Essential for students of theatre studies, this series of 6 decadal volumes provides a critical survey and study of the theatre produced in each decade from the 1950s to the present. Each volume features a critical analysis of the work of four key playwrights from that decade together with an extensive commentary on the period.
The 80s volume provides a detailed study of the work of four of the major playwrights who came to prominence: Howard Barker, Jim Cartwright, Sarah Daniels and Timberlake Wertenbaker.
As with other volumes in the series, it offers an analysis of some of its most important and representative plays and playwrights; provides the appropriate contextual information, and revisits each decade from the perspective of the twenty first century. Contents: 1. A chronological survey of the decade: the social, cultural and technological changes and the playwrights of the time. 2. The decade as it looked then: theatrical activity, political circumstances and historical context. 3. The four writers from their beginnings up to the start of the decade. 4. An analysis of their plays within the decade combined with a study of primary material such as early play drafts, interviews and critical receptions of the time. 5. A new interview with the writers, reflecting on the period and the plays under discussion. 6. An Afterword: what the writers went on to do next. 7. Select bibliographies.
Edited by Jane Milling and with essays from three further leading scholars, this is an authoritative and stimulating reassessment of British playwriting in the 1980s.
Papildus informācija
A critical study of the theatre produced in the 1980s with an in-depth analysis of the work of four key playwrights from the decade.
General Preface |
|
ix | |
|
|
Acknowledgements |
|
xi | |
Introduction to the 1980s |
|
1 | (29) |
|
|
1 | (4) |
|
|
5 | (3) |
|
|
8 | (6) |
|
|
14 | (4) |
|
Science, technology and industry |
|
|
18 | (4) |
|
|
22 | (8) |
|
|
30 | (61) |
|
Thinking about the recent past |
|
|
30 | (6) |
|
Institutions, policies and funding |
|
|
36 | (21) |
|
New writing and playwrights in the 1980s |
|
|
57 | (11) |
|
Cultures of protest: issue as subject matter |
|
|
68 | (21) |
|
|
89 | (2) |
|
2 Introducing the Playwrights |
|
|
91 | (16) |
|
|
91 | (4) |
|
|
95 | (4) |
|
|
99 | (1) |
|
|
100 | (2) |
|
|
102 | (5) |
|
|
107 | (113) |
|
Howard Barker by Sarah Goldingay |
|
|
107 | (29) |
|
|
107 | (2) |
|
The slippery Howard Barker |
|
|
109 | (3) |
|
Victory: Choices in Reaction (1983) |
|
|
112 | (9) |
|
The Castle: A Triumph (1985) |
|
|
121 | (11) |
|
The Last Supper: A New Testament (1988) |
|
|
132 | (4) |
|
Jim Cartwright by David Lane |
|
|
136 | (29) |
|
|
136 | (3) |
|
Commonalities in Cartwright |
|
|
139 | (7) |
|
Road: venue and programming |
|
|
146 | (7) |
|
Bed: process and collaboration |
|
|
153 | (5) |
|
Two: popular culture and performance |
|
|
158 | (6) |
|
|
164 | (1) |
|
Sarah Daniels by Jane Milling |
|
|
165 | (27) |
|
|
166 | (3) |
|
A laughing matter: issues, politics and comedy |
|
|
169 | (3) |
|
|
172 | (7) |
|
|
179 | (7) |
|
|
186 | (5) |
|
|
191 | (1) |
|
Timberlake Wertenbaker by Sara Freeman |
|
|
192 | (28) |
|
|
192 | (5) |
|
The plays: brisk sensuality |
|
|
197 | (1) |
|
The Grace of Mary Traverse |
|
|
198 | (6) |
|
|
204 | (8) |
|
|
212 | (4) |
|
An assessment: interrogative affirmation |
|
|
216 | (4) |
|
|
220 | (23) |
|
|
220 | (4) |
|
|
224 | (4) |
|
|
228 | (9) |
|
|
237 | (6) |
|
|
243 | (20) |
|
Making a name: critical reputations |
|
|
243 | (1) |
|
|
244 | (3) |
|
|
247 | (4) |
|
|
251 | (2) |
|
|
253 | (4) |
|
|
257 | (6) |
Notes |
|
263 | (29) |
Select Bibliography |
|
292 | (7) |
Index |
|
299 | (14) |
Notes on Contributors |
|
313 | |
Dr Jane Milling is Senior Lecturer in the department of Drama at the University of Exeter, UK. Series editors: Richard Boon, Professor and Director of Research in the Department of Drama and Music, University of Hull, and Philip Roberts, Emeritus Professor in the School of English, University of Leeds.