Helen Wang
20 The Porcelain Pagoda: A Persisting Enigma
178(11)
Clarence Eng
21 Architecture of the Early Ming Court: A Preliminary Look
189(8)
Amelia Campbell
22 Investigating Zheng He's Ships: What is Known and Knowable?
197(9)
Sally K. Church
Part 5 Global Ming
23 `Trees and Stones Are Only What They Are': Translating Ming Empire in the Fifteenth Century
206(5)
Carla Nappi
24 Building Cultural Authority in Early Joseon Korea (1400--1450)
211(8)
Lee Soomi
25 The Book of the Five Relationships: Thoughts on Mid-Fifteenth-Century Court Confucianism
219(9)
Sarah Schneewind
26 Looking East, Looking West: The Artistic Connections of Ming China and Timurid Iran
228(8)
Priscilla Soucek
27 Precious Stones and Ming Culture, 1400--1450
236(9)
Craig Chinas
28 Ming Ceramics Discovered in Kenya and Some Related Issues
245(8)
Qin Dashu
29 Traces of the Zheng He Voyages in Late Ming Navigational Materials
253(7)
Timothy Brook
Bibliography 260(20)
Contributors 280(4)
Illustration Credits 284(4)
Index 288
Craig Clunas is Professor of the History of Art, University of Oxford. Luk Yu-ping is Curator of Chinese Collections in the Asian Department of the Victoria and Albert Museum, London. Previously she was Project Curator of the exhibition Ming: 50 years that changed China at the British Museum, and Assistant Professor in the Department of Visual Studies at Lingnan University, Hong Kong. She completed her DPhil in the History of Art at the University of Oxford. Her book, The Empress and the Heavenly Masters: A Study of the Ordination Scroll of Empress Zhang (1493), will be published by the Chinese University Press at the end of 2015. Jessica Harrison-Hall curates the Chinese ceramics collections of the British Museum. She is also responsible for Vietnamese art and antiquities. Her publications include Vietnam Behind the Lines: Images from the War; Ming Ceramics: A Catalogue of the late Yuan and Ming Ceramics in the British Museum; Chinese Ceramics: Highlights of the Sir Percival David Collection; and the Timeline of China. She is curating the British Museum exhibition, Ming: 50 years that changed China and is co-editor, with Craig Clunas, of the companion catalogue of the same name.