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E-grāmata: More Critical Approaches to Comics: Theories and Methods

Edited by (Radford University, USA), Edited by (University of Texas at Dallas, USA), Edited by (Henderson State University, USA)
  • Formāts: 304 pages
  • Izdošanas datums: 20-Aug-2019
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9780429782756
  • Formāts - EPUB+DRM
  • Cena: 53,84 €*
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  • Formāts: 304 pages
  • Izdošanas datums: 20-Aug-2019
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9780429782756

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In this comprehensive textbook, editors Matthew J. Brown, Randy Duncan and Matthew J. Smith offer students a deeper understanding of the artistic and cultural significance of comic books and graphic novels by introducing key theories and critical methods for analyzing comics.

Each chapter explains and then demonstrates a critical method or approach, which students can then apply to interrogate and critique the meanings and forms of comic books, graphic novels, and other sequential art. Contributors introduce a wide range of critical perspectives on comics, including disability studies, parasocial relationships, scientific humanities, queer theory, linguistics, critical geography, philosophical aesthetics, historiography, and much more.

As a companion to the acclaimed Critical Approaches to Comics: Theories and Methods, this second volume features 19 fresh perspectives and serves as a stand-alone textbook in its own right. More Critical Approaches to Comics is a compelling classroom or research text for students and scholars interested in Comics Studies, Critical Theory, the Humanities, and beyond.

List of Figures
x
List of Tables
xii
Acknowledgments xiii
List of Contributors
xiv
Introduction 1(4)
Matthew J. Brown
Randy Duncan
Matthew J. Smith
PART I Viewpoint
5(98)
1 Critical Theory: Celebrating the Rich, Individualistic Superhero
7(13)
Matthew P. Mcallister
Joe Cruz
2 Postcolonial Theory: Writing and Drawing Back (and Beyond) in Pappa in Afrika and Pappa in Doubt
20(17)
Christophe Dony
3 Critical Race Theory: Applying Critical Race Theory to Black Panther: World of Wakanda
37(11)
Phillip Lamarr Cunningham
4 Queer Theory: Queer Comics Queering Continuity: The Unstoppable Wasp and the Fight for a Queer Future
48(13)
Valentino L. Zullo
5 Disability Studies: Disrupting Representation, Representing Disruption
61(14)
Krista Quesenberry
6 Critical Geography: Brotherman and Big City: A Commentary on Superhero Geography
75(13)
Julian C. Chambliss
7 Utopianism: The Utopia Conundrum in Matt Hawkins and Raffaele Ienco's Symmetry
88(15)
Graham J. Murphy
PART II Expression
103(86)
8 New Criticism: Ordered Disorder in Jaime Hernandez' "Flies on the Ceiling"
105(14)
Rocco Versaci
9 Psychoanalytic Criticism: Visual Pathography as a Means of Constructing Identity: Narrating Illness in David Small's Stitches
119(15)
Evita Lykou
10 Autographies: Autographies and Miriam Katin's We Are on Our Own and Letting It Go
134(11)
Andrew J. Kunka
11 Linguistics: Comics Conversations as Data in Swedish Comic Strips
145(15)
Kristy Beers Fagersten
12 Philosophical Aesthetics: Comics and/as Philosophical Aesthetics
160(15)
Aaron Meskin
Roy T. Cook
13 Burkean Dramatistic Analysis: An Echo of Diversity: Dramatistic Analysis of Comics
175(14)
A. Cheree Carlson
PART III Relationships
189(86)
14 Adaptation: From Mason & Dixon by Pynchon to Miller & Pynchon by Maurer
191(15)
David Coughlan
15 Transmedia Storytelling: Hyperdiegesis, Narrative Braiding, and Memory in Star Wars Comics
206(15)
William Proctor
16 Parasocial Relationship Analysis: "Like Losing a Friend": Fans' Emotional Distress After the Loss of a Parasocial Relationship
221(12)
Randy Duncan
17 Historiography: Incorporating Comic Books into Historical Analysis: Historiographical Cross-Reference and Wonder Woman
233(13)
Adam Sherif
18 Bakhtinian Dialogics: Comics Dialogics: Seeing Voices in The Vision
246(15)
Daniel Pinti
19 Scientific Humanities: The Scientific Origins of Wonder Woman
261(14)
Matthew J. Brown
Index 275
Matthew J. Brown, Ph.D., is Director of the Center for Values in Medicine, Science, and Technology and Associate Professor of Philosophy, History of Ideas, and Humanities at the University of Texas at Dallas. Since 2008, he has run the Comics and Popular Arts Conference, an annual, peer-reviewed, academic conference on comics and pop culture studies that takes place in Atlanta annually on Labor Day Weekend. He teaches Comics Studies in the Humanities Ph.D. program at the University of Texas at Dallas.

Randy Duncan, Ph.D., is Professor of Communication and Director of the Comics Studies Program at Henderson State University. He is co-author of the widely used textbook The Power of Comics: History, Form and Culture (2015) and co-author of Creating Comics as Journalism, Memoir and Nonfiction (2015). Dr. Duncan is co-founder, with Peter Coogan, of the Comics Arts Conference, held each summer in San Diego. In 2009 Duncan received the Inge Award for Outstanding Comics Scholarship and in 2012 he received the Inkpot Award for Achievement in Comics Arts. Duncan and Matthew J. Smith are editors of the Routledge Advances in Comics Studies series.

Matthew J. Smith, Ph.D., is Interim Dean in the College of Humanities and Behavioral Sciences and Professor of Communication at Radford University in Radford, Virginia. He serves in the presidential line of succession for the Comics Studies Society and has co-authored nine books. These include The Secret Origins of Comics Studies (2017) and The Power of Comics: History, Form and Culture (2015). He and Randy Duncan are also co-curators on "Marvel: Universe of Super Heroes," a traveling exhibit that debuted at the Museum of Popular Culture in Seattle in 2018.