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E-grāmata: Museum as a Cinematic Space: The Display of Moving Images in Exhibitions

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Museum as a Cinematic Space: The Display of Moving Images in ExhibitionsPalielināt
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This book offers an extensive investigation of the use of audio-visuals in exhibition design, showing their significant influence on the configuration of the whole space and on the relationship between museums and their visitors.

Moving images have become an increasingly common feature in a wide range of museums, with screens and audio-visual projections frequently encountered by museum visitors. But when did films start to be displayed in museum galleries? And what are the issues at stake when showing moving images in exhibition spaces?

With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design. Highlighting the continuities and fractures between different periods, contexts and practices, Elisa Mandelli shows the deep influence of audio-visuals on the configuration of the exhibition space, as well as on the relationship between museums and their visitors.
List of Figures
vii
Acknowledgements viii
Preface ix
Introduction 1(16)
Part I Between History and Modernity: Films in Exhibitions in the Twentieth Century
1 Cinema, Museums, Memory and Education
17(10)
The ocular evidence that is truthful and infallible par excellence': Cinema, museums and the preservation of memory
17(3)
The Educational Role of Cinema
20(1)
Cinema, Museums and the Demands of Modern Life
21(6)
2 `A dimly-lighted corner': Moving Images in Museums in the First Decades of the Twentieth Century
27(19)
Museums and Movies: Cinema at the Imperial Institute
27(2)
Films as Exhibits: Moving Images inside the Museums' Galleries
29(2)
An Archive for the Preservation of Films at the Imperial War Museum
31(4)
Trenches, Tanks and the Explosion of a Mine: Mutoscopes at the Imperial War Museum (1924-38)
35(5)
Exception or Rule? Debating the Use of Moving Images in Museum Galleries
40(6)
3 Moving Images in Museums, World's Fairs and Avant-garde Exhibition Design
46(15)
Twentieth-century Avant-gardes and Exhibition Design
46(5)
The paradise of the exhibitor': Museums and World's Fairs
51(4)
Films at the New York Museum of Science and Industry
55(6)
4 The Multi-media Museum: The 1960s-70s
61(12)
Museums and Films from UNESCO to World's Fairs
61(2)
The exhibition as A Mosaic: Marshall McLuhan and Harley Parker
63(2)
Museums and the AV Revolution'
65(8)
Part II The Museum as a Cinematic Space: Museums and Moving Images in the Twenty-first Century
5 From the Museum Experience to the Museum as an Experience
73(9)
From Objects to Visitors: The Virtualisation of the Museum
73(2)
Museums and the `Experience Economy'
75(3)
Moving images and the Museum Experience
78(4)
6 Audio-visuals in Exhibitions
82(9)
Archival Footage
82(3)
Documentaries
85(1)
Reconstructions and Fictional Films
86(1)
Video Testimonies
87(4)
7 The Museum and its Spectres
91(14)
The Mirror and the Portrait: The Widespread Museum of the Resistance in Turin
92(4)
The `Ghosts' of the Witnesses: The In Flanders Fields Museum
96(4)
Phantasmagoria
100(5)
8 A Walk through Images
105(10)
Galleries, Projections and Cinematic Effects: The Trento Tunnels
106(4)
A film in space: Peopling the Palaces at Venaria Reale
110(5)
9 New Interpretations of the Movie Theatre
115(9)
`A bit like a large cinema': The Big Picture Show at the Imperial War Museum North
116(3)
A Movie Theatre inside the Museum: The Historial Charles de Gaulle
119(5)
10 Touching Images
124(13)
Touching, Browsing: Interactive Tables
125(2)
Rewriting space: The Museum Laboratory of the Mind
127(3)
Interactions/Interrelations
130(7)
Conclusions 137(2)
Bibliography 139(18)
Index 157
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Permanent link: https://www.kriso.lv/db/97814744168186e.html
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