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E-grāmata: Modern British Playwriting: The 1980s: Voices, Documents, New Interpretations

(University of Exeter, Exeter), Series edited by (Emeritus Professor of Drama and Theatre Studies in the University of Leeds, UK), Series edited by , Contributions by , Contributions by , Contributions by (University of Puget Sound, Washington, USA)
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Essential for students of theatre studies, this series of 6 decadal volumes provides a critical survey and study of the theatre produced in each decade from the 1950s to the present. Each volume features a critical analysis of the work of four key playwrights from that decade together with an extensive commentary on the period.
The 80s volume provides a detailed study of the work of four of the major playwrights who came to prominence: Howard Barker, Jim Cartwright, Sarah Daniels and Timberlake Wertenbaker.
As with other volumes in the series, it offers an analysis of some of its most important and representative plays and playwrights; provides the appropriate contextual information, and revisits each decade from the perspective of the twenty first century. Contents: 1. A chronological survey of the decade: the social, cultural and technological changes and the playwrights of the time. 2. The decade as it looked then: theatrical activity, political circumstances and historical context. 3. The four writers from their beginnings up to the start of the decade. 4. An analysis of their plays within the decade combined with a study of primary material such as early play drafts, interviews and critical receptions of the time. 5. A new interview with the writers, reflecting on the period and the plays under discussion. 6. An Afterword: what the writers went on to do next. 7. Select bibliographies.
Edited by Jane Milling and with essays from three further leading scholars, this is an authoritative and stimulating reassessment of British playwriting in the 1980s.

Papildus informācija

A critical study of the theatre produced in the 1980s with an in-depth analysis of the work of four key playwrights from the decade.
General Preface ix
Richard Boon
Philip Roberts
Acknowledgements xi
Introduction to the 1980s 1(29)
Domestic life
1(4)
Education
5(3)
Culture
8(6)
Media
14(4)
Science, technology and industry
18(4)
Political events
22(8)
1 Theatre in the 1980s
30(61)
Thinking about the recent past
30(6)
Institutions, policies and funding
36(21)
New writing and playwrights in the 1980s
57(11)
Cultures of protest: issue as subject matter
68(21)
Present pasts
89(2)
2 Introducing the Playwrights
91(16)
Crafting careers
91(4)
Howard Barker
95(4)
Jim Cartwright
99(1)
Sarah Daniels
100(2)
Timberlake Wertenbaker
102(5)
3 Playwrights and Plays
107(113)
Howard Barker by Sarah Goldingay
107(29)
The two lives of a play
107(2)
The slippery Howard Barker
109(3)
Victory: Choices in Reaction (1983)
112(9)
The Castle: A Triumph (1985)
121(11)
The Last Supper: A New Testament (1988)
132(4)
Jim Cartwright by David Lane
136(29)
Career and context
136(3)
Commonalities in Cartwright
139(7)
Road: venue and programming
146(7)
Bed: process and collaboration
153(5)
Two: popular culture and performance
158(6)
Conclusion
164(1)
Sarah Daniels by Jane Milling
165(27)
The question of realism
166(3)
A laughing matter: issues, politics and comedy
169(3)
Masterpieces
172(7)
The Devil's Gateway
179(7)
Neaptide
186(5)
Still laughing
191(1)
Timberlake Wertenbaker by Sara Freeman
192(28)
The moment: 1988
192(5)
The plays: brisk sensuality
197(1)
The Grace of Mary Traverse
198(6)
Our Country's Good
204(8)
Love of the Nightingale
212(4)
An assessment: interrogative affirmation
216(4)
4 Documents
220(23)
Howard Barker
220(4)
Jim Cartwright
224(4)
Sarah Daniels
228(9)
Timberlake Wertenbaker
237(6)
Afterword
243(20)
Making a name: critical reputations
243(1)
Howard Barker
244(3)
Jim Cartwright
247(4)
Sarah Daniels
251(2)
Timberlake Wertenbaker
253(4)
Other histories
257(6)
Notes 263(29)
Select Bibliography 292(7)
Index 299(14)
Notes on Contributors 313
Dr Jane Milling is Senior Lecturer in the department of Drama at the University of Exeter, UK. Series editors: Richard Boon, Professor and Director of Research in the Department of Drama and Music, University of Hull, and Philip Roberts, Emeritus Professor in the School of English, University of Leeds.