Atjaunināt sīkdatņu piekrišanu

Museum Practices and the Posthumanities: Curating for Planetary Habitability [Mīkstie vāki]

  • Formāts: Paperback / softback, 296 pages, height x width: 234x156 mm, weight: 544 g, 3 Line drawings, black and white; 16 Halftones, black and white; 19 Illustrations, black and white
  • Sērija : Routledge Environmental Humanities
  • Izdošanas datums: 24-Oct-2023
  • Izdevniecība: Routledge
  • ISBN-10: 0367196840
  • ISBN-13: 9780367196844
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 50,80 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Bibliotēkām
  • Formāts: Paperback / softback, 296 pages, height x width: 234x156 mm, weight: 544 g, 3 Line drawings, black and white; 16 Halftones, black and white; 19 Illustrations, black and white
  • Sērija : Routledge Environmental Humanities
  • Izdošanas datums: 24-Oct-2023
  • Izdevniecība: Routledge
  • ISBN-10: 0367196840
  • ISBN-13: 9780367196844
Citas grāmatas par šo tēmu:

Our planet is at risk from climate change, war, terrorism, drought and extreme weather events, and the unintended consequences of unfettered biotechnological and economic development. Many of these problems are the consequence of an erroneous and dangerous detachment from our environment and others, and of various forms of exploitation, injustice and inequality founded on the illusion that the human is the centre of all things, a dominant view in Western thought. Furthermore the newly visible powers and agencies of a more-than-human world are becoming increasingly apparent as we confront the material consequences of advanced capitalism and two centuries of industrialisation. While our life has always been ecological, the human subject-based frameworks we have chosen for ourselves have become habitual and institutionalised, and have divested us of our ecological sensibilities. If we are to avoid compounding existing problems and creating new ones, we require new cognitive frames and practices of life that promote ethical forms of conjoint action that acknowledge our entanglements, shared vulnerabilities and futures not only with other humans, but also with the more-than-human world.

Museums are custodians of cultural memory and one of the most trusted information sources in society. Through their collections and exhibitions, museums are powerful pedagogical institutions, instrumental in shaping ideas about culture, identity and cultural difference, and about human relations with nature, technology and science. They are therefore ideally placed to frame and promote new theories and practices of life. This book aims to promote relational and more-than-human ways of thinking and acting in the world through museum collection, exhibition and institutional practices. It is uniquely concerned with concretely reconstituting human-centred concepts and practices based on the human subject, and developing practices and a new type of museology that have the potential to signal an entangled and more-than-human approach to the make-up and composition of the world.

This book critically engages with and extends international approaches to progressing real-world and scholarly change within the museum sector by undertaking a series of ‘ecologizing experiments’ to rework the possible relations between things and people using a series of museum, collection, theoretical and exhibition case studies.

Recenzijas

'There is now no doubt regarding the epochal, world-shaping significance of the curatorial practices of late eighteenth and nineteenth century museums. With a matching boldness of vision, Fiona Cameron now calls on museums to play a world-saving role by curating for planet habitability. Better still, in identifying the intellectual and institutional challenges this entails, she also shows how these might best be met. A timely manifesto for the contribution museums might make to addressing the crises produced by our relations to the more-than-human worlds that press upon us with increasing force.'

Tony Bennett, Emeritus Professor, Social and Cultural Theory, Institute for Culture and Society, Western Sydney University, Australia

'This book offers a timely posthumanist provocation for students of, and practitioners in, museums. A fierce critique of humanist museum practices and theories, the book challenges us to take account of emerging practices in museums in the 21st century. Neither what museums are nor what they are becoming remain the same after its reading. With a deep commitment to more-than-human worlds, the book offers theoretical grounding for museum activism in the face of climate and planetary crisis. This book is a testament to Fiona Camerons longstanding engagement with difficult topics in museums and provide researchers, practitioners, and students alike with new tools for analyses and action.'

Brita Brenna, Professor of Museology, University of Oslo, Norway

'Museum Practices and the Posthumanities: Curating for Planetary Habitability is a deeply felt plea and argument for the need to get beyond our human centered approaches for dealing with ecological crisis. Museums, Cameron argues, are institutions that were central to the humanist project that produced the current ecological crisis. They are therefore also central to undoing that project. Doing so involves a radical rethinking of the central categories of thought that underpin modern society. In doing so, this book opens an alternative future by showing us what we need to overcome and how to go about it. Using the concept of viral contagion as both idea and reality, Cameron opens the possibility that we might be able to move beyond our humanist centered perspectives and productively deal with current threats to planetary wellbeing. This book is a magnificent tour de force in how museums might become part of a viral contagion that works to undo our current understandings of our place on this planet.'

Andrea Witcomb, Alfred Deakin Professor, Faculty of Arts and Education, Deakin University, Australia 'There is now no doubt regarding the epochal, world-shaping significance of the curatorial practices of late eighteenth and nineteenth century museums. With a matching boldness of vision, Fiona Cameron now calls on museums to play a world-saving role by 'curating for planet habitability.' Better still, in identifying the intellectual and institutional challenges this entails, she also shows how these might best be met. A timely manifesto for the contribution museums might make to addressing the crises produced by our relations to the more-than-human worlds that press upon us with increasing force.'

Tony Bennett, Emeritus Professor, Social and Cultural Theory, Institute for Culture and Society, Western Sydney University, Australia

'This book offers a timely posthumanist provocation for students of, and practitioners in, museums. A fierce critique of humanist museum practices and theories, the book challenges us to take account of emerging practices in museums in the 21st century. Neither what museums are nor what they are becoming remain the same after its reading. With a deep commitment to more-than-human worlds, the book offers theoretical grounding for museum activism in the face of climate and planetary crisis. This book is a testament to Fiona Camerons longstanding engagement with difficult topics in museums and provides researchers, practitioners, and students alike with new tools for analyses and action.'

Brita Brenna, Professor of Museology, University of Oslo, Norway

'Museum Practices and the Posthumanities: Curating for Planetary Habitability is a deeply felt plea and argument for the need to get beyond our human centered approaches for dealing with ecological crisis. Museums, Cameron argues, are institutions that were central to the humanist project that produced the current ecological crisis. They are therefore also central to undoing that project. Doing so involves a radical rethinking of the central categories of thought that underpin modern society. In doing so, this book opens an alternative future by showing us what we need to overcome and how to go about it. Using the concept of viral contagion as both idea and reality, Cameron opens the possibility that we might be able to move beyond our humanist centered perspectives and productively deal with current threats to planetary wellbeing. This book is a magnificent tour de force in how museums might become part of a viral contagion that works to undo our current understandings of our place on this planet.'

Andrea Witcomb, Alfred Deakin Professor, Faculty of Arts and Education, Deakin University, Australia

1. Introduction: Curating for planetary habitability
2. Technospheric heritage: Curating more-than-digital heritages in and for planetary durations
3. Collections and eco-curating human-non-human climates
4. Museums, climate policy frameworks and the problem of humanist-driven solutions
5. Communitarian design: Eco-curating climate change in attunement
6. Viral museologies: Curating human-species-viral worlds in sympoiesis
7. Curating sustaining practices in and for more-than-human worlds
8. Conclusion: More-than-human museologies

Fiona R. Cameron is Associate Professor, Principal Research Fellow, Contemporary Museologies at the Institute for Culture and Society, Western Sydney University, Australia. Fiona is also Professor Dr. at the Rachel Carson Center, Ludwig Maximilian University of Munich, Germany and visiting Professor, Linköping University, Sweden.