I read Mrs March in one sitting and was so captured by it As a character, [ Mrs March] is fascinating, complex, and deeply human Elisabeth Moss
Feito nods deftly to her forebears there are shades of Hitchcock and Highsmith here while the opening chapter puts one in mind of Woolfs Mrs Dalloway Nastily good fun Claire Allfree, Metro
Virginia Feitos noirish debut novel left me rapt, gleefully ambivalent about her eponymous protagonist: did I like her? Did I find her funny? Did I want to hug her? Was I bit a scared of her? Did I relate to her? To all of the above: yes an elegant, claustrophobic psychological thriller that feels incredibly original Evening Standard
What a rancid little book, I absolutely loved it Alice Slater
The atmosphere of queasy foreboding is compelling, as is the portrayal of a flawed, troubled and complex individual trying to keep it together while coming apart at the seams Economist
A brilliantly tense psychological study from a writer who keeps pace with the grandees she invokes Du Maurier, for one Feito has done that most horrible, wonderful and truly novelistic of things: she has seen right through Mrs March and into the shameful, petty, maggoty secrets that everybody carries Guardian
'A delicious, disorienting study of suspicion, societal pressure and shifting identities, brilliantly rendered. I swallowed this tale down as greedily as if it were Mrs. March's beloved olive bread' Rachel Edwards, author of Darling
Gloriously grotesque: tormented by the desire for glossy magazine perfection; cruelly judgemental; frantic to believe the world revolves around her. And yet Feito makes her guilt-inducingly relatableThe gothic awfulness of her predicament reminds you of Ottessa Moshfeghs grand guignol creations and lurid descriptive talents; Shirley Jacksons claustrophobic horror The Times
