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Multimodal Performance of Conversational Humor [Hardback]

(University of Maryland)
  • Formāts: Hardback, 235 pages, weight: 600 g
  • Sērija : Figurative Thought and Language 13
  • Izdošanas datums: 21-Apr-2022
  • Izdevniecība: John Benjamins Publishing Co
  • ISBN-10: 9027210993
  • ISBN-13: 9789027210999
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Multimodal Performance of Conversational HumorPalielināt
  • Formāts: Hardback, 235 pages, weight: 600 g
  • Sērija : Figurative Thought and Language 13
  • Izdošanas datums: 21-Apr-2022
  • Izdevniecība: John Benjamins Publishing Co
  • ISBN-10: 9027210993
  • ISBN-13: 9789027210999
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9789027210999.html
Keywords:
"This volume is the first monograph exploring the functions of visual cues in humor, advocating for the development of a non-linguocentric theory of humor performance. It analyzes a corpus of dyadic, face-to-face interactions in Spanish and English to study the relationship between humor, smiling, and gaze, and shows how, by focusing on these elements, it is possible to shed light on the "unsaid" of conversations. In the book, the humorous framing of an utterance is shown to be negotiated and co-constructed dialogically and multimodally, through changes and patterns of smiling synchronicity, smiling intensity, and eye movements. The study also analyzes the multimodal features of failed humor and proposes a new categorization from a dialogic perspective. Because of its interdisciplinary approach, which includes facial expression analysis and eye tracking, this book is relevant to humor researchers as well as scholars in social and behavioral sciences interested in multimodality and embodied cognition"--

This volume is the first monograph exploring the functions of visual cues in humor, advocating for the development of a non-linguocentric theory of humor performance. It analyzes a corpus of dyadic, face-to-face interactions in Spanish and English to study the relationship between humor, smiling, and gaze, and shows how, by focusing on these elements, it is possible to shed light on the “unsaid” of conversations.
In the book, the humorous framing of an utterance is shown to be negotiated and co-constructed dialogically and multimodally, through changes and patterns of smiling synchronicity, smiling intensity, and eye movements. The study also analyzes the multimodal features of failed humor and proposes a new categorization from a dialogic perspective.
Because of its interdisciplinary approach, which includes facial expression analysis and eye tracking, this book is relevant to humor researchers as well as scholars in social and behavioral sciences interested in multimodality and embodied cognition.
List of figures
xi
List of tables
xv
Preface xvii
Chapter 1 Approaching the multimodal study of conversational humor
1(30)
1.1 Why a multimodal study of conversational humor?
1(5)
1.2 The field of humor studies
6(4)
1.2.1 The linguistics of humor
7(1)
1.2.2 Cognitive linguistics and humor
8(2)
1.3 The study of conversational humor
10(4)
1.3.2 Defining and identifying conversational humor
12(2)
1.4 The study of humor markers
14(14)
1.4.1 Terminological issues in the study of humor markers
15(2)
1.4.2 Prosodic cues of humor
17(6)
1.4.3 Laughter as a humor cue
23(2)
1.4.4 Irony cues
25(3)
1.5 Scope and organization of the volume
28(3)
Chapter 2 Performing conversational humor multimodally -- an overview
31(24)
2.1 Introduction
31(1)
2.2 Researching the multimodal performance of conversational humor
32(8)
2.2.1 Data collection setting and instruments
32(3)
2.2.2 Participants
35(1)
2.2.3 Data collection procedure
36(2)
2.2.4 Treatment of data
38(2)
2.3 Individual smiling behavior
40(3)
2.4 Joint negotiation and co-construction of the humorous frame
43(2)
2.5 Smiling dialogic synergy
45(2)
2.6 Gaze
47(4)
