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Moving Bodies: Embodied Minds and the World That We Made [Hardback]

(Ibn Haldun University, Turkey)
  • Formāts: Hardback, 250 pages, height x width x depth: 235x158x17 mm, weight: 470 g, Worked examples or Exercises
  • Izdošanas datums: 26-Jan-2023
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 1009245635
  • ISBN-13: 9781009245630
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 43,01 €
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  • Formāts: Hardback, 250 pages, height x width x depth: 235x158x17 mm, weight: 470 g, Worked examples or Exercises
  • Izdošanas datums: 26-Jan-2023
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 1009245635
  • ISBN-13: 9781009245630
Citas grāmatas par šo tēmu:
A history of movements and of how we make sense of the world. Cognitive activities happen as bodies interact with their environment. In order to be, think, know, imagine and will, we need to move. Historical case-studies include dancing kings and sea-captains, and nationalists who engage in gymnastic exercises.

Increasingly we have come to live in our heads, leaving our bodies behind. The consequences have been far-reaching, of which cognitive theory has warned us, advocating a 'return to the body.' This book employs several case studies-kings performing in ballets, sea captains dancing with natives, nationalists engaged in gymnastics exercises-to demonstrate what has been lost and what could be gained by a more embodied approach to living, to history. These curious movements were ways to be, to think, to know, to imagine, and to will. They highlight the limits of historical explanations focusing on cultural factors and question currently fashionable 'cultural' and 'post-modern' perspectives. Bodies, cognitive theory tells us, are the same regardless of historical context, and they engage in the same intentional activities. Returning to our bodies and their movements enables us not only to explain historical actions anew, but also to understand ourselves better.

Papildus informācija

A history of movements and of how we make sense of the world.
Acknowledgments vii
I Moving Bodies
1(24)
Five Vignettes
2(4)
Cultural Explanations
6(2)
Against Interpretation
8(3)
The Body as Object
11(3)
Being Alive
14(3)
Intentional Content
17(2)
In the Mood
19(3)
World-Making
22(3)
II Being
25(29)
To Be
26(2)
A Ballet in Miinster
28(5)
The Theater State
33(4)
To Be or Not to Be
37(3)
Dancing into Place
40(4)
The Stately Quadrille
44(4)
Actors on the World Stage
48(4)
A World Comes into Being
52(2)
III Thinking
54(26)
To Think
55(3)
Aesthetic Objects
58(4)
Thinking as Reasoning
62(12)
Romantic Ballet
74(3)
A World Rethought
77(3)
IV Knowing
80(30)
To Know
81(3)
Dancing with Strangers
84(4)
Getting Acquainted
88(4)
Dancing in Vienna
92(5)
Colonial Administrators Don't Dance
97(3)
Civilized Dancing
100(5)
Colonized People on Display
105(2)
A World Known
107(3)
V Imagining
110(26)
To Imagine
111(4)
Turnplatz Hasenheide
115(3)
Commanded by the State
118(4)
A Return to Nature
122(3)
Social Movements
125(2)
Marching for Independence
127(3)
Watching the Olympics
130(4)
A World Imagined
134(2)
VI Willing
136(29)
To Will
137(6)
An Affliction of the Nerves
143(5)
A Question of Willpower
148(3)
Colonial Adventures
151(4)
Toy Soldiers Going to War
155(5)
Self-Determination
160(3)
A Will in the World
163(2)
VII The World That We Made
165(7)
Notes 172(37)
Index 209
Erik Ringmar is Professor of Political Science at Ibn Haldun University, Istanbul, Turkey.