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Music Essentials for Singers and Actors: Fundamentals of Notation, Sight-Singing and Music Theory [Multiple-component retail product]

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  • Formāts: Multiple-component retail product, 336 pages, height x width x depth: 234x193x20 mm, weight: 694 g, Contains 1 Paperback / softback and 1 Digital online
  • Izdošanas datums: 01-Aug-2018
  • Izdevniecība: Hal Leonard Corporation
  • ISBN-10: 1495073769
  • ISBN-13: 9781495073762
Citas grāmatas par šo tēmu:
  • Multiple-component retail product
  • Cena: 48,21 €
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  • Formāts: Multiple-component retail product, 336 pages, height x width x depth: 234x193x20 mm, weight: 694 g, Contains 1 Paperback / softback and 1 Digital online
  • Izdošanas datums: 01-Aug-2018
  • Izdevniecība: Hal Leonard Corporation
  • ISBN-10: 1495073769
  • ISBN-13: 9781495073762
Citas grāmatas par šo tēmu:
(Book). Singers and actors who can learn music quickly and accurately have an enormous advantage in today's increasingly competitive field. With Music Essentials for Singers and Actors , award-winning composer and music director Andrew Gerle has written a music theory text especially for singers, focused exclusively on topics and techniques that will help them in the rehearsal room and on stage. Gerle leads readers step by step through every aspect of written music, using over one hundred real-world examples from Broadway scores. His common-sense, methodical approach demystifies abstract concepts, and his unique 1-STARRT method teaches singers to read musical "words" instead of single notes, enabling confident sight-singing of any score. Drawing on his years of experience as a Broadway vocal coach, Gerle also shows readers how to use music theory to think like a composer, analyzing scores for dramatic clues to create a more detailed and powerful performance. Each chapter is accompanied by downloadable audio examples and exercises to lock in newly learned concepts.
Author's Note xi
1 Willkommen
1(8)
A Little Brains, a Little Talent: the ingredients for a career
1(1)
Racing with the Clock: how to make the most of your rehearsal time
2(1)
Side by Side: an artistic collaboration with the writer
3(1)
The Sound of Music: the elements of musical notation
4(1)
What More Do I Need?: required tools of the trade
5(4)
2 I Got Rhythm: fundamentals
9(14)
The Rhythm of Life: how we divide time
9(1)
You Can't Stop the Beat: first definitions, quarter notes
10(1)
Just in Time: time signatures, note shapes
11(5)
The Speed Test: metronomes and their use
16(1)
Breathe: rests
16(7)
3 In Short: smaller note values
23(20)
Tonight at Eight: the eighth note
23(1)
We Go Together: beams
24(2)
A Little Bit Off: off-beats and "and"s
26(2)
I'm Old Fashioned: vocal notation in older scores
28(2)
Pretty Little Picture: musical "words" and syncopation
30(1)
Small World: the sixteenth note
31(12)
4 Hold On: ties and dots
43(14)
Married: ties
43(5)
Stay with Me: dots
48(9)
5 Play a Simple Melody: the piano keyboard, notes, clefs, and staves
57(12)
I Love a Piano: finding notes on the keyboard
57(2)
I Could Write a Book: writing notes on the staff
59(1)
Me, Who Am I?: clefs, letter names, and the grand staff
60(3)
You Will Be Found: matching notes on the piano with notes on the staff
63(6)
6 I've Got Your Number: intervals and scale degrees
69(18)
Go the Distance: basic interval sizes and names
69(7)
Home: the tonic and scale degrees
76(1)
Steppin' Out with My Baby: singing with scale degrees
76(3)
Do-Re-Mi: the Kodaly method
79(8)
7 You Do Something to Me: accidentals, key signatures, and transposition
87(16)
I Am Changing: accidentals and the black keys of the piano
87(4)
Ring of Keys: the major scale, key signatures, and the circle of fifths
91(6)
They Just Keep Moving the Line: transposing songs
97(6)
8 So Big/So Small: identifying and singing every interval type
103(10)
9 Fascinatin' Rhythm: cut time, triplets, swing; compound, composite and irregular meters
113(22)
Two by Two: cut time
113(3)
Squeeze Me: triplets and grace notes
116(4)
Threes: compound meter
120(5)
It Don't Mean a Thing: swing notation
125(2)
Unusual Way: irregular and composite meters
127(2)
Change Don't Come Easy: shifting meters
129(6)
10 Let It Sing: combining your ear and your eye for increased fluency
135(18)
Doin' What Comes Natur'lly: diatonic versus chromatic melodies
135(2)
Do You Want to Build a Snowman?: triads and inversions
137(5)
Far from the Home I Love: strategies for chromatic melodies
142(11)
11 Changing My Major: minor keys
153(16)
Three Friends: the minor scales
153(4)
Sing Happy: minor scales in context
157(1)
Show Me the Key: distinguishing between minor and major keys
158(4)
Sisters: minor, diminished, and augmented triads
162(7)
12 I Know Things Now: combining multiple techniques to form a coherent strategy for reading
169(14)
What Comes Next?: reading ahead
169(1)
1-STARRT at the Very Beginning: a method for analyzing and annotating any new song
170(13)
13 No One Is Alone: singing with other performers
183(20)
Here I Am: finding your starting note
183(5)
I'm a Part of That: consonance and dissonance with the piano accompaniment; piano/conductor scores
188(6)
Do You Hear the People Sing?: choral singing and score layouts
194(9)
14 The Writing on the Wall: musical markings, repeat structure, and other score "road maps"
203(22)
Be Italian: tempo markings
203(2)
Loud: dynamic and articulation markings
205(3)
Stop, Time: pauses and held notes
208(4)
Speak Low: other expressive markings and spoken text
212(2)
Back to Before: repeats, D.C., D.S., and codas
214(5)
Ah, But Underneath: underscoring and vamps
219(1)
On the Street Where You Live: rehearsal numbers and letters
220(1)
Do It Again: AABA form and other song structures
221(4)
15 Hey, Look Me Over: close score reading for dramatic and character analysis
225(12)
Mama, Look Sharp: every mark is a choice
225(2)
The Wrong Note Rag: analyzing dissonance and contour to color your performance
227(2)
Watch What Happens: dramatic inspiration from the piano accompaniment
229(5)
A Change in Me: reading key changes and altered notes for textual insight
234(3)
16 I Have Confidence: continuing to practice and consolidate your technique
237(14)
I Can See It: eye-training exercises
238(1)
A Trip to the Library: the joys of reading music alone and with others
239(12)
Glossary of Terms 251(6)
Answer Key 257(30)
Index of Songs 287(6)
Index of Song Titles in Headings 293(6)
Index of Intervals and Examples from Songs 299(4)
Index of Terms 303
ANDREW GERLE (New York City) is an award-winning composer/lyricist, music director, arranger, and pianist. He has lived in New York City for over 20 years, working on dozens of Broadway, Off-Broadway, regional, and touring productions. He is the author of The Enraged Accompanist's Guide to the Perfect Audition, and teaches musical theater performance, theory, and composition at Yale University and the Manhattan School of Music.