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Music Fundamentals for Musical Theatre [Hardback]

(Marymount Manhattan College, USA)
  • Formāts: Hardback, 296 pages, height x width: 246x189 mm, weight: 971 g
  • Izdošanas datums: 09-Jan-2020
  • Izdevniecība: Methuen Drama
  • ISBN-10: 1350001791
  • ISBN-13: 9781350001794
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  • Hardback
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Music Fundamentals for Musical TheatrePalielināt
  • Formāts: Hardback, 296 pages, height x width: 246x189 mm, weight: 971 g
  • Izdošanas datums: 09-Jan-2020
  • Izdevniecība: Methuen Drama
  • ISBN-10: 1350001791
  • ISBN-13: 9781350001794
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781350001794.html
Keywords:
Musical theatre students and performers are frequently asked to learn musical material in a short space of time; sight-read pieces in auditions; collaborate with accompanists; and communicate musically with peers, directors, music directors and choreographers. Many of these students and performers will have had no formal musical training.

This book offers a series of lessons in music fundamentals, including theory, sight-singing and aural tests, giving readers the necessary skills to navigate music and all that is demanded of them, without having had a formal music training. It focuses on the skills required of the musical theatre performer and draws on musical theatre repertoire in order to connect theory with practice.

Throughout the book, each musical concept is laid out clearly and simply with helpful hints and reminders. The author takes the reader back to basics to ensure full understanding of each area. As the concepts begin to build on one another, the format and process is kept the same so that readers can see how different aspects interrelate.

Through introducing theoretical ideas and putting each systematically into practice with sight-singing and ear-training, the students gain a much deeper and more integrated understanding of the material, and are able to retain it, using it in voice lessons, performance classes and their professional lives.

The book is published alongside a companion website, which offers supporting material for the aural skills component and gives readers the opportunity to drill listening exercises individually and at their own pace.

Music Fundamentals for Musical Theatre allows aspirational performers - and even those who aren't enrolled on a course - to access the key components of music training that will be essential to their careers.

Recenzijas

There are not many books about music theory written specifically for musical theatre students. Most of those available focus strictly on the theory aspect, and not the aural skills aspect. This book not only incorporates theory, but also aural skills and composition, for a more robust musical experience that will hopefully foster more musicality in students of musical theatre. * Peter Purin, Oklahoma Baptist University *

Papildus informācija

This book offers a series of lessons in music fundamentals, including theory, sight-singing and aural tests, giving readers the necessary skills to navigate music and all that is demanded of them without necessarily having had a formal music training.
Introduction: Why Music Fundamentals for Musical Theatre Students? 1(4)
1 The Staff, Treble Clef, Pitches on the Staff, Solfege, and Sight-Singing
5(4)
2 Rhythm: Whole Notes, Half Notes, Quarter Notes, and Eighth Notes
9(8)
3 The Piano Keyboard, Accidentals, Whole and Half Steps, Major Scales
17(12)
4 The Circle of Fifths and Major Key Signatures
29(20)
Review of
Chapters 1--4 And Performance Tips (Tempo)
39(10)
5 Intervals: Seconds and Thirds and Phrase Shapes
49(12)
6 Intervals: Fourths, Fifths, and Octaves; Rhythm: Sixteenth Notes
61(12)
7 Intervals: Sixths and Sevenths; Rhythm: Rests
73(12)
8 Diminished and Augmented Intervals; Rhythm: Syncopation
85(16)
Review of
Chapters 5--8 And Performance Tips (Musical Markings)
95(6)
9 Rhythm: Ties, Dotted Notes, 2/4 and 3/4 Time; Song Analysis
101(8)
10 Major Triads; Introduction to Bass Clef and the Grand Staff
109(8)
11 I, IV, V Progression; Chord Tones and Non-Chord Tones; Song Analysis
117(8)
12 Transpositions; Rhythm: Triplets
125(18)
Review of
Chapters 9--12 And Performance Tips (Repeats, Endings, and Codas)
135(8)
13 Minor, Diminished, and Augmented Triads; Cut-Time; Chromatic Solfege
143(8)
14 I, vi, ii, V, I Progression; Harmonizing a Melody
151(6)
15 Inversions of Triads
157(8)
16 Chord Progressions with Inversions
165(14)
Review of
Chapters 13--16 And Performance Tips (The Music Department)
171(8)
17 Dominant Seventh Chords; V of V Chords; Suspended Chords; Song Analysis
179(12)
18 Minor Key Signatures and Natural Minor Scales
191(8)
19 Harmonic Minor Scales and Melodic Minor Scales; Song Analysis
199(10)
20 Minor Chord Progressions; Song Analysis
209(16)
Review of
Chapters 17--20 And Performance Tips (Song Form)
217(8)
21 Major, Minor, Half-Diminished, and Diminished Seventh Chords
225(8)
22 Compound Time
233(10)
23 More Compound Time; Song Analysis
243(6)
24 Song Analysis; Orchestration
249(16)
Resources 265(6)
Permissions Acknowledgements 271(10)
Index 281
Christine Riley is a Music Director, Vocal Coach and Arranger currently residing in NYC. As a music director she has worked Off-Broadway, on national tours and regionally in the US. She is currently member of the full time faculty at Marymount Manhattan College where she serves as the instructor for Fundamentals of Musical Theatre as well the music director for many productions and the program director for the Pre-College program. In addition she is a music director for Camp Broadway and maintains a private vocal coaching studio.