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E-grāmata: Music Lesson Plans for Social Justice: A Contemporary Approach for Secondary School Teachers

(Professor of Music Education, Montclair State University), (Professor of Music Education, Montclair State University)
  • Formāts: PDF+DRM
  • Izdošanas datums: 11-Mar-2022
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780197581506
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  • Formāts: PDF+DRM
  • Izdošanas datums: 11-Mar-2022
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780197581506

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Teaching Music for Social Justice offers a fresh, innovative approach to teaching general music. This book is a timely collection of lesson plans and units that artfully blend music making with relevant issues of social justice. Particularly accessible to middle and high school classroom music
teachers, it includes a companion website with links to all of the music listening and videos. Authors Lisa C. DeLorenzo and Marissa Silverman, accomplished music educators with extensive careers thinking about the relationship between music education and social justice, have composed
student-centered lessons with thoughtful discussion prompts, experiences with diverse genres and styles of music, and technology-integrated music making projects that will activate students' creativity and empathy. Unit topics-ranging from “War” to “Climate Change”-include cross-disciplinary lessons
with the arts playing a central role in developing understanding. Well-researched introductory materials as well as “how-to” guides for topics, such as “composing in the classroom,” make the text especially practical and approachable. This book is an essential resource, with ready-to-go lessons and
classroom materials. Music teachers will now have a unique, new lens for engaging students in purposeful music making toward social justice.

Recenzijas

Music Lesson Plans for Social Justice is a tantalizing glimpse of the possibilities when students learn music in a context that is immediately relevant to them. The instructional framework laid out here is ambitious, inspiring, and most importantly, fun. I found myself thinking, time and time again I can't wait to try that! * Richard Lawton, Orff Teacher Educator/Music Teacher, The Westland School, Los Angeles * Even at their first glance, secondary school music educators will immediately recognize the substantive contributions of this work for developing the social consciousness of their students through musical study and experience. This book will move teachers and students beyond general (Western) theory and history courses to musical encounters in gem-like curricular designs that address timely topics of societal turmoil and tension, and of peace, compassion and love. * Patricia Shehan Campbell, Donald E. Peterson Professor of Music, University of Washington * Music Lessons Plans for Social Justice provides ready-to-use resources suitable for any curriculum in any part of the world. I find this publication relevant to various topics including areas that focus on decolonization, socio-cultural significance of music, and learner engagement with music education for situations beyond the classroom. Indeed '...students learn more fully when they are engaged in music making that has contextual relevance to them'. This publication presents contexts that are socially relevant to today's learner. * Emily Achieng' Akuno, Professor of Music, The Technical University of Kenya, President of the International Society for Music Education - ISME (2020-2022) *

