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E-grāmata: Music Industry Handbook

4.33/5 (12 ratings by Goodreads)
(Southampton Solent University, UK)
  • Formāts: 348 pages
  • Sērija : Media Practice
  • Izdošanas datums: 17-Jun-2016
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781317434603
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  • Formāts: 348 pages
  • Sērija : Media Practice
  • Izdošanas datums: 17-Jun-2016
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781317434603
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The Music Industry Handbook, Second edition is an expert resource and guide for all those seeking an authoritative and user-friendly overview of the music industry today.The new edition includes coverage of the latest developments in music streaming, including new business models created by the streaming service sector. There is also expanded exploration of the music industry in different regions of the UK and in other areas of Europe, and coverage of new debates within the music industry, including the impact of copyright extensions on the UK music industry and the business protocols involved when music is used in film and advertising.The Music Industry Handbook, Second edition also includes:in-depth explorations of different elements of the music industry, including the live music sector, the recording industry and the classic music businessanalysis of business practices across all areas of the industry, including publishing, synchronisation and trading in the music industryprofiles presenting interviews with key figures workings in the music industrydetailed further reading for each chapter and a glossary of essential music industry terms.

Recenzijas

Succinctly unpacks and explains the music industries component parts. Provides excellent interviews, introduces business strategies, explains multiple revenue streams, and cover various legal perspectives. A really strong all rounder title. Mark Mynett, Music Technology and Production, University of Huddersfield, UK

Excellent overview of the different sectors of the music industry The case studies such as the one on Gatekeepers is a very helpful guide to the academic literature on the subject. Paul Harkins, Music, Edinburgh Napier University, UK

Loads of useful resources It has some useful material for aiding the preparation of portfolios. Charles daCosta, Film and Animation, Swinburne University of Technology, Australia This handy book (first edition, 2011) is intended for those needing a guide to all facets of an industry that has undergone radical change in the past two decades. Rutter (Southampton Solent Univ., UK) keeps discussion of the history and evolution of the industry to a minimum and focuses on its current state Topics covered include the transformation of the industry, live performance, copyright and publishing, record company deals, management and promotion, and synchronization ... Each chapter includes references to written and online resources, and there is a helpful glossary of terminology. Several chapters include case studies and individual profiles. A useful book for those who are new to the subject or seeking a comprehensive reference. - R. J. Phillips, Colorado State University

List of figures
ix
List of tables
xi
Notes on contributors xii
Acknowledgements xvi
Foreword xvii
Feargal Sharkey
1 Introduction
1(10)
Paul Rutter
2 Music into industry
11(32)
Paul Rutter
Pete Astor
3 The live music industry sector
43(33)
Paul Rutter
Phil Pethybridge
David Robinson
4 Music ownership into copyright
76(23)
Paul Rutter
5 Music publishing
99(21)
Paul Rutter
6 The recorded music industry sector
120(35)
Paul Rutter
Phil Harding
Mike Smith
Peter Leathern
Lynne McDowell
7 Managing music
155(12)
Paul Rutter
Colin Lester
8 Promoting music
167(31)
Paul Rutter
Fiona Sturges
9 Music synchronisation and non-music brand relationships
198(17)
Stu Lambert
Simon May
10 The classical music business
215(31)
Marius Carboni
11 Music venture strategies
246(26)
Paul Rutter
12 Trading in the music industry
272(15)
Paul Rutter
13 Into the future: the nascent music industries
287(17)
Paul Rutter
Glossary 304(16)
Index 320
Paul Rutter is an Associate Professor and Programme Group Leader of the Popular Music Scheme at Southampton Solent University, UK. He is a writer, musician, international songwriter/composer and music producer. Paul is a regular on-air guest contributor, commentator and research consultant in BBC media on popular music news and issues and has over 30 years experience in the music industry. He is also chapter author of Soundtracks: Using Music in Film in The Film Handbook (Mark de Valk with Sarah Arnold, 2013).