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E-grāmata: Monster in the Garden: The Grotesque and the Gigantic in Renaissance Landscape Design

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In The Monster in the Garden, Luke Morgan develops a new conceptual model of Renaissance landscape design, arguing that the monster was a key figure in Renaissance culture and that the incorporation of the monstrous into gardens was not incidental but an essential feature.



Monsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. Their ubiquity indicates that gardens of the period conveyed darker, more disturbing themes than has been acknowledged.

In The Monster in the Garden, Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader framework of inquiry. Developing a new conceptual model of Renaissance landscape design, Morgan argues that the presence of monsters was not incidental but an essential feature of the experience of gardens.

Papildus informācija

Commended for Highly Commended for the 2016 Best Book Award by the Art Association of Australia and New Zealand 2021.In The Monster in the Garden, Luke Morgan develops a new conceptual model of Renaissance landscape design, arguing that the monster was a key figure in Renaissance culture and that the incorporation of the monstrous into gardens was not incidental but an essential feature.
Introduction: Refraining the Renaissance Garden 1(16)
Chapter 1 The Legibility of Landscape: From Fascism to Foucault
17(30)
Chapter 2 The Grotesque and the Monstrous
47(35)
Chapter 3 A Monstruary: The Excessive, the Deficient, and the Hybrid
82(33)
Chapter 4 "Rare and Enormous Bones of Huge Animals": The Colossal Mode
115(20)
Chapter 5 "Pietra Morta, in Pietra Viva": The Sacro Bosco
135(29)
Conclusion: Toward the Sublime 164(9)
Notes 173(40)
Bibliography 213(20)
Index 233(12)
Acknowledgments 245
Luke Morgan is Senior Lecturer in Art History and Theory at Monash University. He is author of Nature as Model: Salomon de Caus and Early Seventeenth-Century Landscape Design.