Acknowledgments xi
1 Introduction
1(14)
2 American Protest Unit
15(39)
Introduction to the American Protest Unit
15(2)
Graphic Organizer: American Protest
17(1)
Introductory Lesson to American Protest
18(3)
From Labor Unions to Woodstock: Introduction
21(1)
Labor Unions and Woodstock: What We Take for Granted: Lesson 1
21(3)
Labor Unions and Woodstock: Woodstock--Never Forgotten: Lesson 2
24(4)
Labor Unions and Woodstock: Protest Song Project: Lessons 3-4
28(2)
Civil Rights and Black Lives Matter
30(1)
Civil Rights and Black Lives Matter: Talking about Race
31(2)
Civil Rights and Black Lives Matter: Other Forms of Protest: Lesson 1
33(3)
Civil Rights and Black Lives Matter: Racism and Music: Lesson 2
36(3)
Civil Rights and Black Lives Matter: The Bigger Picture: Lessons 3-4
39(3)
School Shootings
42(2)
School Shootings: The Aftermath: Lesson 1
44(3)
School Shootings: In Remembrance: Lesson 2
47(2)
Appendix A "Union Maid"
49(1)
Appendix B "Solidarity Forever"
50(1)
Appendix C "Sometimes I Feel like a Motherless Child"
51(1)
Appendix D Protest Song Project
51(1)
Appendix E Lyrics for "Lift Every Voice and Sing"
51(1)
Appendix F Original Poem by James Weldon Johnson
52(1)
Appendix G Freedom Rap
53(1)
3 War Unit
54(50)
Introduction to the War Unit
54(3)
Pedagogy for Teaching the Human Story
57(2)
Graphic Organizer: War
59(1)
Introductory Lesson to War
60(2)
World War II: Introduction
62(2)
World War II: Lesson 1
64(3)
World War II: Lesson 2
67(2)
World War II: Lesson 3
69(2)
The Vietnam War or the Second Indochina War (known in Vietnam as the Resistance War against America): Introduction
71(3)
The Vietnam War: Lesson 1
74(3)
The Vietnam War: Lesson 2
77(3)
The Vietnam War: Lesson 3
80(3)
The Bogside Massacre (or Bloody Sunday): Introduction
83(1)
The Bogside Massacre: Lesson 1
84(3)
The Bogside Massacre: Lesson 2
87(2)
The War on Racism: Introduction
89(1)
The War on Racism: Lesson 1
90(2)
The War on Racism: Lesson 2
92(3)
Appendix A World War II Timeline
95(1)
Appendix B Steve Reich's "Program Notes"
96(1)
Appendix C Steve Reich: Biographical Information
97(1)
Appendix D Electro-Acoustic Composition Activity Guidelines
98(1)
Appendix E George Crumb: Biographical Information
99(1)
Appendix F Graphic Notation Electro-Acoustic Composition Activity Guidelines
100(1)
Appendix G Reggae: A Brief History and Its Breakdown
101(3)
4 Heroes and Heroines Unit
104(30)
Introduction to the Heroes and Heroines Unit
104(1)
Graphic Organizer: Heroes and Heroines
105(1)
Beethoven Meets Spider-Man: Lesson 1
106(3)
Listening to Beethoven for Mood Qualities: Lesson 2
109(3)
Culminating Project: Lesson 3
112(2)
Florence Nightingale: Lady with the Lamp: Lesson 1
114(3)
Florence Nightingale: Healing Music: Lesson 2
117(2)
Cesar Chavez: Hero for Migrant Farm Workers: Lesson 1
119(3)
Cesar Chavez: A Corrido as a Fractured Fairy Tale: Lesson 2
122(2)
Malala, Music, and the Taliban: Lesson 1
124(3)
Malala and Queen Latifah: Lesson 2
127(3)
Appendix A Beethoven and Peter Parker as Youths
130(1)
Appendix B Mood Adjectives
130(1)
Appendix C The Story
130(1)
Appendix D Project Notes forTeachers--Preparation before Class
131(1)
Appendix E Culminating Project
132(1)
Appendix F Sound Score for Healing
133(1)
Appendix G Corrido deCananea
133(1)
5 Love Unit
134(48)
Introduction to the Love Unit
134(1)
Notes to Teacher
135(1)
Pedagogy for Facilitating Relationality
136(1)
Important Strategies in Relationality
137(1)
Graphic Organizer: Love
138(1)
Introductory Lesson to Love
139(2)
Home: Introduction
141(1)
Home: Lesson 1
141(3)
Home: Lesson 2
144(2)
Home: Lesson 3
146(2)
Friendship: Introduction
148(1)
Friendship: Lesson 1
149(2)
Friendship: Lesson 2
151(2)
Passion: Introduction
153(1)
