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Music in Contemporary Indian Film: Memory, Voice, Identity [Hardback]

Edited by , Edited by (University of California, Merced, USA)
  • Formāts: Hardback, 224 pages, height x width: 229x152 mm, weight: 570 g, 2 Tables, black and white
  • Sērija : Routledge Music and Screen Media Series
  • Izdošanas datums: 14-Oct-2016
  • Izdevniecība: Routledge
  • ISBN-10: 1138929352
  • ISBN-13: 9781138929357
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  • Hardback
  • Cena: 191,26 €
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  • Formāts: Hardback, 224 pages, height x width: 229x152 mm, weight: 570 g, 2 Tables, black and white
  • Sērija : Routledge Music and Screen Media Series
  • Izdošanas datums: 14-Oct-2016
  • Izdevniecība: Routledge
  • ISBN-10: 1138929352
  • ISBN-13: 9781138929357
Citas grāmatas par šo tēmu:
Music in Contemporary Indian Film: Memory, Voice, Identity provides a rich and detailed look into the unique dimensions of music in Indian film. Music is at the center of Indian cinema, and India’s film music industry has a far-reaching impact on popular, folk, and classical music across the subcontinent and the South Asian diaspora. In twelve essays written by an international array of scholars, this book explores the social, cultural, and musical aspects of the industry, including both the traditional center of "Bollywood" and regional film-making. Concentrating on films and songs created in contemporary, post-liberalization India, this book will appeal to classes in film studies, media studies, and world music, as well as all fans of Indian films.
List of Figures and Tables
vii
Series Foreword ix
Preface x
Introduction 1(18)
Jayson Beaster-Jones
Natalie Sarrazin
PART I Hindi Hegemony
19(86)
1 1942 -- A Love Story: R.D. Burman's Posthumous "Comeback" at the End of Old Bollywood
21(14)
Gregory D. Booth
2 Antakshari in Maine Pyar Kiya: Intertextual Pleasures and Musical Medleys at the Dawn of a New Era in Hindi Cinema
35(14)
Peter Kvetko
3 From Vamp to Queen: The Remixed Sound of the Bollywood Scene
49(12)
Ajay Gehlawat
4 Authorizing Gesture: Mirchi Music Awards and the Re-calibration of Songs and Stardom
61(15)
Monika Mehta
5 Tensions of Musical Re-animation from Bollywood to Indian Idol
76(15)
Anaar Desai-Stephens
6 Magic, Destruction, and Redemption in the Soundtracks of Aashiqui 2, RockStar, and Rock On!!
91(14)
Natalie Sarrazin
PART II Regions and Identities
105(87)
7 Violence, Reconciliation, and Memory: A.R. Rahman's "Bombay Theme"
107(13)
Jayson Beaster-Jones
8 Iconic Voices in Post-Millennium Tamil Cinema
120(13)
Amanda Weidman
9 Folk Drums and Tribal Girls: Sounding the Himalayas in Indian Film
133(14)
Stefan Fiol
10 Film Frontiers: Imagining Rajasthan in Contemporary Bollywood Film
147(15)
Shalini Ayyagari
11 Evolution of a Ritual Musical Genre: The Adaptation of Qawwali in Contemporary Hindi Film
162(14)
Irfan Zuberi
Natalie Sarrazin
12 Music, Sound, Noise: Interposition of the Local and the Global in Ann rag Kashyap's Gangs of Wasseypur
176(16)
Madhuja Mukherjee
Afterword 192(7)
Rachel Dwyer
List of Contributors 199(4)
Index 203
Jayson Beaster-Jones is Associate Professor of Music at the University of California, Merced. He is the author of Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song (2015) and Music Commodities, Markets, and Values: Music as Merchandise (2016).



Natalie Sarrazin is Associate Professor of Music at the College at Brockport. She is the author of Indian Music for the Classroom (2009), as well as numerous publications on Indian film music.