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Music Documentaries for Radio [Mīkstie vāki]

  • Formāts: Paperback / softback, 134 pages, height x width: 234x156 mm, weight: 213 g, 1 Halftones, black and white; 1 Illustrations, black and white
  • Izdošanas datums: 17-Nov-2021
  • Izdevniecība: Routledge
  • ISBN-10: 0367226227
  • ISBN-13: 9780367226220
  • Mīkstie vāki
  • Cena: 52,11 €
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  • Formāts: Paperback / softback, 134 pages, height x width: 234x156 mm, weight: 213 g, 1 Halftones, black and white; 1 Illustrations, black and white
  • Izdošanas datums: 17-Nov-2021
  • Izdevniecība: Routledge
  • ISBN-10: 0367226227
  • ISBN-13: 9780367226220
"Drawing on both academic research and 'real world' practice, this book offers an in-depth investigation into the production of music documentaries broadcast on radio. Music Documentaries for Radio provides a thorough overview of how the genre has developed technically and editorially alongside a discussion of the practical production processes involved. Digital production equipment and online tools used in music documentary production are discussed in detail, outlining how the development of these technologies shapes the output of producers operating in both the public service and the commercial sectors of the industry. Drawing on his own experiences as an award-winning music documentary producer, the author also looks at how the industry views this form of radio documentary and considers how innovation and technical advances, as well as governmental regulation, have shaped the field. The book demonstrates how changing practices and technical innovations have led to the emergence of multi-skilled, freelance radio producers and how previously separate production roles have merged into one convergent, multi-faceted position. Music Documentaries for Radio is an ideal resource for students and academics in the fields of radio studies, media production, documentary-making and journalism studies"--

Drawing on both academic research and ‘real world’ practice, this book offers an in-depth investigation into the production of music documentaries broadcast on radio.

Music Documentaries for Radio

provides a thorough overview of how the genre has developed technically and editorially alongside a discussion of the practical production processes involved. Digital production equipment and online tools used in music documentary production are discussed in detail, outlining how the development of these technologies shapes the output of producers operating in both the public service and the commercial sectors of the industry. Drawing on his own experiences as an award-winning music documentary producer, the author also looks at how the industry views this form of radio documentary and considers how innovation and technical advances, as well as governmental regulation, have shaped the field. The book demonstrates how changing practices and technical innovations have led to the emergence of multi-skilled, freelance radio producers and how previously separate production roles have merged into one convergent, multi-faceted position.

Music Documentaries for Radio

is an ideal resource for students and academics in the fields of radio studies, media production, documentary-making and journalism studies.

Introduction 1(7)
Defining the music documentary
1(1)
The music documentary in academic studies
2(2)
The radio producer
4(2)
Authenticity in radio production practice
6(1)
Conclusions
6(1)
References
7(1)
1 Historicising the music documentary
8(8)
Defining the radio documentary and the music documentary
8(3)
Online opportunities
11(1)
The changing role of the radio producer
11(3)
Conclusions
14(1)
Note
14(1)
References
14(2)
2 Public service and commercial radio
16(13)
Academic investigations in the field of radio studies
16(4)
The political economy of radio
20(2)
The viability of music documentaries
22(4)
Conclusions
26(1)
Notes
26(1)
References
27(2)
3 Music
29(9)
The use of music within music documentaries
30(1)
Track selection in music documentaries
31(1)
"Beat matching" in music documentaries
32(2)
The music "bed" in music documentaries
34(1)
Conclusions
35(1)
Notes
36(1)
References
36(2)
4 Production practices
38(13)
Comparisons between audio and visual forms of documentary production
39(3)
Radio production practices
42(6)
Conclusions
48(1)
Notes
49(1)
References
49(2)
5 Interviewing
51(10)
Securing interview talent for music documentaries
52(1)
Interviewing for music documentaries
53(2)
Recording on-location interviews
55(2)
Recording online and remote interviews
57(2)
Conclusions
59(1)
Notes
59(1)
References
60(1)
6 Presentation
61(15)
The voice
62(3)
Structuring and presentation
65(2)
The role of the presenter in documentary commissioning
67(6)
Scripting for radio documentary presentation
73(1)
Conclusions
73(1)
Notes
74(1)
References
75(1)
7 Editing
76(15)
Editing music documentaries for radio
77(4)
Structuring music documentary content
81(6)
Representations of truth
87(1)
Conclusions
88(1)
Notes
89(1)
References
89(2)
8 Idea generation and commissioning
91(13)
Commissioning music documentaries to build radio audiences
92(1)
Audience considerations in commissioning radio documentaries
93(2)
Programming considerations in music documentaries
95(1)
Educational and compliance considerations in the commissioning process
96(3)
Alternative funding streams for music documentaries
99(1)
The value of radio awards
100(1)
Conclusions
101(1)
Notes
102(1)
References
102(2)
9 New technologies
104(12)
Online audio platforms and distribution
105(3)
Online engagement with contributors and audiences
108(3)
The re-appropriation of online content
111(1)
The visualisation of radio content
111(2)
Conclusions
113(1)
Notes
114(1)
References
114(2)
10 Freelance production
116(9)
Freelance radio production in the cultural industries
116(3)
Workflow in freelance music documentary production
119(1)
Commissioning opportunities for freelancers
120(3)
Conclusions
123(1)
Notes
123(1)
References
123(2)
11 Final thoughts
125(2)
References 127(2)
Index 129
Sam Coley teaches audio production at Birmingham City University and continues to work as a freelance music documentary producer. He has written about popular music, fandom, and new participatory cultures in radio documentary production. Dr Coley is a Trustee of the Charles Parker Archive Trust and serves as a Grand Jury member for the New York Festivals Radio Awards.