Passion: Lesson 1
154(4)
Passion: Lesson 2
158(3)
Passion: Lesson 3
161(3)
Ethics: Introduction
164(1)
Ethics: Lesson 1
165(2)
Ethics: Lesson 2
167(2)
Appendix A Jewel of All My Kingdom
169(1)
Appendix B Bollywood Informational Guide
169(2)
Appendix C Spirituals and Gospel Music: A Brief Description
171(1)
Appendix D Playlist Project Information Sheet
172(1)
Appendix E Gahu
173(1)
Appendix F Puerto Rico and "Salsa"
174(1)
Appendix G Dominican Republic and the Merengue
175(1)
Appendix H In the Heights: Plot Summary, Character List, and Select Quotations
176(2)
Appendix I Composition Assignment Instructions
178(1)
Appendix J "Spillane" by John Zorn: Form Map, Biography, and Program
179(3)
6 Climate Change Unit
182(48)
Introduction
182(1)
Graphic Organizer: Climate Change
183(1)
Climate Is Everything: Lesson 1
184(4)
Making a Data Melody: Lesson 2
188(2)
Refining the Data Melody: Lesson 3
190(2)
Living in a Toxic World: Lesson 1
192(3)
Living in a Toxic World: Lesson 2
195(4)
Living in a Toxic World: Lessons 3-4
199(3)
The Shrinking Animal Habitat: Introduction
202(1)
Amazon Rainforest: Lesson 1
203(3)
Endangered Animal Blues: Lesson 2
206(4)
Endangered Animal Blues: Lessons 3-4
210(3)
Introduction to Advocacy for Climate Change
213(1)
Advocating for a Just and Equitable Climate Future: Lesson 1
214(2)
Advocatingfor a Just and Equitable Climate Future: Lesson 2
216(2)
Advocating for a Just and Equitable Climate Future: Lessons 3-4
218(2)
Appendix A How to Collect Images and Sound Sources
220(1)
Appendix B Earth's Temperature Record
221(1)
Appendix C US Heat Waves
221(1)
Appendix D US Wildfires
222(1)
Appendix E Arctic Sea Ice Extent
222(1)
Appendix F US Sea Level
223(1)
Appendix G Culminating Data Melody Project
223(1)
Appendix H Lyric Analysis for "Petroleum Distillation"
224(1)
Appendix I What Should Your Friends Know?
225(1)
Appendix J Culminating Project
225(1)
Appendix K The Impact on Animals
226(1)
Appendix L Critically Endangered Animals
227(1)
Appendix M These Are Our Rights, Right?
227(1)
Appendix N Advocating for a Just and Equitable Climate Future
228(2)
7 Peace Unit
230(36)
Introduction to the Peace Unit
230(1)
Notes to Teacher
231(1)
Pedagogy for Peaceful Being
232(2)
Graphic Organizer: Peace
234(1)
Introductory Lesson to Peace
235(2)
Mediation and Meditation: Introduction
237(1)
Mediation and Meditation: Lesson 1
237(4)
Mediation and Meditation: Lesson 2
241(4)
Forgiveness and Freedom: Introduction
245(1)
Forgiveness and Freedom: Lesson 1
246(2)
Forgiveness and Freedom: Lesson 2
248(4)
Globalization and Community: Introduction
252(1)
Globalization and Community: Lesson 1
253(4)
Globalization and Community: Lesson 2
257(3)
Appendix A From the Bhagavad Gita and Beyond
260(2)
Appendix B Forgiveness
262(1)
Appendix C Peace Piece
263(1)
Appendix D Composition Guidelines: Forgiveness and Freedom
264(1)
Appendix E "A Better Place" by Playing for Change
265(1)
8 Epilogue: Creating Your Own Socially Just Music Lessons
266(5)
Index 271
Lisa C. DeLorenzo is Professor of Music Education at the John J. Cali School of Music of Montclair State University. She teaches music education courses and supervises student teachers. Her interests in creative and critical thinking and movement/dance as well as connections between democracy, social justice and music teacher education have provided material for numerous books, as well as articles in practitioner and research journals.

Marissa Silverman is Professor of Music Education at the John J. Cali School of Music of Montclair State University. A Fulbright Scholar, her research interests include music and social justice, interdisciplinary education, community music, and topics in the philosophy of music and music education.