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Museum Gallery Interpretation and Material Culture [Hardback]

  • Formāts: Hardback, 276 pages, height x width: 229x152 mm, weight: 520 g, 3 Tables, black and white; 19 Halftones, black and white; 19 Illustrations, black and white
  • Sērija : Routledge Research in Museum Studies
  • Izdošanas datums: 18-May-2011
  • Izdevniecība: Routledge
  • ISBN-10: 0415885752
  • ISBN-13: 9780415885751
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  • Cena: 210,77 €
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  • Formāts: Hardback, 276 pages, height x width: 229x152 mm, weight: 520 g, 3 Tables, black and white; 19 Halftones, black and white; 19 Illustrations, black and white
  • Sērija : Routledge Research in Museum Studies
  • Izdošanas datums: 18-May-2011
  • Izdevniecība: Routledge
  • ISBN-10: 0415885752
  • ISBN-13: 9780415885751
Citas grāmatas par šo tēmu:

Museum Gallery Interpretation and Material Culture publishes the proceedings of the first annual Sackler Centre for Arts Education conference at the Victoria and Albert Museum (V&A) in London. The conference launched the annual series by addressing the question of how gallery interpretation design and management can help museum visitors learn about art and material culture. The book features a range of papers by leading academics, museum learning professionals, graduate researchers and curators from Europe, the USA and Canada.

The papers present diverse new research and practice in the field, and open up debate about the role, design and process of exhibition interpretation in museums, art galleries and historic sites. The authors represent both academics and practitioners, and are affiliated with high quality institutions of broad geographical scope. The result is a strong, consistent representation of current thinking across the theory, methodology and practice of interpretation design for learning in museums.

List of Figures
ix
List of Tables
xi
1 Introduction
1(12)
Juliette Fritsch
PART I Situating Interpretation in the Museum Context
2 "The Museum as a Social Instrument": A Democratic Conception of Museum Education
13(13)
George E. Hein
3 Invoking the Muse: The Purposes and Processes of Communicative Action in Museums
26(9)
Paulette M. McManus
4 Interpretation and the Art Museum: Between the Familiar and the Unfamiliar
35(18)
Cheryl Meszaros
Twyla Gibson
Jennifer Carter
PART II The Role of Interpretation in Art Galleries
5 Toward Some Cartographic Understandings of Art Interpretation in Museums
53(14)
Christopher Whitehead
6 Art for Whose Sake?
67(13)
Sue Latimer
7 The Seeing Eye: The Seeing "I"
80(17)
Sylvia Lahav
PART III Language and Museum Interpretation
8 How Can We Define the Role of Language in Museum Interpretation?
97(12)
Juliette Fritsch
PART IV Interpretation, Personal Experience and Memory
9 "I loved it dearly": Recalling Personal Memories of Dress in the Museum
109(14)
Torunk Kølberg
10 Welcome to My World: Personal Narrative and Historic House Interpretation
123(13)
Mariruth Leftwich
11 Narrative Museum, Museum of Voices: Displaying Rural Culture in the Museo della Mezzadria Senese, Italy
136(17)
Marzia Minore
PART V Evidence-Based Practice
12 An Evaluation of Object-Centered Approaches to Interpretation at the British Museum
153(12)
David Francis
Steve Slack
Claire Edwards
13 The Other Side of the Coin: Audience Consultation and the Interpretation of Numismatic Collections
165(14)
Effrosyni Nomikou
PART VI Interpretive Strategies for Specific Audiences
14 Designing Effective Interpretation for Contemporary Family Visitors to Art Museums and Galleries: A Reflection of Associated Problems and Issues
179(12)
Patricia Sterry
15 Interactive Gallery Interpretation for Design Students: Help or Hindrance?
191(13)
Elizabeth Dyson
16 Empower the Audience! How Art Museums Can Become Enriching Creative Spaces for a Wider Audience through Deliberate and Strategic Use of Experience and Learning Theories
204(17)
Karen Grøn
PART VII Process and People
17 "Reading the Walls": A Study of Curatorial Expectation and Visitor Perception
221(13)
Sarah Ganz Blythe
Barbara Palley
18 "Education is a department isn't it?": Perceptions of Education, Learning and Interpretation in Exhibition Development
234(15)
Juliette Fritsch
Appendices 249(4)
Contributors 253(2)
Index 255
Juliette Fritsch is Head of Gallery Interpretation, Evaluation and Residencies at the Victoria and Albert Museum (V&A) in London. The V&A recently completed £100 million gallery renovation project, for which Juliette led the gallery interpretation team. She is known for developing visitor-focused interpretation, and for innovative interpretation in art museums.