2.6.1 Gaze aversion and conversational humor
48(1)
2.6.2 Gaze to the mouth and conversational irony
49(2)
2.7 Failed humor
51(1)
2.8 Conclusions
52(3)
Chapter 3 Individual smiling behavior
55(32)
3.1 Introduction
55(1)
3.2 Smiling as a social emotional expression
55(4)
3.2.1 Smiling within the Basic Emotion Theory (BET)
56(1)
3.2.2 Smiling within the Behavioral Ecology View (BEV)
56(2)
3.2.3 Smiling within the Theory of Affective Pragmatics (TAP)
58(1)
3.3 The study of smiling intensity
59(8)
3.3.1 Facial Action Coding System (FACS)
60(2)
3.3.2 Smiling intensity scales
62(5)
3.4 Smiling and humor
67(6)
3.4.1 Duchenne display and phony smiles
67(3)
3.4.2 Smiling voice
70(3)
3.5 Individual smiling behavior and conversational humor
73(11)
3.5.1 Smiling intensity during humorous and non-humorous discourse
73(5)
3.5.2 Smiling intensity in English and Spanish
78(1)
3.5.3 Smiling intensity by males and females
79(2)
3.5.4 Smiling intensity across types of humor
81(1)
3.5.5 Smiling intensity across conversational roles
82(2)
3.6 Conclusions
84(3)
Chapter 4 Smiling patterns and dialogical smiling synergy
87(28)
4.1 Introduction
87(1)
4.2 Social cognitive theories of interactional behavior
87(7)
4.2.1 Behavioral alignment, synchron(icit)y, and coupling
88(3)
4.2.2 From alignment to synergy
91(2)
4.2.3 Embodied cognition and facial displays
93(1)
4.3 Analyzing smiling patterns and synchronicity during humorous discourse
94(1)
4.4 Smiling patterns during humorous discourse
95(10)
4.4.1 Framing smiling pattern
97(2)
4.4.2 Accommodation gesture
99(1)
4.4.3 Deadpan deliveries of humor
100(3)
4.4.4 Peak smiling pattern
103(2)
4.5 Smiling synchronicity
105(4)
4.6 Conclusions
109(6)
Chapter 5 Eye movements
115(30)
5.1 Introduction
115(1)
5.2 The study of eye movements
115(8)
5.2.1 Brief history of eye-tracking
116(1)
5.2.2 How people look at faces
117(2)
5.2.3 Social eye-tracking
119(4)
5.3 Social, affective, and cognitive functions of gaze
123(5)
5.3.1 The processing of written irony
125(2)
5.3.2 Eye movements and humor
127(1)
5.4 Social eye-tracking for conversational humor
128(7)
5.4.1 Gaze to the interlocutor's smiling facial areas: Eyes and mouth
128(2)
5.4.2 Gaze to the interlocutor's eyes or mouth
130(3)
5.4.3 The effect of conversational role on gaze
133(2)
5.5 Linear mixed model analyses
135(6)
5.5.1 Gaze duration and smiling facial areas (eyes and mouth together)
136(3)
5.5.2 Gaze duration to the interlocutor's mouth or eyes
139(1)
5.5.3 Fixation duration and humor
140(1)
5.6 Conclusions
141(4)
Chapter 6 Failed conversational humor
145(24)
6.1 Introduction
145(1)
6.2 What is failed humor?
145(7)
6.2.1 Models and empirical studies on failed humor
147(3)
6.2.2 Failed humor: Cues, signals, and responses
150(2)
6.3 Multimodal cues of failed conversational humor
152(12)
6.3.1 Failed humor as misalignment
153(3)
6.3.2 Failed humor understanding
156(3)
6.3.2 Failed humor appreciation or agreement
159(2)
6.3.3 Joint failed humor appreciation
161(3)
6.4 Conclusions
164(5)
Chapter 7 Conclusions: Looking backwards and looking forward
169(16)
7.1 Introduction
169(2)
7.2 How conversational humor is performed multimodally
171(4)
7.2.1 The multimodal performance of successful punchlines
172(1)
7.2.2 The multimodal performance of successful jablines
173(1)
7.2.3 The multimodal performance of successful ironic comments
173(1)
7.2.4 The multimodal performance of failed humor
174(1)
7.3 Implications for applied humor research
175(4)
7.3.1 How smiling supports the negotiation of the humorous framing
176(1)
7.3.2 How gaze supports the negotiation of the humorous framing
177(2)
7.4 Limitations and future research directions
179(6)
7.4.1 Towards a multimodal theory of humor performance
182(3)
References 185(30)
Appendix A Research protocol 215(4)
Appendix B Individual smiling intensity by Dyad 219(4)
Appendix C Demographic questionnaire 223(2)
Appendix D Jokes in English and Spanish 225(2)
Index 227