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E-grāmata: Modern Guide to Creative Economies

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  • Formāts: PDF+DRM
  • Sērija : Elgar Modern Guides
  • Izdošanas datums: 23-Aug-2022
  • Izdevniecība: Edward Elgar Publishing Ltd
  • Valoda: eng
  • ISBN-13: 9781789905496
  • Formāts - PDF+DRM
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  • Formāts: PDF+DRM
  • Sērija : Elgar Modern Guides
  • Izdošanas datums: 23-Aug-2022
  • Izdevniecība: Edward Elgar Publishing Ltd
  • Valoda: eng
  • ISBN-13: 9781789905496

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Bringing together a series of new perspectives and reflections on creative economies, this insightful Modern Guide expands and challenges current knowledge in the field. Interdisciplinary in scope, it features a broad range of contributions from both leading and emerging scholars, which provide innovative, critical research into a wide range of disciplines, including arts and cultural management, cultural policy, cultural sociology, economics, entrepreneurship, management and business studies, geography, humanities, and media studies.

Designed to push the boundaries of understanding on the topic, this Modern Guide initially addresses definitional and methodological challenges, before offering new perspectives on the theory and practice of creative and cultural entrepreneurship, and exploring the role of networks and the importance of place and mobility. The book concludes by re-imagining creative economies, raising issues of inequality and justice, care and solidarity, and opportunities for value recognition, while providing new visions of inclusivity, cultural capability, and future development.





A timely reflection on the importance of creative economies, this Modern Guide will be a critical read for students, scholars and policymakers working to support and develop future inclusive and sustainable creative economies.

Recenzijas

For the past two decades, governments, academics, and industry groups have celebrated, measured, and advocated for the creative economy and its accelerated growth. Largely thought of as the production and consumption of creative goods across multiple sectors and geographies, the creative economy is actually much more it is the sum total of our expressive lives how we create and share human expression which is both critical and complex and subject to policy, market forces, networks, professional practice, and community-based values. A Modern Guide to Creative Economies is essential reading for considering and reflecting on how we build healthy, equitable, and sustainable conditions for the creation, celebration, and exchange of human expression. The book, and its collection of brilliant essays, offers fresh insight that will inspire scholars, students, and leaders in arts and culture to ask new and different questions and ultimately to imagine possibilities for not just growing our creative economies, but also for sustaining the humans who are critical for creative expression to thrive. -- Steven Tepper, University of Arizona, US In an age of knowledge and creativity, we can all need a guide to provide a better understanding of how our times work and the challenges we face. This book does the job. It pushes the boundaries of current knowledge to make us better understand creative economies. It also expands the meaning of creativity in the context of cultural development, care, and social justice. -- Charlotta Mellander, Jönköping International Business School, Sweden Read, reference and engage with this book. You will be treated to a grand tour dhorizon of the contemporary European project in cultural and creative industries. Broadly multidisciplinary and multimethodological, it is positive critique that essays ways and means to work for more inclusive and sustainable futures in understanding creative economies. -- Stuart Cunningham, Queensland University of Technology, Australia

List of figures
ix
List of tables
x
List of contributors
xi
Acknowledgements xiii
1 Introduction to A Modern Guide to Creative Economies
1(20)
Roberta Comunian
Alessandra Faggian
Jama Heinonen
Nick Wilson
PART I CREATIVE ECONOMIES: CHALLENGING DEFINITIONS AND EXPLORING NEW METHODS
2 Modular solutions and creative coding: the success of the creative and cultural industries in Australia
21(15)
Scott Brook
3 On GIS and the creative economy: opportunities and challenges
36(19)
Manfredi de Bernard
Roberta Comunian
Federica Vigand
4 Using social network analysis to understand the creative and cultural industries
55(22)
Jon Swords
5 Measuring creative and cultural industries: the statistics job from taxonomies to composite indices
77(15)
Alessandro Crociata
Chiara Burlina
PART II CREATIVE ECONOMIES AND ENTREPRENEURSHIP: RE-THINKING INCLUSIVITY AND BUSINESS MODELS
6 Experiences of belonging to the creative economy: narratives from northern micro-entrepreneurs
92(17)
Lenita Nieminen
Arja Lemmetyinen
7 Cultural entrepreneurship: ethnicity and migrant communities
109(16)
Annette Naudin
8 Creative entrepreneurship in 2022 and beyond: some implications for higher education
125(22)
Ruth Bridgstock
PART III CREATIVE ECONOMIES: FOCUS ON NETWORKS, PLACE AND MOBILITIES
9 This must be the place: creative workers' evaluations of cities as enabling contexts for work
147(17)
Lorenzo Mizzau
Fabrizio Montanari
Damiano Razzoli
Stefano Rodighiero
10 Crafting professionals: exploring the spatial and social mediation of professional networks in craft higher education
164(17)
Lauren England
11 Emerging spatial relations of artists and art scenes through the lens of art schools in Manchester and Leipzig
181(13)
Silvie Jacobi
12 Exploring contemporary visual arts careers in Italy: education, mobility and project work
194(22)
Jessica Tanghetti
PART IV CREATIVE ECONOMIES RE-IMAGINED
13 Re-futuring creative economies: beyond bad dreams and the banal imagination
216(12)
Mark Banks
14 Growth of what? New narratives for the creative economy, beyond GDP
228(21)
Jonathan Gross
15 Inclusive solidarity: emerging forms of resistance within the UK creative economy
249(20)
Tamsyn Dent
16 What is the creative economy -- really?
269(17)
Nick Wilson
Index 286
Edited by Roberta Comunian, Kings College London, UK, Alessandra Faggian, Gran Sasso Science Institute, Italy, Jarna Heinonen, Professor of Entrepreneurship, School of Economics, University of Turku, Finland and Nick Wilson, Kings College London, UK